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Author: Richard Kalina
Publisher: Bloomsbury Publishing
ISBN: 135015475X
Category : Philosophy
Languages : en
Pages : 249
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Book Description
Concentrating on the shifting boundaries and definition of art, Richard Kalina offers a panoramic view of the contemporary art scene over the last 30 years. His focus is on the ongoing development of concepts, the transformation of art worlds and the social matrices in which they are created. Discussing painting in general and abstract painting in particular, his survey takes in photorealism, sculpture and art forms found outside of the modernist tradition. Kalina's group of artists includes Mel Bochner, Joan Mitchell, Cy Twombly, Franz West, and Alma Thomas who, in their ongoing projects, explicitly or implicitly questioned the aesthetic assumptions of their times. Merging an examination of animating philosophies and context - political, social, and personal - with a sharply focused look at the works of art themselves, Kalina brings us closer to understanding the social matrices in which art is embedded and responds to bigger questions about the object nature of the work of art in today's world.
Author: Richard Kalina
Publisher: Bloomsbury Publishing
ISBN: 135015475X
Category : Philosophy
Languages : en
Pages : 249
Get Book Here
Book Description
Concentrating on the shifting boundaries and definition of art, Richard Kalina offers a panoramic view of the contemporary art scene over the last 30 years. His focus is on the ongoing development of concepts, the transformation of art worlds and the social matrices in which they are created. Discussing painting in general and abstract painting in particular, his survey takes in photorealism, sculpture and art forms found outside of the modernist tradition. Kalina's group of artists includes Mel Bochner, Joan Mitchell, Cy Twombly, Franz West, and Alma Thomas who, in their ongoing projects, explicitly or implicitly questioned the aesthetic assumptions of their times. Merging an examination of animating philosophies and context - political, social, and personal - with a sharply focused look at the works of art themselves, Kalina brings us closer to understanding the social matrices in which art is embedded and responds to bigger questions about the object nature of the work of art in today's world.
Author: Joseph Masheck
Publisher: Bloomsbury Publishing
ISBN: 1350216992
Category : Philosophy
Languages : en
Pages : 241
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Book Description
Metaphysical thought has been excluded from much of the discourse on modern art, especially abstract painting. By connecting ideas about faith with the initiators of abstract painting, Joseph Masheck reveals how an underlying religiosity informed some of our most important abstract painters. Covering Wassily Kandinsky, Kazimir Malevich, Piet Mondrian, and El Lissitzky, Masheck shows how 'revealed religion' has been an underlying but fundamental determinant of the thinking and practice of abstract painting from its very originators. He contextualizes their art within some of the historical moments of the early 20th century, including the Russian revolution and the Stalinist period, and explores the appeal of certain themes, such as the Passion of Christ. A radical new theorization of the influence of religion over visual art, Faith in Art asks why metaphysics has been eliminated from the discussion where it might have something to say. This is a new way of thinking about a hundred years of abstract painting.
Author: Raphael Rubinstein
Publisher: Bloomsbury Publishing
ISBN: 1350243728
Category : Philosophy
Languages : en
Pages : 169
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Book Description
In his influential essay “Provisional Painting,” Raphael Rubinstein applied the term “provisional” to contemporary painters whose work looked intentionally casual, dashed-off, tentative, unfinished or self-cancelling; who appeared to have deliberately turned away from "strong" painting for something that seemed to constantly risk failure or inconsequence. In this collection of essays, Rubinstein expands the scope of his original article by surveying the historical and philosophical underpinnings of provisionality in recent visual art, as well as examining the works of individual artists in detail. He also engages crucial texts by Samuel Beckett and philosopher Gianni Vattimo. Re-examining several decades of painting practices, Rubinstein argues that provisionality, in all its many forms, has been both a foundational element in the history of modern art and the encapsulation of an attitude that is profoundly contemporary.
