Author: David Palmer
Publisher: Bloomsbury Publishing
ISBN: 1474276946
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
This volume responds to a renewed focus on tragedy in theatre and literary studies to explore conceptions of tragedy in the dramatic work of seventeen canonical American playwrights. For students of American literature and theatre studies, the assembled essays offer a clear framework for exploring the work of many of the most studied and performed playwrights of the modern era. Following a contextual introduction that offers a survey of conceptions of tragedy, scholars examine the dramatic work of major playwrights in chronological succession, beginning with Eugene O'Neill and ending with Suzan-Lori Parks. A final chapter provides a study of American drama since 1990 and its ongoing engagement with concepts of tragedy. The chapters explore whether there is a distinctively American vision of tragedy developed in the major works of canonical American dramatists and how this may be seen to evolve over the course of the twentieth century through to the present day. Among the playwrights whose work is examined are: Susan Glaspell, Langston Hughes, Tennessee Williams, Arthur Miller, Edward Albee, Lorraine Hansberry, Amiri Baraka, August Wilson, Marsha Norman and Tony Kushner. With each chapter being short enough to be assigned for weekly classes in survey courses, the volume will help to facilitate critical engagement with the dramatic work and offer readers the tools to further their independent study of this enduring theme of dramatic literature.
Visions of Tragedy in Modern American Drama
Author: David Palmer
Publisher: Bloomsbury Publishing
ISBN: 1474276946
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
This volume responds to a renewed focus on tragedy in theatre and literary studies to explore conceptions of tragedy in the dramatic work of seventeen canonical American playwrights. For students of American literature and theatre studies, the assembled essays offer a clear framework for exploring the work of many of the most studied and performed playwrights of the modern era. Following a contextual introduction that offers a survey of conceptions of tragedy, scholars examine the dramatic work of major playwrights in chronological succession, beginning with Eugene O'Neill and ending with Suzan-Lori Parks. A final chapter provides a study of American drama since 1990 and its ongoing engagement with concepts of tragedy. The chapters explore whether there is a distinctively American vision of tragedy developed in the major works of canonical American dramatists and how this may be seen to evolve over the course of the twentieth century through to the present day. Among the playwrights whose work is examined are: Susan Glaspell, Langston Hughes, Tennessee Williams, Arthur Miller, Edward Albee, Lorraine Hansberry, Amiri Baraka, August Wilson, Marsha Norman and Tony Kushner. With each chapter being short enough to be assigned for weekly classes in survey courses, the volume will help to facilitate critical engagement with the dramatic work and offer readers the tools to further their independent study of this enduring theme of dramatic literature.
Publisher: Bloomsbury Publishing
ISBN: 1474276946
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
This volume responds to a renewed focus on tragedy in theatre and literary studies to explore conceptions of tragedy in the dramatic work of seventeen canonical American playwrights. For students of American literature and theatre studies, the assembled essays offer a clear framework for exploring the work of many of the most studied and performed playwrights of the modern era. Following a contextual introduction that offers a survey of conceptions of tragedy, scholars examine the dramatic work of major playwrights in chronological succession, beginning with Eugene O'Neill and ending with Suzan-Lori Parks. A final chapter provides a study of American drama since 1990 and its ongoing engagement with concepts of tragedy. The chapters explore whether there is a distinctively American vision of tragedy developed in the major works of canonical American dramatists and how this may be seen to evolve over the course of the twentieth century through to the present day. Among the playwrights whose work is examined are: Susan Glaspell, Langston Hughes, Tennessee Williams, Arthur Miller, Edward Albee, Lorraine Hansberry, Amiri Baraka, August Wilson, Marsha Norman and Tony Kushner. With each chapter being short enough to be assigned for weekly classes in survey courses, the volume will help to facilitate critical engagement with the dramatic work and offer readers the tools to further their independent study of this enduring theme of dramatic literature.
Versions of Heroism in Modern American Drama
Author: Julie Adam
Publisher: Springer
ISBN: 1349213632
Category : Literary Criticism
Languages : en
Pages : 185
Book Description
Taking as its starting-point the 'death of tragedy' debate, and focusing on the supposed disappearance from the stage of the individual tragic hero, the book views selected plays and writings on the theatre by Miller, Williams, Maxwell Anderson and O'Neill as exemplifying four versions of heroism: idealism, martyrdom, self-reflection and survival. Julie Adam shows that these diverse playwrights share a desire to redefine tragic heroism in individualistic liberal terms.
