The Complete Works of George Orwell: Keeping our little corner clean (1942-43) PDF Download
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Author: George Orwell
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: George Orwell
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: George Orwell
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: George Orwell
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: George Orwell
Publisher:
ISBN: 9780436203770
Category :
Languages : en
Pages : 0
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Book Description
Author: George Orwell
Publisher: Harvill Secker
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 432
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Book Description
Orwell continued the BBC program "Voice" and developed an "open university" with broadcasts by distinguished speakers such as E.M. Forster, T.S. Eliot and Joseph Needham. "From the Trade Paperback edition.
Author: George Orwell
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 436
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Author: George Orwell
Publisher:
ISBN: 9780436203770
Category :
Languages : en
Pages : 380
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Book Description
Author: Loraine Saunders
Publisher: Routledge
ISBN: 1317012798
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
In a timely and radically new reappraisal of George Orwell's fiction, Loraine Saunders reads Orwell's novels as tales of successful emancipation rather than as chronicles of failure. Contending that Orwell's novels have been undervalued as works of art, she offers extensive textual analysis to reveal an author who is in far more control of his prose than has been appreciated. Persuasively demonstrating that Orwell's novels of the 1930s such as A Clergyman's Daughter and Keep the Aspidistra Flying are no less important as literature than Animal Farm and Nineteen Eighty-Four, Saunders argues they have been victims of a critical tradition whose practitioners have misunderstood Orwell's narrative style, failed to appreciate Orwell's political stance, and were predisposed to find little merit in Orwell's novels. Saunders devotes significant attention to George Gissing's influence on Orwell, particularly with regard to his representations of women. She also examines Orwell's socialism in the context of the political climate of the 1930s, finding that Orwell, in his successful negotiation of the fine balance between art and propaganda, had much more in common with Charlie Chaplin than with writers like Stephen Spender or W. H. Auden. As a result of Saunders's detailed and accessible analysis, which illuminates how Orwell harmonized allegory with documentary, polyphonic voice with monophonic, and elegy with comedy, Orwell's contributions to the genre of political fiction are finally recognized.
Author: B. Clarke
Publisher: Springer
ISBN: 0230591124
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
This bold new reading of Orwell's work focuses upon his representation of communities and the myths that shape them. It analyzes his interpretations of class, gender and nationality within the context of the period. The book uses a range of texts to argue that Orwell attempted to integrate 'traditional' communal identities with socialist politics.
Author: Gregory Claeys
Publisher: Oxford University Press
ISBN: 0191088625
Category : History
Languages : en
Pages : 569
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Book Description
Dystopia: A Natural History is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this volume redefines the central concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject. Part One assesses the theory and prehistory of 'dystopia'. By contrast to utopia, conceived as promoting an ideal of friendship defined as 'enhanced sociability', dystopia is defined by estrangement, fear, and the proliferation of 'enemy' categories. A 'natural history' of dystopia thus concentrates upon the centrality of the passion or emotion of fear and hatred in modern despotisms. The work of Le Bon, Freud, and others is used to show how dystopian groups use such emotions. Utopia and dystopia are portrayed not as opposites, but as extremes on a spectrum of sociability, defined by a heightened form of group identity. The prehistory of the process whereby 'enemies' are demonised is explored from early conceptions of monstrosity through Christian conceptions of the devil and witchcraft, and the persecution of heresy. Part Two surveys the major dystopian moments in twentieth century despotisms, focussing in particular upon Nazi Germany, Stalinism, the Chinese Cultural Revolution, and Cambodia under Pol Pot. The concentration here is upon the political religion hypothesis as a key explanation for the chief excesses of communism in particular. Part Three examines literary dystopias. It commences well before the usual starting-point in the secondary literature, in anti-Jacobin writings of the 1790s. Two chapters address the main twentieth-century texts usually studied as representative of the genre, Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four. The remainder of the section examines the evolution of the genre in the second half of the twentieth century down to the present.
