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Author: Billy Boy Arnold
Publisher: University of Chicago Press
ISBN: 022680920X
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
"Billy Boy Arnold, born in 1935, is one of the few native Chicagoans who both cultivated a career in the blues and stayed in Chicago. His perspective on Chicago's music, people, and places is rare and valuable. Arnold has worked with generations of musicians-from Tampa Red and Howlin' Wolf and to Muddy Waters and Paul Butterfield-on countless recordings, witnessing the decline of country blues, the dawn of electric blues, the onset of blues-inspired rock, and more. Here, with writer Kim Field, he gets it all down on paper-including the story of how he named Bo Diddley Bo Diddley"--
Author: Billy Boy Arnold
Publisher: University of Chicago Press
ISBN: 022680920X
Category : Biography & Autobiography
Languages : en
Pages : 304
Get Book
Book Description
"Billy Boy Arnold, born in 1935, is one of the few native Chicagoans who both cultivated a career in the blues and stayed in Chicago. His perspective on Chicago's music, people, and places is rare and valuable. Arnold has worked with generations of musicians-from Tampa Red and Howlin' Wolf and to Muddy Waters and Paul Butterfield-on countless recordings, witnessing the decline of country blues, the dawn of electric blues, the onset of blues-inspired rock, and more. Here, with writer Kim Field, he gets it all down on paper-including the story of how he named Bo Diddley Bo Diddley"--
Author: Billy Boy Arnold
Publisher: University of Chicago Press
ISBN: 022680934X
Category : History
Languages : en
Pages : 304
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Book Description
The frank, funny, and unforgettable autobiography of a living legend of Chicago blues. Simply put, Billy Boy Arnold is one of the last men standing from the Chicago blues scene’s raucous heyday. What’s more, unlike most artists in this electrifying melting pot, who were Southern transplants, Arnold—a harmonica master who shared stages with Bo Diddley, Muddy Waters, and Howlin’ Wolf, plus a singer and hitmaker in his own right who first recorded the standards “I Wish You Would” and “I Ain’t Got You”—was born right here and has lived nowhere else. This makes his perspective on Chicago blues, its players, and its locales all the rarer and all the more valuable. Arnold has witnessed musical generations come and go, from the decline of prewar country blues to the birth of the electric blues and the worldwide spread of rock and roll. Working here in collaboration with writer and fellow musician Kim Field, he gets it all down. The Blues Dream of Billy Boy Arnold is a remarkably clear-eyed testament to more than eighty years of musical love and creation, from Arnold’s adolescent quest to locate the legendary Sonny Boy Williamson, the story of how he named Bo Diddley Bo Diddley, and the ups and downs of his seven-decade recording career. Arnold’s tale—candidly told with humor, insight, and grit—is one that no fan of modern American music can afford to miss.
Author: Kim Field
Publisher: Rowman & Littlefield
ISBN: 0815410204
Category : Music
Languages : en
Pages : 388
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Book Description
The harmonica is one of the most important, yet overlooked, instruments in music. This definitive volume celebrates the history of the world's most popular musical device, its impact on various forms of music, folk, country, blues, rock, jazz and classical music. The author traces the development of the harmonica from the ancient Chinese sheng to futuristic harmonica sythesizers. Nearly seventy harmonica masters are profiled including Stevie Wonder, Little Walter, Bob Dylan, Jimmy Reed, Charlie McCoy, Sonny Terry, and John Popper. This updated edition includes an extensive new afterword, an expanded discography of the finest harmonica recordings, and a listing of the best harmonica resources on the internet.
Author: Bruce Iglauer
Publisher: University of Chicago Press
ISBN: 022612990X
Category : Music
Languages : en
Pages : 346
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Book Description
It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence’s Lounge, in the heart of Chicago’s South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog’s debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer’s memoir of a life immersed in the blues—and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it’s like to work with the greats of the blues. It’s a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America’s music to life in the clubs of Chicago’s South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience. Most of the smoky bars and packed clubs that fostered the Chicago blues scene have long since disappeared. But their soul lives on, and so does their sound. As real and audacious as the music that shaped it, Bitten by the Blues is a raucous journey through the world of Genuine Houserockin’ Music.
Author: Brian F. Wright
Publisher: University of Michigan Press
ISBN: 0472221701
Category : Music
Languages : en
Pages : 393
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Book Description
The Bastard Instrument chronicles the history of the electric bass and the musicians who played it, from the instrument’s invention through its widespread acceptance at the end of the 1960s. Although their contributions have often gone unsung, electric bassists helped shape the sound of a wide range of genres, including jazz, rhythm & blues, rock, country, soul, funk, and more. Their innovations are preserved in performances from artists as diverse as Lionel Hampton, Liberace, Elvis Presley, Patsy Cline, the Supremes, the Beatles, James Brown, Bob Dylan, Aretha Franklin, Jefferson Airplane, and Sly and the Family Stone, all of whom are discussed in this volume. At long last, The Bastard Instrument gives these early electric bassists credit for the significance of their accomplishments and demonstrates how they fundamentally altered the trajectory of popular music.
