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Author: Raymond Leslie Williams
Publisher: University of Texas Press
ISBN: 0292788509
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Novels such as One Hundred Years of Solitude have awakened English-language readers to the existence of Colombian literature in recent years, but Colombia has a well-established literary tradition that far predates the Latin American "boom." In this pathfinding study, Raymond Leslie Williams provides an overview of seventeen major authors and more than one hundred works spanning the years 1844 to 1987. After an introductory discussion of Colombian regionalism and novelistic development, Williams considers the novels produced in Colombia's four semi-autonomous regions. The Interior Highland Region is represented by novels ranging from Eugenio Díaz' Manuela to Eduardo Caballero Calderón's El buen salvaje. The Costa Region is represented by Juan José Nieto's Ingermina to Alvaro Cepeda Samudio's La casa grande and Gabriel García Márquez' Cien años de soledad; the Greater Antioquian Region by Tomás Carrasquilla's Frutos de mi tierra to Manuel Mejía Vallejo's El día señalado; and the Greater Cauca Region by Jorge Isaacs' Maria to Gustavo Alvarez Gardeazábal's El bazar de los idiotas. A discussion of the modern and postmodern novel concludes the study, with special consideration given to the works of García Márquez and Moreno-Durán. Written in a style accessible to a wide audience, The Colombian Novel will be a foundational work for all students of Colombian culture and Latin American literature.
Author: Raymond Leslie Williams
Publisher: University of Texas Press
ISBN: 0292788509
Category : Literary Criticism
Languages : en
Pages : 296
Get Book Here
Book Description
Novels such as One Hundred Years of Solitude have awakened English-language readers to the existence of Colombian literature in recent years, but Colombia has a well-established literary tradition that far predates the Latin American "boom." In this pathfinding study, Raymond Leslie Williams provides an overview of seventeen major authors and more than one hundred works spanning the years 1844 to 1987. After an introductory discussion of Colombian regionalism and novelistic development, Williams considers the novels produced in Colombia's four semi-autonomous regions. The Interior Highland Region is represented by novels ranging from Eugenio Díaz' Manuela to Eduardo Caballero Calderón's El buen salvaje. The Costa Region is represented by Juan José Nieto's Ingermina to Alvaro Cepeda Samudio's La casa grande and Gabriel García Márquez' Cien años de soledad; the Greater Antioquian Region by Tomás Carrasquilla's Frutos de mi tierra to Manuel Mejía Vallejo's El día señalado; and the Greater Cauca Region by Jorge Isaacs' Maria to Gustavo Alvarez Gardeazábal's El bazar de los idiotas. A discussion of the modern and postmodern novel concludes the study, with special consideration given to the works of García Márquez and Moreno-Durán. Written in a style accessible to a wide audience, The Colombian Novel will be a foundational work for all students of Colombian culture and Latin American literature.
Author: Nancy P. Appelbaum
Publisher: Duke University Press
ISBN: 9780822330929
Category : History
Languages : en
Pages : 324
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Book Description
DIVClaims that Colombia’s present-day regional and local hierarchies were shaped by 19th and 20th century processes of colonization and that regionalism and race are tied into Colombia’s history of violence./div
Author: Nancy P. Appelbaum
Publisher: UNC Press Books
ISBN: 1469627450
Category : History
Languages : en
Pages : 321
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Book Description
The nineteenth century was an era of breathtakingly ambitious geographic expeditions across the Americas. The seminal Chorographic Commission of Colombia, which began in 1850 and lasted about a decade, was one of Latin America's most extensive. The commission's mandate was to define and map the young republic and its resources with an eye toward modernization. In this history of the commission, Nancy P. Appelbaum focuses on the geographers' fieldwork practices and visual production as the men traversed the mountains, savannahs, and forests of more than thirty provinces in order to delineate the country's territorial and racial composition. Their assumptions and methods, Appelbaum argues, contributed to a long-lasting national imaginary. What jumps out of the commission's array of reports, maps, sketches, and paintings is a portentous tension between the marked differences that appeared before the eyes of the geographers in the field and the visions of sameness to which they aspired. The commissioners and their patrons believed that a prosperous republic required a unified and racially homogeneous population, but the commission's maps and images paradoxically emphasized diversity and helped create a "country of regions." By privileging the whiter inhabitants of the cool Andean highlands over those of the boiling tropical lowlands, the commission left a lasting but problematic legacy for today's Colombians.
Author: Maria Elena Cepeda
Publisher: NYU Press
ISBN: 0814772250
Category : Social Science
Languages : en
Pages : 269
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Book Description
Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami’s growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most renowned rock en español, pop, and vallenato stars. Musical ImagiNation provides an overview of the ongoing Colombian political and economic crisis and the dynamics of Colombian immigration to metropolitan Miami. More notably, placed in this context, the book discusses the creative work and media personas of talented Colombian artists Shakira, Andrea Echeverri of Aterciopelados, and Carlos Vives. In her examination of the transnational figures and music that illuminate the recent shifts in the meanings attached to Colombian identity both in the United States and Latin America, Cepeda argues that music is a powerful arbitrator of memory and transnational identity.
Author: Nelly S. de Gonzalez
Publisher: Bloomsbury Publishing USA
ISBN: 0313052999
Category : Literary Criticism
Languages : en
Pages : 530
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Book Description
With this latest installment, Nelly Sfeir v. de Gonzalez has completed her triology of bibliographies on Gabriel Garcia Marquez. Born in Colombia in 1927, Garcia Marquez has become one of the most outstanding and influential novelists of the 20th century. He has received numerous awards, including the 1982 Nobel Prize for Literature. His work has generated an enormous amount of scholarship and his writings are part of the curricula taught in most American colleges and universities. This third volume presents a comprehensive annotated bibliography of books, articles, and non-print materials by and about Garcia Marquez published between 1992 and 2002. The first part consists of primary sources by Garcia Marquez, while, the second part brings together entries for secondary sources, including reviews.
