The Cambridge History of American Literature: Volume 3, Prose Writing, 1860-1920 PDF Download
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Author: Sacvan Bercovitch
Publisher: Cambridge University Press
ISBN: 9780521301077
Category : Literary Criticism
Languages : en
Pages : 844
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Book Description
Multi-volume history of American literature.
Author: Sacvan Bercovitch
Publisher: Cambridge University Press
ISBN: 9780521301077
Category : Literary Criticism
Languages : en
Pages : 844
Get Book Here
Book Description
Multi-volume history of American literature.
Author: Sacvan Bercovitch
Publisher: Cambridge University Press
ISBN: 9780521585712
Category : Literary Criticism
Languages : en
Pages : 846
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Book Description
Volume I of The Cambridge History of American Literature was originally published in 1997, and covers the colonial and early national periods and discusses the work of a diverse assemblage of authors, from Renaissance explorers and Puritan theocrats to Revolutionary pamphleteers and poets and novelists of the new republic. Addressing those characteristics that render the texts distinctively American while placing the literature in an international perspective, the contributors offer a compelling new evaluation of both the literary importance of early American history and the historical value of early American literature.
Author: Henry Augustin Beers
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 646
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Book Description
Author: Christine Gerhardt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110481324
Category : Literary Criticism
Languages : en
Pages : 586
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Book Description
This handbook offers students and researchers a compact introduction to the nineteenth-century American novel in the light of current debates, theoretical concepts, and critical methodologies. The volume turns to the nineteenth century as a formative era in American literary history, a time that saw both the rise of the novel as a genre, and the emergence of an independent, confident American culture. A broad range of concise essays by European and American scholars demonstrates how some of America‘s most well-known and influential novels responded to and participated in the radical transformations that characterized American culture between the early republic and the age of imperial expansion. Part I consists of 7 systematic essays on key historical and critical frameworks ― including debates aboutrace and citizenship, transnationalism, environmentalism and print culture, as well as sentimentalism, romance and the gothic, realism and naturalism. Part II provides 22 essays on individual novels, each combining an introduction to relevant cultural contexts with a fresh close reading and the discussion of critical perspectives shaped by literary and cultural theory.
Author: Kirsten MacLeod
Publisher: University of Toronto Press
ISBN: 1442643161
Category : Language Arts & Disciplines
Languages : en
Pages : 508
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Book Description
In American Little Magazines of the Fin de Siecle, Kirsten MacLeod examines the rise of a new print media form - the little magazine - and its relationship to the transformation of American cultural life at the turn of the twentieth century. Though the little magazine has long been regarded as the preserve of modernist avant-gardes and elite artistic coteries, for whom it served as a form of resistance to mass media, MacLeod's detailed study of its origins paints a different picture. Combining cultural, textual, literary, and media studies criticism, MacLeod demonstrates how the little magazine was deeply connected to the artistic, social, political, and cultural interests of a rising professional-managerial class. She offers a richly contextualized analysis of the little magazine's position in the broader media landscape: namely, its relationship to old and new media, including pre-industrial print forms, newspapers, mass-market magazines, fine press books, and posters. MacLeod's study challenges conventional understandings of the little magazine as a genre and emphasizes the power of "little" media in a mass-market context.
Author: Ágnes Zsófia Kovács
Publisher: Taylor & Francis
ISBN: 104011654X
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
Edith Wharton was not only the author of novels and short stories but also of drama, poetry, autobiography, interior decoration, and travel writing. This study focuses on Wharton’s symbolic representations of architecture in her travel writings. It shows how a network of allusions to travel writing and art history books influenced Wharton’s representations of architectural and natural spaces. The book demonstrates Wharton’s complex relationship to works of art historians (John Ruskin, Émile Mâle, Arthur C. Porter) and travel authors (Wolfgang Goethe, Henry Adams, Henry James) in the trajectory of her travel writing. Kovács surveys how the acknowledgment of Wharton’s sources sheds light both on the author’s model of aesthetic understanding and scenic architectural descriptions, and how the shock of the Great War changed Wharton’s travel destinations but not her symbolic view of architecture as a mediator of things past. Wharton’s symbolic representations of architecture provide a new key to her travel writings.