Author: Mark Staff Brandl
Publisher: Bloomsbury Publishing
ISBN: 1350073849
Category : Philosophy
Languages : en
Pages : 241
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Book Description
Metaphor, which allows us to talk about things by comparing them to other things, is one of the most ubiquitous and adaptable features of language and thought. It allows us to clarify meaning, yet also evaluate and transform the ways we think, create and act. While we are alert to metaphor in spoken or written texts, it has, within the visual arts, been critically overlooked. Taking into consideration how metaphors are inventively embodied in the formal, technical, and stylistic aspects of visual artworks, Mark Staff Brandl shows how extensively artists rely on creative metaphor within their work. Exploring the work of a broad variety of artists – including Dawoud Bey, Dan Ramirez, Gaëlle Villedary, Raoul Deal, Sonya Clark, Titus Kaphar, Charles Boetschi, and more– he argues that metaphors are the foundation of visual thought, are chiefly determined by bodily and environmental experiences, and are embodied in artistic form. Visual artistic creation is philosophical thought. By grounding these arguments in the work of philosophers and cultural theorists, including Noël Carroll, Hans Georg Gadamer, and George Lakoff, Brandl shows how important metaphor is to understanding contemporary art. A Philosophy of Visual Metaphor in Contemporary Art takes a neglected feature of the visual arts and shows us what a vital role it plays within them. Bridging theory and practice, and drawing upon a capacious array of examples, this book is essential reading for art historians and practitioners, as well as analytic philosophers working in aesthetics and meaning.
Author: Adam Geczy
Publisher: Bloomsbury Publishing
ISBN: 1350102717
Category : Philosophy
Languages : en
Pages : 225
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Book Description
Pop art has traditionally been the most visible visual art within popular culture because its main transgression is easy to understand: the infiltration of the “low” into the “high”. The same cannot be said of contemporary art of the 21st century, where the term “Gaga Aesthetics” characterizes the condition of popular culture being extensively imbricated in high culture, and vice-versa. Taking Adorno and Horkheimer's "The Culture Industry" and Adorno's Aesthetic Theory as key touchstones, this book explores the dialectic of high and low that forms the foundation of Adornian aesthetics and the extent to which it still applied, and the extent to which it has radically shifted, thereby 'upending tradition'. In the tradition of philosophical aesthetics that Adorno began with Lukács, this explores the ever-urgent notion that high culture has become deeply enmeshed with popular culture. This is “Gaga Aesthetics”: aesthetics that no longer follows clear fields of activity, where “fine art” is but one area of critical activity. Indeed, Adorno's concepts of alienation and the tragic, which inform his reading of the modernist experiment, are now no longer confined to art. Rather, stirring examples can be found in phenomena such as fashion and music video. In addition to dealing with Lady Gaga herself, this book traverses examples ranging from Madonna's Madam X to Moschino and Vetements, to deliberate on the strategies of subversion in the culture industry.
Author: Keren Moscovitch
Publisher: Bloomsbury Publishing
ISBN: 1350298204
Category : Philosophy
Languages : en
Pages : 196
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Book Description
Radical Intimacy in Contemporary Art focuses on practices that operate at the edges of sexuality and its socially sanctioned expressions. Using psychoanalysis and object-oriented feminism, Keren Moscovitch focuses on the work of several contemporary, provocative artists to initiate a dialogue on the role of intimacy in challenging and reimagining ideology. Moscovitch suggests that intimacy has played an under-appreciated role in the shifting of social and political consciousness. She explores the work of Leigh Ledare, Genesis P-Orridge, Ellen Jong, Barbara DeGenevieve, Joseph Maida and Lorraine O'Grady, who, through their radical practices, engage in such consciousness shifting in elegant, surprising, and provocative ways. Guided by the feminist psychoanalytic canon of Julia Kristeva throughout, as well as being informed by the philosophy of Luce Irigaray and the critical theory of Judith Butler, Moscovitch situates these artists in the emerging lineage of feminist new materialism. She argues that the instability of intimacy leads to radical and performative objecthood in their work that acts as a powerful expression of revolt. Through this line of argumentation, Moscovitch joins a growing group of philosophers exploring object-oriented theories and practices as a new language for a new era. In this era, the hegemony of subjectivity has been toppled, and a new world of human ontology is built creatively, expressively and in the spirit of revolt.
