The Best Cartoons from Punch

The Best Cartoons from Punch PDF Author: Marvin Rosenberg
Publisher:
ISBN: 9781494027179
Category :
Languages : en
Pages : 160

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Book Description
This is a new release of the original 1952 edition.

The Best Cartoons from Punch

The Best Cartoons from Punch PDF Author: Marvin Rosenberg
Publisher:
ISBN: 9781494027179
Category :
Languages : en
Pages : 160

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Book Description
This is a new release of the original 1952 edition.

The Best of Punch Cartoons

The Best of Punch Cartoons PDF Author: Helen Walasek
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 618

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Book Description
"This enormous selection, which must rank as one of the best cartoon compilations of all time, has been specially selected by Helen Walasek of the Punch Cartoon Library and former curator of the Punch Collection. Leafing through its pages you are transported from the parlors and drawing rooms of the 19th century, with insolent servants and arrogant aristocrats, through the smoggy streets and crowded omnibuses of the cities, to the open fields of the country where "townies" shelter from the rain to the scorn of the locals, and would be fishermen and golfers find frustration." "The First World War brings a brash patriotism that leads to a cynical look at the hedonism of the Twenties, pokes fun at the new suburbanites and celebrates the growth of mass entertainment and travel. With the coming of World War Two all the restrictions, foibles and fears of wartime on the Home Front and in the Armed Forces are reflected in Punch's cartoons. But the fun returns with the post-war boom. Consumerism develops, then it's into the Swinging Sixties - popular music, modern art and youth in rebellion. The excesses of the Eighties are chronicled and Nineties are chronicled too. Mr. Punch's cartoonists were there to observe it all, and yon can too, in the pages of this magnificent tome." --Book Jacket.

The Punch Cartoon Album

The Punch Cartoon Album PDF Author: Amanda-Jane Doran
Publisher:
ISBN: 9780586214831
Category : Humor
Languages : en
Pages : 258

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Book Description
Examples of the famous Punch cartoons.

The History of "Punch"

The History of Author: Marion Harry Spielmann
Publisher:
ISBN:
Category : Journalism
Languages : en
Pages : 618

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Book Description


Mr. Punch's History of the Great War

Mr. Punch's History of the Great War PDF Author: Charles Larcom Graves
Publisher: London : Cassell
ISBN:
Category : English wit and humor, Pictorial
Languages : en
Pages : 352

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Book Description
A series of exerpts from Punch Magazine articles about World War I. Reprinted in the United States by Frederick Stokes.

The Mammoth Book of the Funniest Cartoons of All Time

The Mammoth Book of the Funniest Cartoons of All Time PDF Author: Geoff Tibbals
Publisher: Running PressBook Pub
ISBN: 9780786718313
Category : Humor
Languages : en
Pages : 520

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Book Description
A compendium of 450 top-selected cartoons from around the world includes pieces by such artists as Peter Arno, Posy Simmonds, and Charles Addams and is thematically arranged under such headings as Sport, Sex, and the Long Arm of the Law, in a volume complemented by brief artist biographies. Original.

Artist of Wonderland

Artist of Wonderland PDF Author: Frankie Morris
Publisher: University of Virginia Press
ISBN: 9780813923437
Category : Art
Languages : en
Pages : 434

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Book Description
Best known today as the illustrator for Lewis Carroll's Alice books, John Tenniel was the Victorian era's chief political cartoonist. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theater, and medievalism to his flirtation with high art and fifty years in the close brotherhood of the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. According to his countrymen Tenniel's work--and his Punch cartoons in particular--would embody for future historians the "trend and character" of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled. The biography is followed by three parts on Tenniel's work, consisting of thirteen independent essays in which the author examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. She addresses such little-understood subjects as Tenniel's drawings on wood, his relationship with Lewis Carroll, and his controversial Irish cartoons, and inquires into the salient characteristics of his approximately 4,500 drawings for books and journals. For lovers of Alice, Morris offers six chapters on Tenniel's work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures. In five probing studies, Morris demonstrates how Tenniel's cartoons depicted the key political questions of his day--the Eastern Question, which brought into opposition the great rivals Gladstone and Disraeli; trade-union issues and franchise reform; Irish resistance to British rule; and Lincoln and the American Civil War--examining their assumptions, devices, and evolving strategies. An appendix identifies some 1,500 unmonogrammed drawings done by Tenniel in his first twelve years on Punch. The definitive study of both the man and the work, Artist of Wonderland gives an unprecedented view of the cartoonist whose adroit adaptations of elements from literature, art, and above all the stage succeeded in mythologizing the world for generations of Britons. Not for sale in the British Commonwealth except Canada Available in the British Commonwealth, excluding Canada, from Lutterworth Press

Bartholomew and the Oobleck

Bartholomew and the Oobleck PDF Author: Dr. Seuss
Publisher: Random House Books for Young Readers
ISBN: 0394800753
Category : Juvenile Fiction
Languages : en
Pages : 57

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Book Description
Join Bartholomew Cubbins in Dr. Seuss’s Caldecott Honor–winning picture book about a king’s magical mishap! Bored with rain, sunshine, fog, and snow, King Derwin of Didd summons his royal magicians to create something new and exciting to fall from the sky. What he gets is a storm of sticky green goo called Oobleck—which soon wreaks havock all over his kingdom! But with the assistance of the wise page boy Bartholomew, the king (along with young readers) learns that the simplest words can sometimes solve the stickiest problems.

Mr. Punch's History of Modern England: 1857-1874

Mr. Punch's History of Modern England: 1857-1874 PDF Author: Charles Larcom Graves
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 376

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Book Description


The Best of the Rejection Collection

The Best of the Rejection Collection PDF Author: Matthew Diffee
Publisher: Workman Publishing
ISBN: 0761168664
Category : Humor
Languages : en
Pages : 353

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Book Description
It’s the best of the worst: 293 of the funniest cartoons rejected by The New Yorker but luckily for us, now in paperback and available to enjoy. The Rejection Collection brings together some of The New Yorker’s brightest talents—Roz Chast, Gahan Wilson, Sam Gross, Jack Zeigler, David Sipress, and more—and reveals their other side. Their dark side. Their juvenile side. Their sick side. Their naughty side. Their outrageous side. And what a treat. Ventriloquist dummy cartoons. Operating room cartoons. Bring your daughter to work day cartoons (the stripper, the prison guard on death row). Lots of couples in bed, quite a few coffins, wise-cracking animals—an obsessive’s plumbing of the weird, the scary, the off-the-wall, and done so without restraint. Every week The New Yorker receives 500 cartoon submissions, and rejects a great majority—mostly, of course, for not being funny enough. There’s no question why these were rejected, and it’s not for lack of laughs. One can almost hear Eustace Tilley sniffing, We are not amused.