Author: Marvin A. Lewis
Publisher: Rowman & Littlefield
ISBN: 1611461340
Category : Literary Criticism
Languages : en
Pages : 159
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Book Description
Pablo Adalberto Ortiz Quiñones (1914–2002) was one of the most gifted writers in Ecuador and all of Latin America. Yet outside of Ecuador and amongst Afro-Hispanic literature scholars in the United States, little critical attention has been given to this pioneer whose multi-genre contributions spanned decades. In his writings, Ortiz explores some of the defining social issues in the Americas since the African and European encounters with the New World, including the notion of “race.” He articulates a complex process of affirming the ethnic while not denying the national. Consequently, miscegenation—a biological process—as well as acculturation are motifs in his writings, which explore the essence of what it means to be Ecuadorian. Ortiz does not dwell upon the so-called “race” question, the issue that causes such anxiety and hostility, overtly and covertly, in the United States. Rather, he explores, in depth, ethnicity, class, and caste in his earlier writings and evolves into an international writer while maintaining a strong black awareness. Adalberto Ortiz’s transcendence of victimization to a broader view of the world is indicative of the title of Marvin A. Lewis’ analysis —from margin to center—and reflective of the approach taken by many Afro-Hispanic writers. The dialectical nature of Ortiz’s writings makes his work particularly interesting and rewarding, as revealed in Adalberto Ortiz: From Margin to Center. In this book, Lewis examines the form and content relationships between works published during different literary periods and movements. Emphasis is placed on Ortiz’s transition from the local to the international in each genre, and the theoretical approach is “eclectic,” depending upon the exigencies of the texts. Ecocriticism, post-colonialism, post-modernism, and other methodologies addressing the environment, place/displacement, identity, and historiographic metafiction are fundamental to the Lewis’ readings of Ortiz’s prose and poetry.
Author: Naomi Lindstrom
Publisher: University of Texas Press
ISBN: 0292778120
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
The world discovered Latin American literature in the twentieth century, but the roots of this rich literary tradition reach back beyond Columbus's discovery of the New World. The great pre-Hispanic civilizations composed narrative accounts of the acts of gods and kings. Conquistadors and friars, as well as their Amerindian subjects, recorded the clash of cultures that followed the Spanish conquest. Three hundred years of colonization and the struggle for independence gave rise to a diverse body of literature—including the novel, which flourished in the second half of the nineteenth century. To give everyone interested in contemporary Spanish American fiction a broad understanding of its literary antecedents, this book offers an authoritative survey of four centuries of Spanish American narrative. Naomi Lindstrom begins with Amerindian narratives and moves forward chronologically through the conquest and colonial eras, the wars for independence, and the nineteenth century. She focuses on the trends and movements that characterized the development of prose narrative in Spanish America, with incisive discussions of representative works from each era. Her inclusion of women and Amerindian authors who have been downplayed in other survey works, as well as her overview of recent critical assessments of early Spanish American narratives, makes this book especially useful for college students and professors.
Author: Paul Schellinger
Publisher: Routledge
ISBN: 1135918333
Category : Literary Criticism
Languages : en
Pages : 2557
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Book Description
The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.
Author: Kathryn A. Sloan
Publisher: Univ of California Press
ISBN: 0520290321
Category : History
Languages : en
Pages : 270
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Book Description
"At the turn of the twentieth century, many observers considered suicide to be a worldwide social problem that had reached epidemic proportions. This idea was especially powerful in Mexico City, where tragic and violent deaths in public urban spaces seemed commonplace in a city undergoing rapid modernization. Crime rates mounted, corpses piled up in the morgue, and the media reported on sensational cases of murder and suicide. More troublesome still, a compelling death wish appeared to grip women and youth. Drawing on an extensive range of sources, from judicial records to the popular press, Death in the City examines the cultural meanings of death and self-destruction in modern Mexico. The author examines approaches and responses to suicide and death, disproving the long-held belief that Mexicans possessed a cavalier response to death"--Provided by publisher.
Author: Gene H. Bell-Villada
Publisher: Lexington Books
ISBN: 1498533396
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Gabriel Garcia Marquez in Retrospect gathers fifteen essays by noted scholars in the fields of Latin American literature, politics, and theater. The volume offers broad overviews of the Colombian author’s total body of work, along with closer looks at some of his acknowledged masterpieces. The Nobel laureate’s cultural contexts and influences, his variety of themes, and his formidable legacy (Hispanic, U.S., world-wide) all come up for consideration. New readings of One Hundred Years of Solitude are further complemented by fresh, stimulating, highly detailed examinations of his later novels (Chronicle of a Death Foretold, The General in His Labyrinth, Of Love and Other Demons) and stories (Strange Pilgrims). Further attention is focused on “Gabo’s” labors as journalist and as memoirist (Living to Tell the Tale), and to his sometime relationships with the cinema and the stage. Reactions to his enormous stature on the part of younger writers, including recent signs of backlash, are also given thoughtful scrutiny. Feminist and ecocritical interpretations, plus lively discussions of Gabo’s artful use of humor, character’s names, and even cuisine, are to be found here as well. In the wake of García Márquez’s passing away in 2014, this collection of essays serves as a fitting tribute to one of the world’s greatest literary figures of the twentieth century.
