The Cinematic Body PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Cinematic Body PDF full book. Access full book title The Cinematic Body by Steven Shaviro. Download full books in PDF and EPUB format.
Author: Steven Shaviro
Publisher: U of Minnesota Press
ISBN: 9781452902494
Category : Cinema
Languages : en
Pages : 300
Get Book Here
Book Description
A radical approach to film viewing
Author: Steven Shaviro
Publisher: U of Minnesota Press
ISBN: 9781452902494
Category : Cinema
Languages : en
Pages : 300
Get Book Here
Book Description
A radical approach to film viewing
Author: James Clarke
Publisher: Columbia University Press
ISBN: 0231169779
Category : Performing Arts
Languages : en
Pages : 186
Get Book Here
Book Description
This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work. Space is also given to discussion of Strange Days as well as his documentary works.
Author: Paul Elliott
Publisher: Bloomsbury Publishing
ISBN: 0857730940
Category : Performing Arts
Languages : en
Pages : 276
Get Book Here
Book Description
When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understand what we see on screen, we rely as much on non-visual senses as we do on sight. This new book rethinks the body in the cinema seat, charting the emergence of embodied film theory and drawing on developments in philosophy, neuroscience, body politics and film theory. Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen: the trope of nausea in "Frenzy", pollution and smell in "Shadow of a Doubt", physical sound reception in the "Psycho" shower scene and the importance of corporeality and closeness in "Rear Window". We see how the body's sensations have a vital place in cinematic reception and the study of film.
Author: Luke Hockley
Publisher: Routledge
ISBN: 1134745591
Category : Psychology
Languages : en
Pages : 184
Get Book Here
Book Description
Films can hold personal psychological meanings that are often at odds with their narratives. Examining the intersections between mental health and the cinema, Somatic Cinema represents the cutting edge of film theory, evaluating the significance of this phenomenon both in therapy and in the everyday world. Luke Hockley draws on the insights of phenomenological and Jungian film theory and applies them alongside more established psychoanalytic approaches. The result is to combine the idea of affective bodily experience with unconscious processes as a means to explore a new ontology of the cinema. The emphasis is therefore shifted from pure intellectual insight to greater inclusion of personally constructed meanings and experiences. Several key concepts are developed and explored throughout the book. These include: The idea of the ‘Third Image’, occupying the intersubjective space between viewer and screen, and therapist and client The concept of the Cinematic Frame (as opposed to the Film Frame), the container of the psychological relationship between viewer and screen The use of the Cinematic Experience to encapsulate the somatic expression of unconscious effects that develop while a film is viewed and which are central to the creation of personal psychological meanings. With a focus on examining why we develop a personal relationship with films, Somatic Cinema is ideal for academics and students of film studies, media studies and analytical psychology.
Author: Tarja Laine
Publisher: Berghahn Books
ISBN: 1785335219
Category : Performing Arts
Languages : en
Pages : 194
Get Book Here
Book Description
The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator’s lived body. Aronofsky’s films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered “cerebral” because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, addiction, psychosis, schizophrenia, and neuroscience. Yet this interest in intelligence and mental processes is deeply embedded in the operations of the body, shared with the spectator by means of a distinctively corporeal audiovisual style. Bodies in Pain looks at how Aronofsky’s films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics.
Author: Steven Shaviro
Publisher:
ISBN: 9780816622931
Category : Film criticism
Languages : en
Pages : 276
Get Book Here
Book Description
In The Cinematic Body, Steven Shaviro proposes a radical new approach to film viewing. Moving between Jerry Lewis and Andy Warhol, between Fassbinder{u2019}s gay sex icons and George Romero{u2019}s flesh-eating zombies, The Cinematic Body cuts across disciplinary boundaries and seeks to engage new currents in critical thought.
Author: Vlad Dima
Publisher:
ISBN: 9781611863703
Category : Human body in motion pictures
Languages : en
Pages : 276
Get Book Here
Book Description
"By focusing on the metaphor of skin, this study investigates representations of football, fantasy, and body in African cinema and other art forms in order to reconsider neocolonial issues of identity and subjectivity"--
Author: Karl Schoonover
Publisher: U of Minnesota Press
ISBN: 0816675546
Category : Art
Languages : en
Pages : 321
Get Book Here
Book Description
How spectacular visions of physical suffering in post–World War II Italian neorealist films redefined moviegoing as a form of political action
Author: Yvonne Tasker
Publisher: Routledge
ISBN: 113487300X
Category : Social Science
Languages : en
Pages : 224
Get Book Here
Book Description
While films such as Rambo, Thelma and Louise and Basic Instinct have operated as major points of cultural reference in recent years, popular action cinema remains neglected within contemporary film criticism. Spectacular Bodies unravels the complexities and pleasures of a genre often dismissed as `obvious' in both its pleasure and its politics, arguing that these controversial films should be analysed and understood within a cinematic as well as a political context. Yvonne Tasker argues that today's action cinema not only responds to the shifts in gendered, sexual and racial identities which took place during the 1980s, but reflects the influences of other media such as the new video culture. Her detailed discussion of the homoeroticism surrounding the muscleman hero, the symbolic centrality of blackness within the crime narrative, and the changing status of women within the genre, addresses the constitution of these identities through the shifting categories of gender, class, race, sex, sexuality and nation. Spectacular Bodies also examines the ambivalence of supposedly secure categories of popular cinema, questioning the existing terms of film criticism in this area and addressing the complex pleasures of this neglected form.
Author: Eileen Rositzka
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110579715
Category : Art
Languages : en
Pages : 206
Get Book Here
Book Description
Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic experience of space, the study applies a term recently developed by Derek Gregory within the theoretical framework of Critical Geography. What he calls “corpography” implies a constant re-mapping of landscape through the soldier’s body. These assumptions can be used as a connection between already established theories of cartographic film narration and ideas of (neo)phenomenological film experience, as they also entail the involvement of the spectator’s body in sensuously grasping what is staged as a mediated experience of war. While cinematic codes of war have long been oriented almost exclusively to the visual, the notion of corpography can help to reframe the concept of film genre in terms of expressive movement patterns and genre memory, avoiding reverting to the usual taxonomies of generic texts.
