Author: Debra Bricker Balken
Publisher: University of Chicago Press
ISBN: 022674020X
Category : Biography & Autobiography
Languages : en
Pages : 657
Book Description
Despite being one of the foremost American intellectuals of the mid-twentieth century, Harold Rosenberg (1906–1978) was utterly incapable of fitting in—and he liked it that way. Signature cane in one hand and a cigarette in the other, he cut a distinctive figure on the New York City culture scene, with his radiant dark eyes and black bushy brows. A gangly giant at six foot four, he would tower over others as he forcefully expounded on his latest obsession in an oddly high-pitched, nasal voice. And people would listen, captivated by his ideas. With Harold Rosenberg: A Critic’s Life, Debra Bricker Balken offers the first-ever complete biography of this great and eccentric man. Although he is now known mainly for his role as an art critic at the New Yorker from 1962 to 1978, Balken weaves together a complete tapestry of Rosenberg’s life and literary production, cast against the dynamic intellectual and social ferment of his time. She explores his role in some of the most contentious cultural debates of the Cold War period, including those over the commodification of art and the erosion of individuality in favor of celebrity, demonstrated in his famous essay “The Herd of Independent Minds.” An outspoken socialist and advocate for the political agency of art, he formed deep alliances with figures such as Hannah Arendt, Saul Bellow, Paul Goodman, Mary McCarthy, Jean-Paul Sartre, Willem de Kooning, and Jackson Pollock, all of whom Balken portrays with vivid accounts from Rosenberg’s life. Thoroughly researched and captivatingly written, this book tells in full Rosenberg’s brilliant, fiercely independent life and the five decades in which he played a leading role in US cultural, intellectual, and political history.
Harold Rosenberg
Author: Debra Bricker Balken
Publisher: University of Chicago Press
ISBN: 022674020X
Category : Biography & Autobiography
Languages : en
Pages : 657
Book Description
Despite being one of the foremost American intellectuals of the mid-twentieth century, Harold Rosenberg (1906–1978) was utterly incapable of fitting in—and he liked it that way. Signature cane in one hand and a cigarette in the other, he cut a distinctive figure on the New York City culture scene, with his radiant dark eyes and black bushy brows. A gangly giant at six foot four, he would tower over others as he forcefully expounded on his latest obsession in an oddly high-pitched, nasal voice. And people would listen, captivated by his ideas. With Harold Rosenberg: A Critic’s Life, Debra Bricker Balken offers the first-ever complete biography of this great and eccentric man. Although he is now known mainly for his role as an art critic at the New Yorker from 1962 to 1978, Balken weaves together a complete tapestry of Rosenberg’s life and literary production, cast against the dynamic intellectual and social ferment of his time. She explores his role in some of the most contentious cultural debates of the Cold War period, including those over the commodification of art and the erosion of individuality in favor of celebrity, demonstrated in his famous essay “The Herd of Independent Minds.” An outspoken socialist and advocate for the political agency of art, he formed deep alliances with figures such as Hannah Arendt, Saul Bellow, Paul Goodman, Mary McCarthy, Jean-Paul Sartre, Willem de Kooning, and Jackson Pollock, all of whom Balken portrays with vivid accounts from Rosenberg’s life. Thoroughly researched and captivatingly written, this book tells in full Rosenberg’s brilliant, fiercely independent life and the five decades in which he played a leading role in US cultural, intellectual, and political history.
Publisher: University of Chicago Press
ISBN: 022674020X
Category : Biography & Autobiography
Languages : en
Pages : 657
Book Description
Despite being one of the foremost American intellectuals of the mid-twentieth century, Harold Rosenberg (1906–1978) was utterly incapable of fitting in—and he liked it that way. Signature cane in one hand and a cigarette in the other, he cut a distinctive figure on the New York City culture scene, with his radiant dark eyes and black bushy brows. A gangly giant at six foot four, he would tower over others as he forcefully expounded on his latest obsession in an oddly high-pitched, nasal voice. And people would listen, captivated by his ideas. With Harold Rosenberg: A Critic’s Life, Debra Bricker Balken offers the first-ever complete biography of this great and eccentric man. Although he is now known mainly for his role as an art critic at the New Yorker from 1962 to 1978, Balken weaves together a complete tapestry of Rosenberg’s life and literary production, cast against the dynamic intellectual and social ferment of his time. She explores his role in some of the most contentious cultural debates of the Cold War period, including those over the commodification of art and the erosion of individuality in favor of celebrity, demonstrated in his famous essay “The Herd of Independent Minds.” An outspoken socialist and advocate for the political agency of art, he formed deep alliances with figures such as Hannah Arendt, Saul Bellow, Paul Goodman, Mary McCarthy, Jean-Paul Sartre, Willem de Kooning, and Jackson Pollock, all of whom Balken portrays with vivid accounts from Rosenberg’s life. Thoroughly researched and captivatingly written, this book tells in full Rosenberg’s brilliant, fiercely independent life and the five decades in which he played a leading role in US cultural, intellectual, and political history.
