Author: Robin R. Means Coleman
Publisher: Simon and Schuster
ISBN: 1982186534
Category : Performing Arts
Languages : en
Pages : 336
Book Description
An exploration of the history of Black horror films. Delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines
The Black Guy Dies First
Author: Robin R. Means Coleman
Publisher: Simon and Schuster
ISBN: 1982186534
Category : Performing Arts
Languages : en
Pages : 336
Book Description
An exploration of the history of Black horror films. Delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines
Publisher: Simon and Schuster
ISBN: 1982186534
Category : Performing Arts
Languages : en
Pages : 336
Book Description
An exploration of the history of Black horror films. Delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines
Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)
Author: Frederick W. Gooding Jr.
Publisher: Teachers College Press
ISBN: 0807782246
Category : Education
Languages : en
Pages : 135
Book Description
Talking about race does not have to be incredibly awkward. In this book, Gooding offers twelve clear, cogent, and concise racial rubrics to help users of mainstream media more readily discern patterns hidden in plain sight. The text primarily leverages popular movies as the medium of analysis—since they are unparalleled in their cultural significance—but the rubrics apply to other forms of media, such as television, print, and social media. “Why does the Black guy die first?” is a well-known rhetorical question that challenges disparate treatment of nonwhite characters onscreen. This subtle statement about the representation of persons of color within mainstream movies has remained largely unexplored until now. Race and Media Literacy, Explained provides concrete concepts and a uniform vocabulary with which to recognize and further analyze these formulaic images. After participating in this dynamically interactive experience, readers will never see media the same way again! Book Features: Employs an interdisciplinary approach to teaching race, drawing on cinema and forms of popular media that most students know. Guidance for honing media literacy skills with middle, high school, and undergraduate college students. A HARM Theory Rubric that identifies 6 consistent patterns for depictions of non-White characters and 6 consistent patterns for White characters within mainstream movies. Questions for Questing sections provide critical questions for further exploration. Concrete vocabulary/glossary terms to engage with the subject matter more precisely. Innovative analysis of depictions of race and ethnicity in the top ten grossing films of all time.
Publisher: Teachers College Press
ISBN: 0807782246
Category : Education
Languages : en
Pages : 135
Book Description
Talking about race does not have to be incredibly awkward. In this book, Gooding offers twelve clear, cogent, and concise racial rubrics to help users of mainstream media more readily discern patterns hidden in plain sight. The text primarily leverages popular movies as the medium of analysis—since they are unparalleled in their cultural significance—but the rubrics apply to other forms of media, such as television, print, and social media. “Why does the Black guy die first?” is a well-known rhetorical question that challenges disparate treatment of nonwhite characters onscreen. This subtle statement about the representation of persons of color within mainstream movies has remained largely unexplored until now. Race and Media Literacy, Explained provides concrete concepts and a uniform vocabulary with which to recognize and further analyze these formulaic images. After participating in this dynamically interactive experience, readers will never see media the same way again! Book Features: Employs an interdisciplinary approach to teaching race, drawing on cinema and forms of popular media that most students know. Guidance for honing media literacy skills with middle, high school, and undergraduate college students. A HARM Theory Rubric that identifies 6 consistent patterns for depictions of non-White characters and 6 consistent patterns for White characters within mainstream movies. Questions for Questing sections provide critical questions for further exploration. Concrete vocabulary/glossary terms to engage with the subject matter more precisely. Innovative analysis of depictions of race and ethnicity in the top ten grossing films of all time.