Author: Ian Zack
Publisher: University of Chicago Press
ISBN: 022623424X
Category : Music
Languages : en
Pages : 358
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Book Description
“Finally, the biography that Rev. Davis deserves. Ian Zack takes ‘Blind Gary’ out of the footnotes and into the footlights of the history of American music.” —Steve Katz, cofounder of Blood, Sweat & Tears Bob Dylan called Gary Davis “one of the wizards of modern music.” Bob Weir of the Grateful Dead—who took lessons with Davis—claimed his musical ability “transcended any common notion of a bluesman.” And the folklorist Alan Lomax called him “one of the really great geniuses of American instrumental music.” But you won’t find Davis alongside blues legends Robert Johnson and Muddy Waters in the Rock and Roll Hall of Fame. The first biography of Davis, Say No to the Devil restores “the Rev’s” remarkable story. Drawing on extensive research and interviews with many of Davis’s former students, Ian Zack takes readers through Davis’s difficult beginning as the blind son of sharecroppers in the Jim Crow South to his decision to become an ordained Baptist minister and his move to New York in the early 1940s, where he scraped out a living singing and preaching on street corners and in storefront churches in Harlem. There, he gained entry into a circle of musicians that included, among many others, Lead Belly, Woody Guthrie, and Dave Van Ronk. But in spite of his tremendous musical achievements, Davis never gained broad recognition from an American public that wasn’t sure what to make of his trademark blend of gospel, ragtime, street preaching, and the blues. His personal life was also fraught, troubled by struggles with alcohol, women, and deteriorating health. Zack chronicles this remarkable figure in American music, helping us to understand how he taught and influenced a generation of musicians.
Author: Allen Goodman
Publisher: University of Chicago Press
ISBN: 0226826236
Category : History
Languages : en
Pages : 237
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Book Description
"In the American judicial system, even accused murderers, rapists, arsonists, and child abusers have voices and rights; and as the Miranda warning says, if they cannot afford a lawyer, one will be appointed to represent them. Enter the public defender, who must try to help people who have done reprehensible things--no matter their personal assessment of the client and situation. Former PD Allen Goodman draws upon a deep understanding of that milieu, conveying its complexities and dilemmas, reveling in great moral victories, enduring administrative inanity, and staggering from defeats. It is an intensely idealistic job, but also one that breeds corrosive cynicism. Goodman limns the difficulties of remaining a good human being while defending the worst of them"--
Author: Michael P. Steinberg
Publisher: University of Chicago Press
ISBN: 022659422X
Category : History
Languages : en
Pages : 162
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Book Description
In this unique and hybrid book, cultural and music historian Michael P. Steinberg combines a close analysis of Wagnerian music drama with a personal account of his work as a dramaturg on the bicentennial production of The Ring of the Nibelung for the Teatro alla Scala Milan and the Berlin State Opera. Steinberg shows how Wagner uses the power of a modern mythology to heighten music’s claims to knowledge, thereby fusing not only art and politics, but truth and lies as well. Rather than attempting to separate value and violence, or “the good from the bad,” as much Wagner scholarship as well as popular writing have tended to do, Steinberg proposes that we confront this paradox and look to the capacity of the stage to explore its depths and implications. Drawing on decades of engagement with Wagner and of experience teaching opera across disciplines, The Trouble with Wagner is packed with novel insights for experts and interested readers alike.
Author: Marc Savoy
Publisher:
ISBN: 9781946160805
Category : Music
Languages : en
Pages : 144
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Book Description
Upon seeing a Louisiana-handmade diatonic accordion for the first time in 1957, a teenage Marc Savoy began a quest that arguably no one has come closer to achieving: to build the perfect Cajun accordion. Told in Marc's own words, Made in Louisiana is the story of the evolution of his Acadian brand accordions--but it is also the story of how an instrument once known as the "German-style" accordion became the iconic image of Louisiana's Cajun culture.
Author: Bob Gluck
Publisher: University of Chicago Press
ISBN: 022618076X
Category : Music
Languages : en
Pages : 289
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Book Description
Miles Davis’s Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis’s live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. In this book, jazz historian and musician Bob Gluck explores the performances of this revolutionary group—Davis’s first electric band—to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in. Gluck listens deeply to the uneasy tension between this group’s driving rhythmic groove and the sonic and structural openness, surprise, and experimentation they were always pushing toward. There he hears—and outlines—a fascinating web of musical interconnection that brings Davis’s funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble, Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. The result is a deeply attuned look at a pivotal moment when once-disparate worlds of American music came together in explosively creative combinations.