American Artists Against War, 1935 2010
Author: David McCarthy
Publisher: Univ of California Press
ISBN: 0520286707
Category : Art
Languages : en
Pages : 258
Book Description
Artists against war and fascism -- Doom -- End your silence -- A network of artist/activists -- Not in our name.
Publisher: Univ of California Press
ISBN: 0520286707
Category : Art
Languages : en
Pages : 258
Book Description
Artists against war and fascism -- Doom -- End your silence -- A network of artist/activists -- Not in our name.
The Conservative Turn
Author: Michael Kimmage
Publisher: Harvard University Press
ISBN: 9780674032583
Category : Biography & Autobiography
Languages : en
Pages : 446
Book Description
Kimmage focuses on the relationship between Lionel Trilling and Whittaker Chambers to explore the birth of neoconservatism.
Publisher: Harvard University Press
ISBN: 9780674032583
Category : Biography & Autobiography
Languages : en
Pages : 446
Book Description
Kimmage focuses on the relationship between Lionel Trilling and Whittaker Chambers to explore the birth of neoconservatism.
The Case of the Baffled Radical
Author: Harold Rosenberg
Publisher:
ISBN: 9780226726922
Category : Art
Languages : en
Pages : 293
Book Description
Publisher:
ISBN: 9780226726922
Category : Art
Languages : en
Pages : 293
Book Description
Critical Crossings
Author: Neil Jumonville
Publisher: Univ of California Press
ISBN: 9780520068582
Category : History
Languages : en
Pages : 338
Book Description
"I did not think it was possible to say something new about the New York intellectuals. I was wrong. Jumonville takes a unique approach: he shows why their ideas mattered--and still do. This book rekindles one's faith in the intellectual enterprise."--Alan Wolfe, author of Whose Keeper? "So much has been written on the New York intellectuals they may someday attain the historiographical status of Perry Miller's Puritans and F. O. Matthiessen's Transcendentalists. Jumonville's excellent book demonstrates why the subject deserves fresh study. . . . Rises above ideological rancor to achieve empathy and thoughtful, judicious reflection."--John Patrick Diggins, author of The American Left in the Twentieth Century
Publisher: Univ of California Press
ISBN: 9780520068582
Category : History
Languages : en
Pages : 338
Book Description
"I did not think it was possible to say something new about the New York intellectuals. I was wrong. Jumonville takes a unique approach: he shows why their ideas mattered--and still do. This book rekindles one's faith in the intellectual enterprise."--Alan Wolfe, author of Whose Keeper? "So much has been written on the New York intellectuals they may someday attain the historiographical status of Perry Miller's Puritans and F. O. Matthiessen's Transcendentalists. Jumonville's excellent book demonstrates why the subject deserves fresh study. . . . Rises above ideological rancor to achieve empathy and thoughtful, judicious reflection."--John Patrick Diggins, author of The American Left in the Twentieth Century
A Dictionary of the Avant-Gardes
Author:
Publisher: Routledge
ISBN: 1136806202
Category : Music
Languages : en
Pages : 735
Book Description
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
Publisher: Routledge
ISBN: 1136806202
Category : Music
Languages : en
Pages : 735
Book Description
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
The Nation
Author:
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 440
Book Description
Existential America
Author: George Cotkin
Publisher: JHU Press
ISBN: 9780801882005
Category : History
Languages : en
Pages : 386
Book Description
"As Cotkin shows, not only did Americans readily take to existentialism, but they were already heirs to a rich tradition of thinkers - from Jonathan Edwards and Herman Melville to Emily Dickinson and William James - who had wrestled with the problems of existence and the contingency of the world long before Sartre and his colleagues. After introducing the concept of an American existential tradition, Cotkin examines how formal existentialism first arrived in America in the 1930s through discussion of Kierkegaard and the early vogue among New York intellectuals for the works of Sartre, Beauvoir, and Camus.
Publisher: JHU Press
ISBN: 9780801882005
Category : History
Languages : en
Pages : 386
Book Description
"As Cotkin shows, not only did Americans readily take to existentialism, but they were already heirs to a rich tradition of thinkers - from Jonathan Edwards and Herman Melville to Emily Dickinson and William James - who had wrestled with the problems of existence and the contingency of the world long before Sartre and his colleagues. After introducing the concept of an American existential tradition, Cotkin examines how formal existentialism first arrived in America in the 1930s through discussion of Kierkegaard and the early vogue among New York intellectuals for the works of Sartre, Beauvoir, and Camus.
The Columbus Medical Journal
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 682
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 682
Book Description
Out of Time
Author: Robert Slifkin
Publisher: Univ of California Press
ISBN: 0520275292
Category : Art
Languages : en
Pages : 264
Book Description
Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to GustonÕs practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate GustonÕs paintings within broader artistic debates of the time, using the cultural movement of Òthe sixtiesÓ as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, SlifkinÕs comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art.
Publisher: Univ of California Press
ISBN: 0520275292
Category : Art
Languages : en
Pages : 264
Book Description
Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to GustonÕs practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate GustonÕs paintings within broader artistic debates of the time, using the cultural movement of Òthe sixtiesÓ as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, SlifkinÕs comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art.