Horror Noire
Author: Robin R. Means Coleman
Publisher: Routledge
ISBN: 1136942947
Category : History
Languages : en
Pages : 294
Book Description
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
Publisher: Routledge
ISBN: 1136942947
Category : History
Languages : en
Pages : 294
Book Description
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
Vicious Minds: Part 1
Author: J.J. McAvoy
Publisher: NYLA
ISBN: 1641970804
Category : Fiction
Languages : en
Pages : 362
Book Description
Part one of the epic two-part conclusion to the Ruthless People and Children of Vice series... In the end...we all lose. How well do you think you know the Callahans? Yes, I’m asking you. Because I know you’ve been watching. The chaos, the violence, the love, and the madness—who could look away? Not me, for sure. My grandmother always told me...where you look is where you go. So I ask again, how well do you think you know the Callahans? Do you really think you understand Melody, Liam, or even Ethan? I have to wonder—will your mind be able to handle it? We haven’t met yet, but ready or not, here I come. The true queen of Chicago. For now, you may call me Calliope. Catch up on the Children of Vice Series: CHILDREN OF VICE, Book 1: “From the Ruthless, Vice shall Rise.” CHILDREN OF AMBITION, Book 2: "Show me a strong woman and I’ll show you the scars on her soul that made her so.” CHILDREN OF REDEMPTION, Book 3: “I do not come in peace.”
Publisher: NYLA
ISBN: 1641970804
Category : Fiction
Languages : en
Pages : 362
Book Description
Part one of the epic two-part conclusion to the Ruthless People and Children of Vice series... In the end...we all lose. How well do you think you know the Callahans? Yes, I’m asking you. Because I know you’ve been watching. The chaos, the violence, the love, and the madness—who could look away? Not me, for sure. My grandmother always told me...where you look is where you go. So I ask again, how well do you think you know the Callahans? Do you really think you understand Melody, Liam, or even Ethan? I have to wonder—will your mind be able to handle it? We haven’t met yet, but ready or not, here I come. The true queen of Chicago. For now, you may call me Calliope. Catch up on the Children of Vice Series: CHILDREN OF VICE, Book 1: “From the Ruthless, Vice shall Rise.” CHILDREN OF AMBITION, Book 2: "Show me a strong woman and I’ll show you the scars on her soul that made her so.” CHILDREN OF REDEMPTION, Book 3: “I do not come in peace.”
The Black Sheep
Author: Rebecca Suzanne
Publisher: Rebecca Suzanne
ISBN:
Category : Fiction
Languages : en
Pages : 503
Book Description
Abigayle Carmichael is her family’s greatest failure. Choosing the path of art instead of settling down into the heteronormative life society, and their mother, bullied her siblings into pursuing, she became the black sheep of her family. And when they deny any value to the accomplishments and accolades she acquires through her successful career, she makes the choice to leave them for good. Running away from their clutches, she purchases her dream home in a small town far enough away from Portland that they can’t find her. In this town she figures out how to have the life she always wanted. One without the judgement from her family. One where she doesn’t have to run every decision by them to make sure it fits the standards of a Carmichael. She is her own person. She is capable. She can be happy. And she’ll do it all with her own eclectic flock.
Publisher: Rebecca Suzanne
ISBN:
Category : Fiction
Languages : en
Pages : 503
Book Description
Abigayle Carmichael is her family’s greatest failure. Choosing the path of art instead of settling down into the heteronormative life society, and their mother, bullied her siblings into pursuing, she became the black sheep of her family. And when they deny any value to the accomplishments and accolades she acquires through her successful career, she makes the choice to leave them for good. Running away from their clutches, she purchases her dream home in a small town far enough away from Portland that they can’t find her. In this town she figures out how to have the life she always wanted. One without the judgement from her family. One where she doesn’t have to run every decision by them to make sure it fits the standards of a Carmichael. She is her own person. She is capable. She can be happy. And she’ll do it all with her own eclectic flock.
Human Parts
Author: Orly Castel-Bloom
Publisher: David R. Godine Publisher
ISBN: 9781567922561
Category : Fiction
Languages : en
Pages : 270
Book Description
"It was an exceptional winter." With deceptive understatement, Orly Castel-Bloom draws back the curtain on her disturbing, revelatory novel set in Israel during the Al Aksa intifada. This is a world already regularly interrupted by terrorist ambushes and suicide bombs. And now it is further plagued by a Saudi flu that is decimating the population, and by apocalyptic weather that brings a ruinous winter after eight years of drought. The economy is shot to pieces. Hail stones as big as dinner plates are falling from the sky. And yet, against this backdrop of monumental affliction, ordinary people are still trying to lead normal lives. Kati Beit-Halahmi, an impoverished cleaner, is snatched up by a community television program and given her full fifteen-minutes-of-fame. Iris Ventura, divorced with three children, is wondering how she can afford both to replace her broken washing machine and have some essential dental work done. And the Israeli president, Reuven Tekoa, travels from hospital to funeral, musing on the state of the nation from the back of his limousine. Orly Castel-Bloom spins a web of filament-fine connections between her characters whose preoccupations, she reminds us, are not so very different from our own. Death or disaster might intrude at any moment, but people still watch game shows on TV, go to the laundromat and train to be beauticians.
