Author: Bernard Assiniwi
Publisher: Macmillan
ISBN: 1466839007
Category : Fiction
Languages : en
Pages : 274
Book Description
This astounding novel fully deserves to be called a saga. It begins a thousand years ago in the time of the Vikings in Newfoundland. It is crammed with incidents of war and peace, with fights to the death and long nights of lovemaking, and with accounts of the rise of local clan chiefs and the silent fall of great distant empires. Out of the mists of the past it sweeps forward eight hundred years, to the lonely death of the last of the Beothuk. The Beothuk, of course, were the original native people of Newfoundland, and thus the first North American natives encountered by European sailors. Noticing the red ochre they used as protection against mosquitoes, the sailors called them "Red-skins," a name that was to affect an entire continent. As a people, they were never understood. Until now. By adding his novelist's imagination to his knowledge as an anthropologist and a historian, Bernard Assiniwi has written a convincing account of the Beothuk people through the ages. To do so he has given us a mirror image of the history rendered by Europeans. For example, we know from the Norse Sagas that four slaves escaped from the Viking settlement at L'Anse aux Meadows. What happened to them? Bernard Assiniwi supplies a plausible answer, just as he perhaps solves the mystery of the Portuguese ships that sailed west in 1501 to catch more Beothuk, and disappeared from the paper records forever. The story of the Beothuk people is told in three parts. "The Initiate" tells of Anin, who made a voyage by canoe around the entire island a thousand years ago, encountering the strange Vikings with their "cutting sticks" and their hair "the colour of dried grass." His encounters with whales, bears, raiding Inuit and other dangers, and his survival skills on this epic journey make for fascinating reading, as does his eventual return to his home where, with the help of his strong and active wives, he becomes a legendary chief, the father of his people.
The Beothuk Saga
Author: Bernard Assiniwi
Publisher: Macmillan
ISBN: 1466839007
Category : Fiction
Languages : en
Pages : 274
Book Description
This astounding novel fully deserves to be called a saga. It begins a thousand years ago in the time of the Vikings in Newfoundland. It is crammed with incidents of war and peace, with fights to the death and long nights of lovemaking, and with accounts of the rise of local clan chiefs and the silent fall of great distant empires. Out of the mists of the past it sweeps forward eight hundred years, to the lonely death of the last of the Beothuk. The Beothuk, of course, were the original native people of Newfoundland, and thus the first North American natives encountered by European sailors. Noticing the red ochre they used as protection against mosquitoes, the sailors called them "Red-skins," a name that was to affect an entire continent. As a people, they were never understood. Until now. By adding his novelist's imagination to his knowledge as an anthropologist and a historian, Bernard Assiniwi has written a convincing account of the Beothuk people through the ages. To do so he has given us a mirror image of the history rendered by Europeans. For example, we know from the Norse Sagas that four slaves escaped from the Viking settlement at L'Anse aux Meadows. What happened to them? Bernard Assiniwi supplies a plausible answer, just as he perhaps solves the mystery of the Portuguese ships that sailed west in 1501 to catch more Beothuk, and disappeared from the paper records forever. The story of the Beothuk people is told in three parts. "The Initiate" tells of Anin, who made a voyage by canoe around the entire island a thousand years ago, encountering the strange Vikings with their "cutting sticks" and their hair "the colour of dried grass." His encounters with whales, bears, raiding Inuit and other dangers, and his survival skills on this epic journey make for fascinating reading, as does his eventual return to his home where, with the help of his strong and active wives, he becomes a legendary chief, the father of his people.
Publisher: Macmillan
ISBN: 1466839007
Category : Fiction
Languages : en
Pages : 274
Book Description
This astounding novel fully deserves to be called a saga. It begins a thousand years ago in the time of the Vikings in Newfoundland. It is crammed with incidents of war and peace, with fights to the death and long nights of lovemaking, and with accounts of the rise of local clan chiefs and the silent fall of great distant empires. Out of the mists of the past it sweeps forward eight hundred years, to the lonely death of the last of the Beothuk. The Beothuk, of course, were the original native people of Newfoundland, and thus the first North American natives encountered by European sailors. Noticing the red ochre they used as protection against mosquitoes, the sailors called them "Red-skins," a name that was to affect an entire continent. As a people, they were never understood. Until now. By adding his novelist's imagination to his knowledge as an anthropologist and a historian, Bernard Assiniwi has written a convincing account of the Beothuk people through the ages. To do so he has given us a mirror image of the history rendered by Europeans. For example, we know from the Norse Sagas that four slaves escaped from the Viking settlement at L'Anse aux Meadows. What happened to them? Bernard Assiniwi supplies a plausible answer, just as he perhaps solves the mystery of the Portuguese ships that sailed west in 1501 to catch more Beothuk, and disappeared from the paper records forever. The story of the Beothuk people is told in three parts. "The Initiate" tells of Anin, who made a voyage by canoe around the entire island a thousand years ago, encountering the strange Vikings with their "cutting sticks" and their hair "the colour of dried grass." His encounters with whales, bears, raiding Inuit and other dangers, and his survival skills on this epic journey make for fascinating reading, as does his eventual return to his home where, with the help of his strong and active wives, he becomes a legendary chief, the father of his people.
