The concept of truth. Four Works by Annette von Droste Hülshoff, Harriet Beecher Stowe, Fyodor Dostoevsky and Georges Bernanos PDF Download
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Author: Ruth Levai
Publisher: GRIN Verlag
ISBN: 3346357244
Category : Philosophy
Languages : en
Pages : 159
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Book Description
Doctoral Thesis / Dissertation from the year 2019 in the subject Philosophy - Philosophy of the 20th century, grade: 4.0, Eötvös Loránd University, language: English, abstract: Is truth necessarily unmediated? If so, can it be grasped/apprehended in its unmediated form? Or is it something that can only be engaged in this present moment in its present form? The structure of the study will be as follows: 1) a brief discussion of the influence of Enlightenment thinking upon German, French, American and Russian literature and/or culture before and throughout the authors’ lifetime, 2) an exposition of the aspects of the Enlightenment which were embraced or rejected by the authors, including a comparative look at each of their conversion experiences and how their Christian faith, though members of differing branches thereof, shaped their intellect, 3) an analysis of four specific works by the authors, demonstrating how they coincide with modern notions of truth and even precede recent discoveries about the nature of our reality, 4) and finally a discussion of the aftermath of Enlightenment assumptions in the twentieth century and the effects that they have produced in the modern and postmodern understanding of what constitutes the truth of our reality. Perhaps the key lies in understanding the ambivalence of mimesis itself, an imprecise concept which encompasses both what modern French philosopher Jean-Luc Marion would call the icon and the idol. Speaking of representation as a conduit of truth vs. a conduit of falsehood, or the icon versus the idol Marion writes: The icon...attempts to...allow that the visible not cease to refer to an other than itself, without, however, that other ever being reproduced in the visible...it teaches the gaze, thus does not cease to correct it in order that it go back from visible to visible as far as the end of infinity, to find in infinity something new...the gaze can never rest or settle if it looks at an icon...in this sense, the icon makes visible only by giving rise to an infinite gaze. To find in infinity something new: let this be the defining theme of our study, as it so felicitously encompasses the quest of post-Enlightenment thinkers, including our authors, Droste, Stowe, Dostoevsky and Bernanos, as well as post-relativity physicists, to grasp that reality which maintains its validity by escaping us.
Author: Ruth Levai
Publisher: GRIN Verlag
ISBN: 3346357244
Category : Philosophy
Languages : en
Pages : 159
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Book Description
Doctoral Thesis / Dissertation from the year 2019 in the subject Philosophy - Philosophy of the 20th century, grade: 4.0, Eötvös Loránd University, language: English, abstract: Is truth necessarily unmediated? If so, can it be grasped/apprehended in its unmediated form? Or is it something that can only be engaged in this present moment in its present form? The structure of the study will be as follows: 1) a brief discussion of the influence of Enlightenment thinking upon German, French, American and Russian literature and/or culture before and throughout the authors’ lifetime, 2) an exposition of the aspects of the Enlightenment which were embraced or rejected by the authors, including a comparative look at each of their conversion experiences and how their Christian faith, though members of differing branches thereof, shaped their intellect, 3) an analysis of four specific works by the authors, demonstrating how they coincide with modern notions of truth and even precede recent discoveries about the nature of our reality, 4) and finally a discussion of the aftermath of Enlightenment assumptions in the twentieth century and the effects that they have produced in the modern and postmodern understanding of what constitutes the truth of our reality. Perhaps the key lies in understanding the ambivalence of mimesis itself, an imprecise concept which encompasses both what modern French philosopher Jean-Luc Marion would call the icon and the idol. Speaking of representation as a conduit of truth vs. a conduit of falsehood, or the icon versus the idol Marion writes: The icon...attempts to...allow that the visible not cease to refer to an other than itself, without, however, that other ever being reproduced in the visible...it teaches the gaze, thus does not cease to correct it in order that it go back from visible to visible as far as the end of infinity, to find in infinity something new...the gaze can never rest or settle if it looks at an icon...in this sense, the icon makes visible only by giving rise to an infinite gaze. To find in infinity something new: let this be the defining theme of our study, as it so felicitously encompasses the quest of post-Enlightenment thinkers, including our authors, Droste, Stowe, Dostoevsky and Bernanos, as well as post-relativity physicists, to grasp that reality which maintains its validity by escaping us.
