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Author: Maurice Hussey
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 0
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Author: Maurice Hussey
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 0
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Book Description
Author: Christine Richardson
Publisher: Red Globe Press
ISBN: 0333454774
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
A study of medieval drama, divided into two parts: part I, Mystery Plays, is the work of Christine Richardson and part II, Moralities and Interludes, is the work of Jackie Johnston. The general introduction was written jointly.
Author: Kevin J. Harty
Publisher: Routledge
ISBN: 1317947428
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
First published in 1993. Part of a series on medieval casebooks, this volume six looks at the Chester Mystery Cycle Play manuscripts and comparisons of the York and Chester Cycle. Theologically a product of the Middle Ages, historically a product of the Renaissance, what we today call the Chester Mystery Cycle is a series of twenty-four plays dramatizing the events of salvation history from Creation until Doomsday. One of four surviving English mystery cycles, the Chester Cycle, which originally included a twenty-fifth play of the Assumption surpressed sometime in the mid-sixteenth century, was, until more modern times, last performed in 1575.
Author: Kurt A. Schreyer
Publisher: Cornell University Press
ISBN: 080145509X
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
In Shakespeare's Medieval Craft, Kurt A. Schreyer explores the relationship between Shakespeare’s plays and a tradition of late medieval English biblical drama known as mystery plays. Scholars of English theater have long debated Shakespeare’s connection to the mystery play tradition, but Schreyer provides new perspective on the subject by focusing on the Chester Banns, a sixteenth-century proclamation announcing the annual performance of that city’s cycle of mystery plays. Through close study of the Banns, Schreyer demonstrates the central importance of medieval stage objects—as vital and direct agents and not merely as precursors—to the Shakespearean stage.As Schreyer shows, the Chester Banns serve as a paradigm for how Shakespeare’s theater might have reflected on and incorporated the mystery play tradition, yet distinguished itself from it. For instance, he demonstrates that certain material features of Shakespeare’s stage—including the ass’s head of A Midsummer Night’s Dream, the theatrical space of Purgatory in Hamlet, and the knocking at the gate in the Porter scene of Macbeth—were in fact remnants of the earlier mysteries transformed to meet the exigencies of the commercial London playhouses. Schreyer argues that the ongoing agency of supposedly superseded theatrical objects and practices reveal how the mystery plays shaped dramatic production long after their demise. At the same time, these medieval traditions help to reposition Shakespeare as more than a writer of plays; he was a play-wright, a dramatic artisan who forged new theatrical works by fitting poetry to the material remnants of an older dramatic tradition.
Author: Katie Normington
Publisher: DS Brewer
ISBN: 9781843841289
Category : Drama
Languages : en
Pages : 234
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Book Description
A lively account of the modern staging of the medieval mystery plays, richly illustrated with stills and other photographs. The turn of the last millennium saw a sudden flourishing in the revival of the medieval mystery plays, with a number of different productions being staged across the country and further afield. But why were they staged? What features of the plays attracted the modern-day director? What can the mystery plays offer today's producers, directors, participants and audiences? This book seeks to answer these questions. Beginning with an exploration of the original staging conditions, the study goes on to examine the reasons why the plays are produced today, and through a series of case studies looks at how notions of community, identity and space are articulated within contemporary stagings: it considers productions at Chester, Chichester, Leeds, Lichfield, Lincoln, Toronto, Worsbrough, and York, as well as productions by the Royal National Theatre, Royal Shakespeare Company, and the Belgrade Theatre, Coventry. Importantly, the author uses evidence gleaned from interviews with directors and producers, and observation of rehearsals, and performances, to bring a fresh and modern perspective to bear. Richly illustrated. KATIENORMINGTON is Professor of Drama at Royal Holloway, University of London.
Author: Richard Beadle
Publisher: Cambridge University Press
ISBN: 1139827928
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
The drama of the English Middle Ages is perennially popular with students and theatre audiences alike, and this is an updated edition of a book which has established itself as a standard guide to the field. The Cambridge Companion to Medieval English Theatre, second edition continues to provide an authoritative introduction and an up-to-date, illustrated guide to the mystery cycles, morality drama and saints' plays which flourished from the late fourteenth to the mid-sixteenth centuries. The book emphasises regional diversity in the period and engages with the literary and particularly the theatrical values of the plays. Existing chapters have been revised and updated where necessary, and there are three entirely new chapters, including one on the cultural significance of early drama. A thoroughly revised reference section includes a guide to scholarship and criticism, an enlarged classified bibliography and a chronological table.