The Beothuk Saga
Author: Bernard Assiniwi
Publisher: Macmillan
ISBN: 0312283903
Category : Fiction
Languages : en
Pages : 353
Book Description
A novel set in the time of the Vikings in Newfoundland details many events of war, death, peace, and power, brings to life the rise and fall of empires, and then journeys forward eight hundred years later to the solitary death of the last of the Beothuk.
Publisher: Macmillan
ISBN: 0312283903
Category : Fiction
Languages : en
Pages : 353
Book Description
A novel set in the time of the Vikings in Newfoundland details many events of war, death, peace, and power, brings to life the rise and fall of empires, and then journeys forward eight hundred years later to the solitary death of the last of the Beothuk.
Barbarians in the Sagas of Icelanders
Author: William H. Norman
Publisher: Routledge
ISBN: 1000415805
Category : Literary Criticism
Languages : en
Pages : 154
Book Description
This book explores accounts in the Sagas of Icelanders of encounters with foreign peoples, both abroad and in Iceland, who are portrayed according to stereotypes which vary depending on their origins. Notably, inhabitants of the places identified in the sagas as Írland, Skotland and Vínland are portrayed as being less civilized than the Icelanders themselves. This book explores the ways in which the Íslendingasögur emphasize this relative barbarity through descriptions of diet, material culture, style of warfare and character. These characteristics are discussed in relation to parallel descriptions of Icelandic characters and lifestyle within the Íslendingasögur, and also in the context of a tradition in contemporary European literature, which portrayed the Icelanders themselves as barbaric. Comparisons are made with descriptions of barbarians in classical Roman texts, primarily Sallust, but also Caesar and Tacitus, showing striking similarities between Roman and Icelandic ideas about barbarians.
Publisher: Routledge
ISBN: 1000415805
Category : Literary Criticism
Languages : en
Pages : 154
Book Description
This book explores accounts in the Sagas of Icelanders of encounters with foreign peoples, both abroad and in Iceland, who are portrayed according to stereotypes which vary depending on their origins. Notably, inhabitants of the places identified in the sagas as Írland, Skotland and Vínland are portrayed as being less civilized than the Icelanders themselves. This book explores the ways in which the Íslendingasögur emphasize this relative barbarity through descriptions of diet, material culture, style of warfare and character. These characteristics are discussed in relation to parallel descriptions of Icelandic characters and lifestyle within the Íslendingasögur, and also in the context of a tradition in contemporary European literature, which portrayed the Icelanders themselves as barbaric. Comparisons are made with descriptions of barbarians in classical Roman texts, primarily Sallust, but also Caesar and Tacitus, showing striking similarities between Roman and Icelandic ideas about barbarians.
Writing the Everyday
Author: Danielle Fuller
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773528062
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
In Writing the Everyday Danielle Fuller analyses writing by Atlantic Canadian women from diverse backgrounds. Drawing extensively on original interviews with writers, editors, and publishers, Fuller investigates how and why communities form around texts that record women's everyday realities, histories, and traditions, showing that prose writing and poetry performances combine oral storytelling, family history, and other aspects of local cultures with popular literary genres to address issues of racism, sexism, and poverty.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773528062
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
In Writing the Everyday Danielle Fuller analyses writing by Atlantic Canadian women from diverse backgrounds. Drawing extensively on original interviews with writers, editors, and publishers, Fuller investigates how and why communities form around texts that record women's everyday realities, histories, and traditions, showing that prose writing and poetry performances combine oral storytelling, family history, and other aspects of local cultures with popular literary genres to address issues of racism, sexism, and poverty.
