The Chest Voice Function in the Classically Trained Soprano PDF Download
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Author: Becky Lynn Morrison
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 208
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Book Description
Author: Becky Lynn Morrison
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 208
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Book Description
Author: Gillyanne Kayes
Publisher: Routledge
ISBN: 1136759859
Category : Performing Arts
Languages : en
Pages : 214
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Book Description
Singing and the Actor takes the reader step by step through a practical training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including Belting and Twang are explained, with excercises for each topic.
Author: Marion K. R. Dickson
Publisher:
ISBN:
Category : Voice performance
Languages : en
Pages :
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Book Description
Questions surrounding the unknown can often encroach on a woman's psyche as she considers how life can change when pregnancy occurs. Enquiries based on the changing body often arise; for the classical singer, whose body also serves as a keenly trained instrument, these enquiries become more specific. Questions regarding pregnancy and the professional singer include: how might the vocal range change; will the vibrato rate change, and if so, might that affect pitch accuracy; how may agility be compromised; might maximum phonation time be altered, if at all; how might the respiration process be compromised as the gestation period increases; and how may the duration of energy change when considering general vocal and physical activity in performance? Anecdotal claims on the impact of pregnancy on the professionally trained classical singing voice may affect whether or not a professional singer chooses to bear children. Through providing additional data to the currently limited amount of information on the topic, this study hopes to aid those interested in familial life while maintaining a professional classical singing career. The introduction will provide background information that includes a physiological overview of the process of singing. This will aid in the comprehension of the study that will follow in chapter three, and will define important physiological aspects of the respiratory and phonatory process. Beginning with respiration, discussion begins with breathing to sustain life, and continues to explore respiration in regards to the various levels of speech, singing, and singing during pregnancy. Phonation aspects are surveyed, including laryngeal valving, subglottal pressure, and phonatory threshold pressure. The overview of acoustics includes material concerning agility, range, and perturbation values. As the topic of singing and pregnancy has recently begun to arise as a point of investigation in professional literature, the first chapter will also include a brief survey of currently available data. To gain a more complete understanding of the function of the voice during pregnancy, a brief overview on hormonal influences on the voice during pregnancy, as well as typical physiological experiences associated with pregnancy, will first be explored. Next, to introduce pregnancy and the relationship to the voice, the article "Effect of Pregnancy on the Speaking Voice," found in the Journal of Voice, Volume 23, in 2009, will be surveyed. The main topics of three published case studies that focused on singers during the third trimester of pregnancy will be discussed. These studies provide an excellent point of comparison to the current study, and offer great insight to voice professionals who are interested in learning more about gravidity and its effects on the singing voice. The current study seeks to provide additional insight about the impact of pregnancy on classical singers. After a description of the participant, followed by an exploration of the study's methods and materials, the data regarding the participant's physiological capacity throughout the third trimester and 10 weeks postpartum will be analyzed. Each of the measures, which include acoustic and aerodynamic values, will be addressed to observe what limits or effects gravidity had, if any, on the participant's performance.
Author: Richard Miller
Publisher: Oxford University Press
ISBN: 0198029845
Category : Music
Languages : en
Pages : 188
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Book Description
Training Soprano Voices provides a complete and reliable system for training each type of soprano voice. Designed as a practical program for singers, teachers, and voice professionals, it couples historic vocal pedagogy with the latest research on the singing voice, emphasizing the special nature of the soprano voice and the proper physiological functioning for vocal proficiency. Renowned singing teacher Richard Miller supplies a detailed description for each of the nine categories of soprano voices. For each category he then surveys the appropriate literature and provides an effective system for voice building, including techniques for breath management, vibratory response, resonance balancing, language articulation, vocal agility, sostenuto, proper vocal registration, and dynamic control. The book concludes with a daily regimen of vocal development for healthy singing and artistic performance. It also features dozens of technical exercises, vocalization material taken from the performance literature, and numerous anatomical illustrations. Unique in its focus on a single voice, Training Soprano Voices is likely to set the standard in voice training for years to come.