Publisher: Springer
ISBN: 1349213632
Category : Literary Criticism
Languages : en
Pages : 185
Book Description
Taking as its starting-point the 'death of tragedy' debate, and focusing on the supposed disappearance from the stage of the individual tragic hero, the book views selected plays and writings on the theatre by Miller, Williams, Maxwell Anderson and O'Neill as exemplifying four versions of heroism: idealism, martyrdom, self-reflection and survival. Julie Adam shows that these diverse playwrights share a desire to redefine tragic heroism in individualistic liberal terms.
The Risk Theatre Model of Tragedy
Author: Edwin Wong
Publisher: FriesenPress
ISBN: 1525537555
Category : Drama
Languages : en
Pages : 363
Book Description
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.
Publisher: FriesenPress
ISBN: 1525537555
Category : Drama
Languages : en
Pages : 363
Book Description
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.
THE IDEA OF TRAGEDY IN MODERN AMERICAN DRAMA.
Author: ARTHUR JULIUS GOULD
Publisher:
ISBN:
Category :
Languages : en
Pages : 714
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 714
Book Description
A Reader's Guide to Modern American Drama
Author: Sanford Sternlicht
Publisher: Syracuse University Press
ISBN: 9780815629399
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
Sanford Sternlicht presents a comprehensive survey of modern American drama beginning with its antecedents in Victorian melodrama through the present. He discusses the work and achievement of more than seventy playwrights, from Eugene O’Neill to Suzan-Lori Parks—from the golden era of Broadway to the rise of Off-Broadway and regional theater. Stern-licht shows how world theater influenced the American stage, and how the views of American dramatists reflected the great American social movements of their times. In addition, he describes the contributions of early experimental theater, the Federal Theater of the 1930s, African American, feminist, and gay and lesbian drama—and the joyous trends and triumphs of American musical theater.
Publisher: Syracuse University Press
ISBN: 9780815629399
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
Sanford Sternlicht presents a comprehensive survey of modern American drama beginning with its antecedents in Victorian melodrama through the present. He discusses the work and achievement of more than seventy playwrights, from Eugene O’Neill to Suzan-Lori Parks—from the golden era of Broadway to the rise of Off-Broadway and regional theater. Stern-licht shows how world theater influenced the American stage, and how the views of American dramatists reflected the great American social movements of their times. In addition, he describes the contributions of early experimental theater, the Federal Theater of the 1930s, African American, feminist, and gay and lesbian drama—and the joyous trends and triumphs of American musical theater.
Modern American Literature
Author: Claudio Gorlier
Publisher: Atlantic Publishers & Dist
ISBN: 9788171569786
Category : American literature
Languages : en
Pages : 256
Book Description
Modern American Literature Is Too Vast And Varied To Be Studied Between The Covers Of A Single Book. Although Limited By Space, A Sincere Effort Has Been Made In This Anthology To Put Together Deeply Perceptive Articles On Some Of The Most Influential And Representative American Authors And Literary Works. Among The Writers Studied Here Are Henry David Thoreau, Walt Whitman, Earnest Hemingway, Thomas Wolfe, Toni Morrison, Harold Robbins, Eugene O Neill And Edward Albee Who Represent Most Of The Important Genres And Trends In American Literature Today. Thoreau And Whitman Have Been Included Not Because They Are Modern But Because Of Their Immense Contribution To The Evolution Of The American Thought And Literature.The Novels And Plays Specially Focussed Upon Are: The Old Man And The Sea, Look Homeward, Angel, The Bluest Eye, Sula, Where Love Has Gone, Desire Under The Elms, A Streetcar Named Desire, A Delicate Balance And Tiny Alice.It Is Earnestly Hoped That Teachers, Research Students And Scholars Interested In American Literature Will Find This Book Immensely Useful.