Publisher: David R. Godine Publisher
ISBN: 9781567922561
Category : Fiction
Languages : en
Pages : 270
Book Description
"It was an exceptional winter." With deceptive understatement, Orly Castel-Bloom draws back the curtain on her disturbing, revelatory novel set in Israel during the Al Aksa intifada. This is a world already regularly interrupted by terrorist ambushes and suicide bombs. And now it is further plagued by a Saudi flu that is decimating the population, and by apocalyptic weather that brings a ruinous winter after eight years of drought. The economy is shot to pieces. Hail stones as big as dinner plates are falling from the sky. And yet, against this backdrop of monumental affliction, ordinary people are still trying to lead normal lives. Kati Beit-Halahmi, an impoverished cleaner, is snatched up by a community television program and given her full fifteen-minutes-of-fame. Iris Ventura, divorced with three children, is wondering how she can afford both to replace her broken washing machine and have some essential dental work done. And the Israeli president, Reuven Tekoa, travels from hospital to funeral, musing on the state of the nation from the back of his limousine. Orly Castel-Bloom spins a web of filament-fine connections between her characters whose preoccupations, she reminds us, are not so very different from our own. Death or disaster might intrude at any moment, but people still watch game shows on TV, go to the laundromat and train to be beauticians.
The Shakespeare Multiverse
Author: Valerie M. Fazel
Publisher: Routledge
ISBN: 1000463575
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
The Shakespeare Multiverse: Fandom as Literary Praxis argues that fandom offers new models for a twenty-first century reading practice that embraces affective pleasure and subjective self-positioning as a means of understanding a text. Part critical study, part source book, The Shakespeare Multiverse suggests that fannish contributions to the ongoing expansion of the object that we call Shakespeare is best imagined as a multiverse, encompassing different worlds that consolidate the various perspectives that different fans bring to Shakespeare. Our concept of the multiverse redefines ‘Shakespeare’ not as a singular body of work, but as space where a process of inquiry and cultural memory – memories in the making, and those already made – is influenced and shaped by the technologies available to the reader. Characteristic of fandom is an intertextual reading strategy that we term cyborg reading, an approach that accommodates the varied elements of identity, politics, culture, sexuality, and race that shape the ways that Shakespeare is explored and appropriated throughout fannish reading communities. The Shakespeare Multiverse intersects literary theory, fan studies, and popular culture as it traverses Shakespeare fandom from the 1623 Folio to the age of the Internet, exploring the different textures of fan affect, from those who firmly uphold fidelity to the text to those who sit on the very edge of the fandom, threatening to cross over into Shakespearean anti-fandom. By recognizing the literary value of fandom, The Shakespeare Multiverse offers a new approach to literary criticism that challenges the limits of hegemonic authority and recognizes the value of a joyfully speculative critical praxis.