Author: Lisa Giombini
Publisher: Bloomsbury Publishing
ISBN: 1350331775
Category : Art
Languages : en
Pages : 209
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Book Description
Applying Aesthetics to Everyday Life surveys current debates in the field of everyday aesthetics, examining its history, methodology and intersections with cognate research areas. Lisa Giombini and Adrián Kvokacka bring together an international team of renowned scholars who are shaping the present and future of the discipline. They demonstrate how the historical origins of everyday aesthetics emerges across the history of Western aesthetic thought, from Renaissance thinkers to the modern German philosophers Baumgarten, Kant and Heidegger. Chapters shed light on the field's methodological underpinnings, tracing its theoretical foundations back to epistemology and ethics and assess the potential of everyday aesthetics as a theoretical tool. They reveal its interdisciplinary nature and how it assists various fields of inquiry, including environmental and urban aesthetics, conservation ethics and the philosophy of art. Through fresh explorations of its origins, background and contemporary developments, this collection advances a new definition of everyday aesthetics and provides a cutting edge reflection on the world we inhabit today.
Author: Dabney Townsend
Publisher: Bloomsbury Publishing
ISBN: 1350298727
Category : Philosophy
Languages : en
Pages : 257
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Book Description
Taste and Experience in Eighteenth Century Aesthetics acknowledges theories of taste, beauty, the fine arts, genius, expression, the sublime and the picturesque in their own right, distinct from later theories of an exclusively aesthetic kind of experience. By drawing on a wealth of thinkers, including several marginalised philosophers, Dabney Townsend presents a novel reading of the century to challenge our understanding of art and move towards a unique way of thinking about aesthetics. Speaking of a proto-aesthetic, Townsend surveys theories of taste and beauty arising from the empiricist shift in philosophy. A proto-aesthetic was shaped by the philosophers who followed Locke and accepted that theories of taste and beauty must be products of experience alone. Francis Hutcheson, David Hume, Alexander Gerard and Thomas Reid were among the most important advocates, joined by others who re-thought traditional topics. Featuring chapters tracing its philosophical principles, issues raised by the subjectivity of the empiricist approach and the more academic proto-aesthetic formed toward the end of the century, Townsend argues that Lockean empiricism laid the foundations for what we now call aesthetics.
Author: Marilynn Johnson
Publisher: Bloomsbury Publishing
ISBN: 1350104272
Category : Philosophy
Languages : en
Pages : 225
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Book Description
How is meaning in our bodies constructed? To what extent is meaning in bodies innate, evolved through biological adaptations? To what extent is meaning in bodies culturally constructed? Does it change when we adorn ourselves in dress? In Adorning Bodies, Marilynn Johnson draws on evolutionary theory and philosophy in order to think about art, beauty, and aesthetics. Considering meaning in bodies and bodily adornment, she explores how the ways we use our bodies are similar to - yet at other times different from - animals. Johnson engages with the work of evolutionary theorists, philosophers of language, and cultural theorists - Charles Darwin, H. P. Grice, and Roland Barthes respectively - to examine both natural and non-natural meanings. She addresses how both systems of meaning signify relevant information to other humans, with respect to both bodies and clothes. Johnson also demonstrates that how we dress could negatively influence the way our bodies can be read, and how some humans and animals use their bodies to deceive.
Author: Theodore Gracyk
Publisher: Bloomsbury Publishing
ISBN: 1350249106
Category : Philosophy
Languages : en
Pages : 256
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Book Description
For Theodore Gracyk meaning in popular music depends as much on the context of reception and performer's intentions as on established musical and semantic practices. Songs are structures that serve as the scaffolding for meaning production, influenced by the performance decisions of the performer and their intentions. Arguing against prevailing theories of meaning that ignore the power of the performance, Gracyk champions the contextual relevance of the performer as well as novel messaging through creative repurposing of recordings. Extending the philosophical insight that meaning is a function of use, Gracyk explains how both the performance persona and the personal life of a song's performer can contribute to (or undercut) ethical and political aspects of a performance or recording. Using Carly Simon's “You're So Vain”, Pink Floyd, the emergence of the musical genre of post-punk and the practice of “cover” versions, Gracyk explores the multiple, sometimes contradictory, notions of authenticity applied to popular music and the conditions for meaningful communication. He places popular music within larger cultural contexts and examines how assigning a performance or recording to one music genre rather than another has implications for what it communicates. Informed by a mix of philosophy of art and philosophy of language, Gracyk's entertaining study of popular music constructs a theoretical basis for a philosophy of meaning for songs.