Publisher: Atlantic Publishers & Dist
ISBN: 9788171569786
Category : American literature
Languages : en
Pages : 256
Book Description
Modern American Literature Is Too Vast And Varied To Be Studied Between The Covers Of A Single Book. Although Limited By Space, A Sincere Effort Has Been Made In This Anthology To Put Together Deeply Perceptive Articles On Some Of The Most Influential And Representative American Authors And Literary Works. Among The Writers Studied Here Are Henry David Thoreau, Walt Whitman, Earnest Hemingway, Thomas Wolfe, Toni Morrison, Harold Robbins, Eugene O Neill And Edward Albee Who Represent Most Of The Important Genres And Trends In American Literature Today. Thoreau And Whitman Have Been Included Not Because They Are Modern But Because Of Their Immense Contribution To The Evolution Of The American Thought And Literature.The Novels And Plays Specially Focussed Upon Are: The Old Man And The Sea, Look Homeward, Angel, The Bluest Eye, Sula, Where Love Has Gone, Desire Under The Elms, A Streetcar Named Desire, A Delicate Balance And Tiny Alice.It Is Earnestly Hoped That Teachers, Research Students And Scholars Interested In American Literature Will Find This Book Immensely Useful.
Ancient and Modern Concepts of the Tragic Hero
Author: Mary E. Gaither
Publisher:
ISBN:
Category :
Languages : en
Pages : 310
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 310
Book Description
Tragedy and the Common Man
Author: Arthur Miller
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 2
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 2
Book Description
Tragedy in the Contemporary American Theatre
Author: Robert J. Andreach
Publisher: University Press of America
ISBN: 0761864016
Category : Performing Arts
Languages : en
Pages : 209
Book Description
This book refutes the claim that tragedy is no longer a vital and relevant part of contemporary American theatre. Tragedy in the Contemporary American Theatre examines plays by multiple contemporary playwrights and compares them alongside the works of America’s major twentieth-century tragedians: Eugene O’Neill, Arthur Miller, and Tennessee Williams. The book argues that tragedy is not only present in contemporary American theatre, but issues from an expectation fundamental to American culture: the pressure on characters to create themselves. Tragedy in the Contemporary American Theatre concludes that tragedy is vital and relevant, though not always in the Aristotelian model, the standard for traditional evaluation.
Publisher: University Press of America
ISBN: 0761864016
Category : Performing Arts
Languages : en
Pages : 209
Book Description
This book refutes the claim that tragedy is no longer a vital and relevant part of contemporary American theatre. Tragedy in the Contemporary American Theatre examines plays by multiple contemporary playwrights and compares them alongside the works of America’s major twentieth-century tragedians: Eugene O’Neill, Arthur Miller, and Tennessee Williams. The book argues that tragedy is not only present in contemporary American theatre, but issues from an expectation fundamental to American culture: the pressure on characters to create themselves. Tragedy in the Contemporary American Theatre concludes that tragedy is vital and relevant, though not always in the Aristotelian model, the standard for traditional evaluation.
Arthur Miller - Death of a Salesman/The Crucible
Author: Stephen Marino
Publisher: Bloomsbury Publishing
ISBN: 1137429801
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
Arthur Miller was one of the most important American playwrights and political and cultural figures of the 20th century. Both Death of a Salesman and The Crucible stand out as his major works: the former is always in performance somewhere in the world and the latter is Miller's most produced play. As major modern American dramas, they are the subject of a huge amount of criticism which can be daunting for students approaching the plays for the first time. This Reader's Guide introduces the major critical debates surrounding the plays and discusses their unique production histories, initial theatre reviews and later adaptations. The main trends of critical inquiry and scholars who have purported them are examined, as are the views of Miller himself, a prolific self-critic.
Publisher: Bloomsbury Publishing
ISBN: 1137429801
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
Arthur Miller was one of the most important American playwrights and political and cultural figures of the 20th century. Both Death of a Salesman and The Crucible stand out as his major works: the former is always in performance somewhere in the world and the latter is Miller's most produced play. As major modern American dramas, they are the subject of a huge amount of criticism which can be daunting for students approaching the plays for the first time. This Reader's Guide introduces the major critical debates surrounding the plays and discusses their unique production histories, initial theatre reviews and later adaptations. The main trends of critical inquiry and scholars who have purported them are examined, as are the views of Miller himself, a prolific self-critic.