Author: Anthony Frisell
Publisher: Branden Books
ISBN: 9780828321822
Category : Biography & Autobiography
Languages : en
Pages : 150
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Book Description
This is a manual for the serious soprano voice student specializing for operatic soprano roles.
Author: Malcolm Sterling Mackinlay
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 212
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Book Description
Author: Salvatore Marchesi
Publisher: Alfred Music
ISBN: 1457482045
Category : Music
Languages : en
Pages : 46
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Book Description
A collection of vocal exercises for medium voice composed by Salvatore Marchesi.
Author: Stanford Felix
Publisher:
ISBN: 9780578803074
Category :
Languages : en
Pages :
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Book Description
An extensive guide to classical vocal technique, which provides original insights into the great teaching masters of bel canto("beautiful singing"), presented in a scholarly yet readable and accessible way. A fresh approach to this time-honored technique, Beautiful Singing addresses the physical, mental, and aesthetic elements of the art of singing in a style designed for vocal teachers and students of all levels.
Author: Elisabeth Howard
Publisher: Alfred Music Publishing
ISBN: 9780934419185
Category : Music
Languages : en
Pages : 148
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Book Description
Featuring the original Elisabeth Howard Vocal Power Method of Singing, this voice training program includes four CDs that focus on the following: Singing Techniques such as power, range expansion, vibrato control, volume, dynamics, pitch; Singing Styles such as Pop, Rock, Country, Blues, R&B, Broadway, Phrasing, Improvisation, Personal Style; Super Vocals, which includes "Licks and Tricks" for every style; Sing-Aerobics, which includes a 30 minute (at home or in the car) workout for the male and female voices.
Author: Laura Anne Bateman
Publisher: National Library of Canada = Bibliothèque nationale du Canada
ISBN:
Category : Singing
Languages : en
Pages : 172
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Book Description
There are numerous widely varying vocal styles and voice qualities in Western music. Popular music in the 21st century uses a particular voice quality for female voice that is quite different from the trained classical voice quality. Classical voice quality has been the subject of a vast body of research, whereas research that deals with non-classical voice quality and pedagogy is very limited. In order to learn more about these issues, the author chose to do research using a variety of standard voice quality tests to substantiate the existing literature, and perhaps generate new information. This thesis presents a review of the existing literature on voice quality in various different styles of singing: Classical, Belt, Legit, R & B, Jazz, Country and Pop. In addition, this thesis looks at spectral measurements from a small set of voice samples, elicited from a professional soprano. Laryngographic (LGG) data was generated simultaneously with the audio samples. To limit the data set for the scope of this thesis, singing samples using the vowel [i] are selected_ The analysis techniques used in this thesis are Spectrogram, LPC, FFT, and various LGG ratio measurements. The spectral measurements compared include the relative strength of the first two harmonics, the formant locations, relative energy from harmonic strength near the formants, summed energy in two quadrants (0-3000Hz, 3000-5000Hz), and the inharmonic or aperiodic activity seen in each quality. Data from the LGG is used to calculate the contact quotient (the time the vocal folds are in contact divided by the time for one cycle of the vocal fold vibration), speed quotient (the time between maximum contact of the vocal folds and vocal fold separation divided by the time between first contact and maximum contact) and ascending slope (the slope of the contacting phase of the vocal fold wave). The LGG waveform was also visually assessed. The acoustic and LGG data are compared to an auditory analysis by Dr. John Esling (Professor of Linguistics, UVic) and to the subject's descriptions of the physical configurations involved in producing these qualities. Physiological observations obtained from x-ray fluoroscopy & MRI scans of belt and classical voice qualities are included in Appendix B. The intention of the thesis is to reveal more about the workings of these voice qualities. The thesis also serves as a prototype for a series of 10 vowels and running samples that were elicited at the same time. Perhaps, even though this thesis presents a limited data set, it may be useful to pedagogues who are struggling to understand the complexities of the non-classical female voice, as well as to computer programmers and engineers who are developing voice enhancement devices and biofeedback tools.