Author: Daniel Hack
Publisher: Princeton University Press
ISBN: 0691196931
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
How African American writers used Victorian literature to create a literature of their own Tackling fraught but fascinating issues of cultural borrowing and appropriation, this groundbreaking book reveals that Victorian literature was put to use in African American literature and print culture in the nineteenth and early twentieth centuries in much more intricate, sustained, and imaginative ways than previously suspected. From reprinting and reframing "The Charge of the Light Brigade" in an antislavery newspaper to reimagining David Copperfield and Jane Eyre as mixed-race youths in the antebellum South, writers and editors transposed and transformed works by the leading British writers of the day to depict the lives of African Americans and advance their causes. Central figures in African American literary and intellectual history—including Frederick Douglass, Frances Ellen Watkins Harper, Charles Chesnutt, Pauline Hopkins, and W.E.B. Du Bois—leveraged Victorian literature and this history of engagement itself to claim a distinctive voice and construct their own literary tradition. In bringing these transatlantic transfigurations to light, this book also provides strikingly new perspectives on both canonical and little-read works by Charles Dickens, George Eliot, Tennyson, and other Victorian authors. The recovery of these works' African American afterlives illuminates their formal practices and ideological commitments, and forces a reassessment of their cultural impact and political potential. Bridging the gap between African American and Victorian literary studies, Reaping Something New changes our understanding of both fields and rewrites an important chapter of literary history.
Author: Ira Wells
Publisher: University of Alabama Press
ISBN: 0817317996
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
An entirely new understanding of what literary naturalism is and why it matters Ira Wells, countering the standard narrative of literary naturalism’s much-touted concern with environmental and philosophical determinism, draws attention to the polemical essence of the genre and demonstrates how literary naturalists engaged instead with explosive political and cultural issues that remain fervently debated today. Naturalist writers, Wells argues in Fighting Words, are united less by a coherent philosophy than by an attitude, a posture of aggressive controversy, which happens to cluster loosely around particular social issues. To an extent not yet appreciated, literary naturalists took controversial—and frequently contrarian—positions on a wide range of literary, political, and social issues. Frank Norris, for instance, famously declared the innate inferiority of female novelists and frequently wrote about literature in tones suggestive of racial warfare. Theodore Dreiser once advocated, with deadly earnestness, a program of state-run infanticide for disabled or unwanted children. Richard Wright praised the Stalin-Hitler agreement of 1939 as “a great step toward peace.” While many of their arguments were irascible, attention-seeking, and self-consciously inflammatory, the combative spirit that fueled these outbursts remains central to the canonical texts of the movement. Wells considers Frank Norris’s The Octopus in light of the emerging discourses of environmentalism and ecological despoliation, and examines the issue of abortion in Theodore Dreiser’s An American Tragedy. A chapter on Richard Wright’s Native Son takes issue with traditional humanistic readings of its protagonist by analyzing the disturbing relationship between terrorism and lynching as a crime and punishment that resists formal incorporation into the law. By highlighting the contentious rhetoric that infuses the canonical texts of literary naturalism, Fighting Words opens up a wide-ranging and interdisciplinary interrogation of racial, sexual, and environmental polemics in American culture.
Author: Sacvan Bercovitch
Publisher: Cambridge University Press
ISBN: 9780521497329
Category : Literary Criticism
Languages : en
Pages : 824
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Book Description
Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions.
Author: Jane Potter
Publisher: Cambridge University Press
ISBN: 1009302620
Category : Literary Criticism
Languages : en
Pages : 1030
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Book Description
Situating First World War poetry in a truly global context, this book reaches beyond the British soldier-poet canon. A History of World War One Poetry examines popular and literary, ephemeral and enduring poems that the cataclysm of 1914-1918 inspired. Across Europe, poets wrestled with the same problem: how to represent a global conflict, dominated by modern technology, involving millions of combatants and countless civilians. For literary scholars this has meant discovering and engaging with the work of men and women writing in other languages, on other fronts, and from different national perspectives. Poems are presented in their original languages and in English translations, some for the very first time, while a Coda reflects on the study and significance of First World War poetry in the wake of the Centenary. A History of World War One Poetry offers a new perspective on the literary and human experience of 1914-1918.