Author: George Thomas Kurian
Publisher:
ISBN: 9780816041978
Category : Literary Criticism
Languages : en
Pages : 457
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Book Description
Which authors were contemporaries of Charles Dickens? Which books, plays, and poems were published during World War II? Who won the Pulitzer Prize in the year you were born? Timetables of World Literature is a chronicle of literature from ancient times through the 20th century. It answers the question "Who wrote what when?" and allows readers to place authors and their works in the context of their times. A chronology of the best in global writing, this valuable resource lists more than 12,000 titles and 9,800 authors, includes all genres of literature from more than 58 countries, and covers 41 languages. It is divided into seven sections, spanning the Classical Age (to 100 CE), the Middle Ages (100–1500 CE), and the 16th through the 20th centuries. Comprehensive in scope, Timetables of World Literature provides students, researchers, and browsers with basic facts and a worldwide perspective on literature through time. Four extensive indexes by author, title, language/nationality, and genre make research quick and easy. Features include: Birth and death dates as well as nationalities of authors and other literary figures Winners of major literary prizes and awards, such as the Nobel Prize in Literature and the Pulitzer Prizes, for each year Brief discussions of literary developments in each period or century, and the relationship of literature to the social and political climate Timelines of key historical events in each century.
Author: Sarah Hudspith
Publisher: Routledge
ISBN: 1134406886
Category : History
Languages : en
Pages : 239
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Book Description
This book examines Dostoevsky's interest in, and engagement with, "Slavophilism", and his views on the religious, spiritual and moral ideas which he considered to be innately Russian.
Author: Jonathan Paine
Publisher: Harvard University Press
ISBN: 0674988434
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
A literary scholar and investment banker applies economic criticism to canonical novels, dramatically changing the way we read these classics and proposing a new model for how economics can inform literary analysis. Every writer is a player in the marketplace for literature. Jonathan Paine locates the economics ingrained within the stories themselves, revealing how a text provides a record of its author’s attempt to sell the story to his or her readers. An unusual literary scholar with a background in finance, Paine mines stories for evidence of the conditions of their production. Through his wholly original reading, Balzac’s The Splendors and Miseries of Courtesans becomes a secret diary of its author’s struggles to cope with the commercializing influence of serial publication in newspapers. The Brothers Karamazov transforms into a story of Dostoevsky’s sequential bets with his readers, present and future, about how to write a novel. Zola’s Money documents the rise of big business and is itself a product of Zola’s own big business, his factory of novels. Combining close readings with detailed analyses of the nineteenth-century publishing contexts in which prose fiction first became a product, Selling the Story shows how the business of literature affects even literary devices such as genre, plot, and repetition. Paine argues that no book can be properly understood without reference to its point of sale: the author’s knowledge of the market, of reader expectations, and of his or her own efforts to define and achieve literary value.
Author: Marta-Laura Cenedese
Publisher: Springer Nature
ISBN: 3030442039
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
This book explores the influence of Tolstoy, Dostoevsky, and Chekhov on Russian-born French language writer Irène Némirovsky. It considers the complexity of each of these relationships and the different modes in which they appear; demonstrating how, by skillfully integrating reading and writing, reception and creation, Némirovsky engaged with Russian literature within her own work. Through detailed analysis of the intersections between novels, short stories and archival sources, the book assesses to what degree Tolstoy, Dostoevsky and Chekhov influenced Némirovsky, how this influence affected her work, and to what effects. To this aim the book articulates the notion of creative influence, a method that, in conversation with theories of influence, intertextuality, and reception aesthetics, seeks to reflect a “meeting of artistic minds” that includesaffective, ethical, and creative encounters between writers, readers, and researchers.
Author: Paul Fung
Publisher: Routledge
ISBN: 1351569295
Category : Foreign Language Study
Languages : en
Pages : 161
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Book Description
For Fyodor Dostoevsky (1821-81), who lived with epileptic seizures for more than thirty years, illness is an ineradicable part of existence. Epilepsy in his writings denotes both a set of physical symptoms and a state of survival in which the protagonists incessantly try to articulate, theorize, or master what is ungraspable in their everyday experience. Their attempts to deal with what they cannot control or comprehend results in disappointment, or what Dostoevsky called a mystical terror. Dostoevsky's heroes are unable fully to understand this state, and their existence becomes 'epileptic' in so far as self-knowledge and self-coincidence are never achieved. Fung explores new critical pathways by reexamining five of Dostoevsky's post-Siberian novels. Drawing on insights from writers including Benjamin, Blanchot, Freud, Lacan and Nietzsche, the book takes epilepsy as a trope for discussing the unspeakable moments in the texts, and is intended for students and scholars who are interested in the subject of modernity, critique of the visual, and dialogues between philosophy and literature. Paul Fung is Assistant Professor in English at Hang Seng Management College, Hong Kong.
Author: N. M. Lary
Publisher:
ISBN: 9780415482516
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Summary: What did Dickens mean to Dostoevsky, and what did the Russian writer owe to England's greatest entertainer? Many of Dickens' readers have recognized that his achievement needs to be compared with Dostoevsky's, and they have suspected, or assumed an influence. This book shows what the literary influence really or probably was.
Author: Liam O'Flaherty
Publisher:
ISBN:
Category :
Languages : en
Pages : 346
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Book Description
Author: Sophie Laffitte
Publisher: Angus & Robertson Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
Author: Francesco Petrarca
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 328
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Book Description