Author: Jessica Dell
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409441369
Category : Performing Arts
Languages : en
Pages : 381
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Book Description
Approaching individual plays in the Chester cycle from the point of view of recent and startling research findings, this volume investigates how new sources shift our understanding of the last years of cycle's performance. The essays help to clarify our current perception that it was not a nation-wide policy of suppression, but rather a complex network of local pressures, that affected the decline and eventual abandonment of civic religious drama.
Author: Victor I Scherb
Publisher: Medieval Institute Publications
ISBN: 1580444385
Category : History
Languages : en
Pages : 516
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Book Description
In the late 1400s in eastern England, a scribe was in the process of compiling a large dramatic manuscript of over two hundred vellum folios. The manuscript contains components of an independent Mary Play, parts one and two of an independent Passion Play and an independent Assumption of Mary Play, as well as ten play subjects that appear in no other English cycles - the killing of Lamech in the Noah Play, the Root of Jesse, the story of Joachim and Anne, the Presentation of Mary in the Temple, the Parliament of Heaven, the Trial of Mary and Joseph, the scene of Mary and the cherry tree in the Nativity Play, the Death of Herod, the scene of Veronica's handkerchief in the Procession to Calvary, and the appearance of the risen Christ to the Virgin Mary in her Assumption Play. This edition acknowledges the N-Town compiler who took plays from various contexts and integrated them into an existing cycle of plays, thus treating the manuscript as if it were a superstructure whose parts could be replaced, renovated, and supplemented without altering the fundamental coherence of the overarching design.
Author: Matthew Sergi
Publisher: University of Chicago Press
ISBN: 022670940X
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
Amid the crowded streets of Chester, guild players portraying biblical characters performed on colorful mobile stages hoping to draw the attention of fellow townspeople. In the fifteenth and sixteenth centuries, these Chester plays employed flamboyant live performance to adapt biblical narratives. But the original format of these fascinating performances remains cloudy, as surviving records of these plays are sparse, and the manuscripts were only written down a generation after they stopped. Revealing a vibrant set of social practices encoded in the Chester plays, Matthew Sergi provides a new methodology for reading them and a transformative look at medieval English drama. Carefully combing through the plays, Sergi seeks out cues in the dialogues that reveal information about the original staging, design, and acting. These “practical cues,” as he calls them, have gone largely unnoticed by drama scholars, who have focused on the ideology and historical contexts of these plays, rather than the methods, mechanics, and structures of the actual performances. Drawing on his experience as an actor and director, he combines close readings of these texts with fragments of records, revealing a new way to understand how the Chester plays brought biblical narratives to spectators in the noisy streets. For Sergi, plays that once appeared only as dry religious dramas come to life as raucous participatory spectacles filled with humor, camp, and devotion.
Author: Clifford Davidson
Publisher: Medieval Institute Publications
ISBN: 1580444539
Category : History
Languages : en
Pages : 616
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Book Description
The feast of Corpus Christi, celebrated annually on Thursday after Trinity Sunday, was devoted to the Eucharist, and the normal practice was to have solemn processions through the city with the Host, the consecrated wafer that was believed to have been transformed into the true body and blood of Jesus. In this way the "cultus Dei" thus celebrated allowed the people to venerate the Eucharistic bread in order that they might be stimulated to devotion and brought symbolically, even mystically into a relationship with the central moments of salvation history. Perhaps it is logical, therefore, that pageants and plays were introduced in order to access yet another way of visualizing and participating in those events. Thus the "invisible things" of the divine order "from the creation of the world" might be displayed. The York Corpus Christi Plays, contained in London, British Library, MS. Add. 35290 and comprising more than thirteen thousand lines of verse, actually represent a unique survival of medieval theater. They form the only complete play cycle verifiably associated with the feast of Corpus Christi that is extant and was performed at a specific location in England.
