The Cambridge History of American Theatre PDF Download
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Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521651790
Category : Drama
Languages : en
Pages : 608
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Book Description
Volume Two begins in the post-Civil War period and traces the development of American theater up to 1945. It discusses the role of vaudeville, European influences, the rise of the Little Theater movement, changing audiences, modernism, the Federal Theater movement, major actors and the rise of the star system, and the achievements of notable playwrights. This volume places American theater in its social, economic, and political context.
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521651790
Category : Drama
Languages : en
Pages : 608
Get Book Here
Book Description
Volume Two begins in the post-Civil War period and traces the development of American theater up to 1945. It discusses the role of vaudeville, European influences, the rise of the Little Theater movement, changing audiences, modernism, the Federal Theater movement, major actors and the rise of the star system, and the achievements of notable playwrights. This volume places American theater in its social, economic, and political context.
Author: Julia Listengarten
Publisher: Cambridge University Press
ISBN: 1108570267
Category : Drama
Languages : en
Pages : 500
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Book Description
The Cambridge Companion to American Theatre since 1945 provides an overview and analysis of developments in the organization and practices of American theatre. It examines key demographic and geographical shifts American theatre after 1945 experienced in spectatorship, and addresses the economic, social, and political challenges theatre artists have faced across cultural climates and geographical locations. Specifically, it explores artistic communities, collaborative practices, and theatre methodologies across mainstream, regional, and experimental theatre practices, forms, and expressions. As American theatre has embraced diversity in practice and representation, the volume examines the various creative voices, communities, and perspectives that prior to the 1940s was mostly excluded from the theatrical landscape. This diversity has led to changing dramaturgical and theatrical languages that take us in to the twenty-first century. These shifting perspectives and evolving forms of theatrical expressions paved the ground for contemporary American theatrical innovation.
Author: Errol G. Hill
Publisher: Cambridge University Press
ISBN: 9780521624435
Category : Drama
Languages : en
Pages : 652
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Book Description
Table of contents
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521651790
Category : Drama
Languages : en
Pages : 608
Get Book Here
Book Description
Volume Two begins in the post-Civil War period and traces the development of American theater up to 1945. It discusses the role of vaudeville, European influences, the rise of the Little Theater movement, changing audiences, modernism, the Federal Theater movement, major actors and the rise of the star system, and the achievements of notable playwrights. This volume places American theater in its social, economic, and political context.
Author: Esther Kim Lee
Publisher: Cambridge University Press
ISBN: 0521850517
Category : Drama
Languages : en
Pages : 219
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Book Description
This book surveys the history of Asian American theatre from 1965 to 2005.
Author: Jane Milling
Publisher: Cambridge University Press
ISBN: 0521650682
Category : English drama
Languages : en
Pages : 574
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Book Description
Publisher Description
Author: John H. Houchin
Publisher: Cambridge University Press
ISBN: 9780521818193
Category : Drama
Languages : en
Pages : 360
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Book Description
John Houchin explores the impact of censorship in twentieth-century American theatre. He argues that theatrical censorship coincides with significant challenges to religious, political and cultural traditions. Along with the well-known instance of the House Un-American Activities Committee in the 1950s, other almost equally influential events shaped the course of the American stage during the century. The book is arranged in chronological order. It provides a summary of censorship in eighteenth- and nineteenth-century America and then analyses key political and theatrical events between 1900 and 2000. These include a discussion of the 1913 riot after the Abbey Theatre touring produdtion of Playboy of the Western World; protests against Clifford Odet's Waiting for Lefty, performed by militant workers during the Depression; and reactions to the recent play Angels in America.
Author: Samuel A. Hay
Publisher: Cambridge University Press
ISBN: 9780521465854
Category : Drama
Languages : en
Pages : 308
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Book Description
This book traces the history of African American theatre from its beginnings to the present.
Author: Harvey Young
Publisher: Cambridge University Press
ISBN: 1009359584
Category : Drama
Languages : en
Pages : 359
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Book Description
This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.
Author: Brent S. Salter
Publisher: Cambridge University Press
ISBN: 1108620353
Category : Law
Languages : en
Pages : 279
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Book Description
Drawing on fascinating archival discoveries from the past two centuries, Brent Salter shows how copyright has been negotiated in the American theatre. Who controls the space between authors and audiences? Does copyright law actually protect playwrights and help them make a living? At the center of these negotiations are mediating businesses with extraordinary power that rapidly evolved from the mid-nineteenth to mid-twentieth centuries: agents, publishers, producers, labor associations, administrators, accountants, lawyers, government bureaucrats, and film studio executives. As these mediators asserted authority over creativity, creators organized to respond, through collective minimum contracts, informal guild expectations, and professional norms, to protect their presumed rights as authors. This institutional, relational, legal, and business history of the entertainment history in America illuminates both the historical context and the present law. An innovative new kind of intellectual property history, the book maps the relations between the different players from the ground up.