Publisher: Routledge
ISBN: 1000463575
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
The Shakespeare Multiverse: Fandom as Literary Praxis argues that fandom offers new models for a twenty-first century reading practice that embraces affective pleasure and subjective self-positioning as a means of understanding a text. Part critical study, part source book, The Shakespeare Multiverse suggests that fannish contributions to the ongoing expansion of the object that we call Shakespeare is best imagined as a multiverse, encompassing different worlds that consolidate the various perspectives that different fans bring to Shakespeare. Our concept of the multiverse redefines ‘Shakespeare’ not as a singular body of work, but as space where a process of inquiry and cultural memory – memories in the making, and those already made – is influenced and shaped by the technologies available to the reader. Characteristic of fandom is an intertextual reading strategy that we term cyborg reading, an approach that accommodates the varied elements of identity, politics, culture, sexuality, and race that shape the ways that Shakespeare is explored and appropriated throughout fannish reading communities. The Shakespeare Multiverse intersects literary theory, fan studies, and popular culture as it traverses Shakespeare fandom from the 1623 Folio to the age of the Internet, exploring the different textures of fan affect, from those who firmly uphold fidelity to the text to those who sit on the very edge of the fandom, threatening to cross over into Shakespearean anti-fandom. By recognizing the literary value of fandom, The Shakespeare Multiverse offers a new approach to literary criticism that challenges the limits of hegemonic authority and recognizes the value of a joyfully speculative critical praxis.
Handbook of the Cultural Foundations of Learning
Author: Na'ilah Suad Nasir
Publisher: Routledge
ISBN: 1135039305
Category : Education
Languages : en
Pages : 476
Book Description
Edited by a diverse group of expert collaborators, the Handbook of the Cultural Foundations of Learning is a landmark volume that brings together cutting-edge research examining learning as entailing inherently cultural processes. Conceptualizing culture as both a set of social practices and connected to learner identities, the chapters synthesize contemporary research in elaborating a new vision of the cultural nature of learning, moving beyond summary to reshape the field toward studies that situate culture in the learning sciences alongside equity of educational processes and outcomes. With the recent increased focus on culture and equity within the educational research community, this volume presents a comprehensive, innovative treatment of what has become one of the field’s most timely and relevant topics.
Publisher: Routledge
ISBN: 1135039305
Category : Education
Languages : en
Pages : 476
Book Description
Edited by a diverse group of expert collaborators, the Handbook of the Cultural Foundations of Learning is a landmark volume that brings together cutting-edge research examining learning as entailing inherently cultural processes. Conceptualizing culture as both a set of social practices and connected to learner identities, the chapters synthesize contemporary research in elaborating a new vision of the cultural nature of learning, moving beyond summary to reshape the field toward studies that situate culture in the learning sciences alongside equity of educational processes and outcomes. With the recent increased focus on culture and equity within the educational research community, this volume presents a comprehensive, innovative treatment of what has become one of the field’s most timely and relevant topics.
The Canadian Alternative
Author: Dominick Grace
Publisher: Univ. Press of Mississippi
ISBN: 1496815122
Category : Literary Criticism
Languages : en
Pages : 355
Book Description
Contributions by Jordan Bolay, Ian Brodie, Jocelyn Sakal Froese, Dominick Grace, Eric Hoffman, Paddy Johnston, Ivan Kocmarek, Jessica Langston, Judith Leggatt, Daniel Marrone, Mark J. McLaughlin, Joan Ormrod, Laura A. Pearson, Annick Pellegrin, Mihaela Precup, Jason Sacks, and Ruth-Ellen St. Onge This overview of the history of Canadian comics explores acclaimed as well as unfamiliar artists. Contributors look at the myriad ways that English-language, Francophone, Indigenous, and queer Canadian comics and cartoonists pose alternatives to American comics, to dominant perceptions, even to gender and racial categories. In contrast to the United States' melting pot, Canada has been understood to comprise a social, cultural, and ethnic mosaic, with distinct cultural variation as part of its identity. This volume reveals differences that often reflect in highly regional and localized comics such as Paul MacKinnon's Cape Breton-specific Old Trout Funnies, Michel Rabagliati's Montreal-based Paul comics, and Kurt Martell and Christopher Merkley's Thunder Bay-specific zombie apocalypse. The collection also considers some of the conventionally "alternative" cartoonists, namely Seth, Dave Sim, and Chester Brown. It offers alternate views of the diverse and engaging work of two very different Canadian cartoonists who bring their own alternatives into play: Jeff Lemire in his bridging of Canadian/US and mainstream/alternative sensibilities and Nina Bunjevac in her own blending of realism and fantasy as well as of insider/outsider status. Despite an upsurge in research on Canadian comics, there is still remarkably little written about most major and all minor Canadian cartoonists. This volume provides insight into some of the lesser-known Canadian alternatives still awaiting full exploration.