Where the Wild Books Are
Author: Jim Dwyer
Publisher: University of Nevada Press
ISBN: 0874178126
Category : Reference
Languages : en
Pages : 288
Book Description
As interest in environmental issues grows, many writers of fiction have embraced themes that explore the connections between humans and the natural world. Ecologically themed fiction ranges from profound philosophical meditations to action-packed entertainments. Where the Wild Books Are offers an overview of nearly 2,000 works of nature-oriented fiction. The author includes a discussion of the precursors and history of the genre, and of its expansion since the 1970s. He also considers its forms and themes, as well as the subgenres into which it has evolved, such as speculative fiction, ecodefense, animal stories, mysteries, ecofeminist novels, cautionary tales, and others. A brief summary and critical commentary of each title is included. Dwyer’s scope is broad and covers fiction by Native American writers as well as ecofiction from writers around the world. Far more than a mere listing of books, Where the Wild Books Are is a lively introduction to a vast universe of engaging, provocative writing. It can be used to develop book collections or curricula. It also serves as an introduction to one of the most fertile areas of contemporary fiction, presenting books that will offer enjoyable reading and new insights into the vexing environmental questions of our time.
Publisher: University of Nevada Press
ISBN: 0874178126
Category : Reference
Languages : en
Pages : 288
Book Description
As interest in environmental issues grows, many writers of fiction have embraced themes that explore the connections between humans and the natural world. Ecologically themed fiction ranges from profound philosophical meditations to action-packed entertainments. Where the Wild Books Are offers an overview of nearly 2,000 works of nature-oriented fiction. The author includes a discussion of the precursors and history of the genre, and of its expansion since the 1970s. He also considers its forms and themes, as well as the subgenres into which it has evolved, such as speculative fiction, ecodefense, animal stories, mysteries, ecofeminist novels, cautionary tales, and others. A brief summary and critical commentary of each title is included. Dwyer’s scope is broad and covers fiction by Native American writers as well as ecofiction from writers around the world. Far more than a mere listing of books, Where the Wild Books Are is a lively introduction to a vast universe of engaging, provocative writing. It can be used to develop book collections or curricula. It also serves as an introduction to one of the most fertile areas of contemporary fiction, presenting books that will offer enjoyable reading and new insights into the vexing environmental questions of our time.
Muting White Noise
Author: James H. Cox
Publisher: University of Oklahoma Press
ISBN: 0806185465
Category : Fiction
Languages : en
Pages : 354
Book Description
Native American fiction writers have confronted Euro-American narratives about Indians and the colonial world those narratives help create. These Native authors offer stories in which Indians remake this colonial world by resisting conquest and assimilation, sustaining their cultures and communities, and surviving. In Muting White Noise, James H. Cox considers how Native authors have liberated our imaginations from colonial narratives. Cox takes his title from Sherman Alexie, for whom the white noise of a television set represents the white mass-produced culture that mutes American Indian voices. Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition. He thereby develops a critical perspective from which to re-see the role played by the Euro-American novel tradition in justifying and enabling colonialism. By examining novels by Native authors—especially Thomas King, Gerald Vizenor, and Alexie—Cox shows how these writers challenge and revise colonizers’ tales about Indians. He then offers “red readings” of some revered Euro-American novels, including Herman Melville’s Moby-Dick, and shows that until quite recently, even those non-Native storytellers who sympathized with Indians could imagine only their vanishing by story’s end. Muting White Noise breaks new ground in literary criticism. It stands with Native authors in their struggle to reclaim their own narrative space and tell stories that empower and nurture, rather than undermine and erase, American Indians and their communities.
Publisher: University of Oklahoma Press
ISBN: 0806185465
Category : Fiction
Languages : en
Pages : 354
Book Description
Native American fiction writers have confronted Euro-American narratives about Indians and the colonial world those narratives help create. These Native authors offer stories in which Indians remake this colonial world by resisting conquest and assimilation, sustaining their cultures and communities, and surviving. In Muting White Noise, James H. Cox considers how Native authors have liberated our imaginations from colonial narratives. Cox takes his title from Sherman Alexie, for whom the white noise of a television set represents the white mass-produced culture that mutes American Indian voices. Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition. He thereby develops a critical perspective from which to re-see the role played by the Euro-American novel tradition in justifying and enabling colonialism. By examining novels by Native authors—especially Thomas King, Gerald Vizenor, and Alexie—Cox shows how these writers challenge and revise colonizers’ tales about Indians. He then offers “red readings” of some revered Euro-American novels, including Herman Melville’s Moby-Dick, and shows that until quite recently, even those non-Native storytellers who sympathized with Indians could imagine only their vanishing by story’s end. Muting White Noise breaks new ground in literary criticism. It stands with Native authors in their struggle to reclaim their own narrative space and tell stories that empower and nurture, rather than undermine and erase, American Indians and their communities.