Publisher: Univ. Press of Mississippi
ISBN: 1496815122
Category : Literary Criticism
Languages : en
Pages : 355
Book Description
Contributions by Jordan Bolay, Ian Brodie, Jocelyn Sakal Froese, Dominick Grace, Eric Hoffman, Paddy Johnston, Ivan Kocmarek, Jessica Langston, Judith Leggatt, Daniel Marrone, Mark J. McLaughlin, Joan Ormrod, Laura A. Pearson, Annick Pellegrin, Mihaela Precup, Jason Sacks, and Ruth-Ellen St. Onge This overview of the history of Canadian comics explores acclaimed as well as unfamiliar artists. Contributors look at the myriad ways that English-language, Francophone, Indigenous, and queer Canadian comics and cartoonists pose alternatives to American comics, to dominant perceptions, even to gender and racial categories. In contrast to the United States' melting pot, Canada has been understood to comprise a social, cultural, and ethnic mosaic, with distinct cultural variation as part of its identity. This volume reveals differences that often reflect in highly regional and localized comics such as Paul MacKinnon's Cape Breton-specific Old Trout Funnies, Michel Rabagliati's Montreal-based Paul comics, and Kurt Martell and Christopher Merkley's Thunder Bay-specific zombie apocalypse. The collection also considers some of the conventionally "alternative" cartoonists, namely Seth, Dave Sim, and Chester Brown. It offers alternate views of the diverse and engaging work of two very different Canadian cartoonists who bring their own alternatives into play: Jeff Lemire in his bridging of Canadian/US and mainstream/alternative sensibilities and Nina Bunjevac in her own blending of realism and fantasy as well as of insider/outsider status. Despite an upsurge in research on Canadian comics, there is still remarkably little written about most major and all minor Canadian cartoonists. This volume provides insight into some of the lesser-known Canadian alternatives still awaiting full exploration.
The Routledge Handbook of CoFuturisms
Author: Taryne Jade Taylor
Publisher: Taylor & Francis
ISBN: 1000934136
Category : Literary Collections
Languages : en
Pages : 1068
Book Description
The Routledge Handbook of CoFuturisms delivers a new, inclusive examination of science fiction, from close analyses of single texts to large-scale movements, providing readers with decolonized models of the future, including print, media, race, gender, and social justice. This comprehensive overview of the field explores representations of possible futures arising from non-Western cultures and ethnic histories that disrupt the “imperial gaze”. In four parts, The Routledge Handbook of CoFuturisms considers the look of futures from the margins, foregrounding the issues of Indigenous groups, racial, ethnic, religious, and sexual minorities, and any people whose stakes in the global order of envisioning futures are generally constrained due to the mechanics of our contemporary world. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of science fiction and diverse futurisms as a whole. Offering a dynamic mix of approaches and expansive perspectives, this volume will appeal to academics and researchers seeking to orient their own interventions into broader contexts.
Publisher: Taylor & Francis
ISBN: 1000934136
Category : Literary Collections
Languages : en
Pages : 1068
Book Description
The Routledge Handbook of CoFuturisms delivers a new, inclusive examination of science fiction, from close analyses of single texts to large-scale movements, providing readers with decolonized models of the future, including print, media, race, gender, and social justice. This comprehensive overview of the field explores representations of possible futures arising from non-Western cultures and ethnic histories that disrupt the “imperial gaze”. In four parts, The Routledge Handbook of CoFuturisms considers the look of futures from the margins, foregrounding the issues of Indigenous groups, racial, ethnic, religious, and sexual minorities, and any people whose stakes in the global order of envisioning futures are generally constrained due to the mechanics of our contemporary world. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of science fiction and diverse futurisms as a whole. Offering a dynamic mix of approaches and expansive perspectives, this volume will appeal to academics and researchers seeking to orient their own interventions into broader contexts.