I'm Not Myself at All
Author: Kristina Huneault
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773554033
Category : Art
Languages : en
Pages : 401
Book Description
Notions of identity have long structured women’s art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If identity has been a problem in women’s art, however, is more identity the solution? In this study of nineteenth- and early twentieth-century art in Canada, Kristina Huneault offers a meditation on the strictures of identity and an exploration of forces that unsettle and realign the self. Looking closely at individual artists and works, Huneault combines formal analysis with archival research and philosophical inquiry, building nuanced readings of objects that range from the canonical to the largely unknown. Whether in miniature portraits or genre paintings, botanical drawings or baskets, women artists reckoned with constraints that limited understandings of themselves and others. They also forged creative alternatives. At times identity features in women’s artistic work as a failed project; at other times it marks a boundary beyond which they were able to expand, explore, and exult. Bringing together settler and indigenous forms of cultural expression and foregrounding the importance of colonialism within the development of art in Canada, I’m Not Myself at All observes and reactivates historical art by women and prompts readers to consider what a less restrictive conceptualization of selfhood might bring to current patterns of cultural analysis.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773554033
Category : Art
Languages : en
Pages : 401
Book Description
Notions of identity have long structured women’s art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If identity has been a problem in women’s art, however, is more identity the solution? In this study of nineteenth- and early twentieth-century art in Canada, Kristina Huneault offers a meditation on the strictures of identity and an exploration of forces that unsettle and realign the self. Looking closely at individual artists and works, Huneault combines formal analysis with archival research and philosophical inquiry, building nuanced readings of objects that range from the canonical to the largely unknown. Whether in miniature portraits or genre paintings, botanical drawings or baskets, women artists reckoned with constraints that limited understandings of themselves and others. They also forged creative alternatives. At times identity features in women’s artistic work as a failed project; at other times it marks a boundary beyond which they were able to expand, explore, and exult. Bringing together settler and indigenous forms of cultural expression and foregrounding the importance of colonialism within the development of art in Canada, I’m Not Myself at All observes and reactivates historical art by women and prompts readers to consider what a less restrictive conceptualization of selfhood might bring to current patterns of cultural analysis.
Human Geography in Action
Author: Michael Kuby
Publisher: John Wiley & Sons
ISBN: 1118422570
Category : Social Science
Languages : en
Pages : 512
Book Description
Michael Kuby's 6th edition of Human Geography in Action is comprised of 14 stimulating, concept-based chapters. The text aims to develop geographic problem-solving skills that prove valuable to readers. Each chapter begins with an introduction to a concept, followed by a case study tying the concept into the real world and wraps up with an activity. These engaging activities featured throughout the text further its "Do Geography" approach. Human Geography in Action provides the opportunity to: use GIS to investigate ethnic distributions and culture regions, track the AIDS epidemic over space and time, model interstate migration flows, simulate India’s demographic future, add new baseball franchises, animate past urban growth and assess future growth areas.
Publisher: John Wiley & Sons
ISBN: 1118422570
Category : Social Science
Languages : en
Pages : 512
Book Description
Michael Kuby's 6th edition of Human Geography in Action is comprised of 14 stimulating, concept-based chapters. The text aims to develop geographic problem-solving skills that prove valuable to readers. Each chapter begins with an introduction to a concept, followed by a case study tying the concept into the real world and wraps up with an activity. These engaging activities featured throughout the text further its "Do Geography" approach. Human Geography in Action provides the opportunity to: use GIS to investigate ethnic distributions and culture regions, track the AIDS epidemic over space and time, model interstate migration flows, simulate India’s demographic future, add new baseball franchises, animate past urban growth and assess future growth areas.
Viking America
Author: Geraldine Barnes
Publisher: Boydell & Brewer
ISBN: 9780859916080
Category : History
Languages : en
Pages : 216
Book Description
Viking America examined through the writing and rewriting of the Vinland story from the middle ages to the twentieth century. The accounts in the Vinland sagas of the great voyages to the northeast coast of America in the early years of the eleventh century have often been obscured by detailed argument over the physical identity of the West Atlantic landwhich its Scandinavian discoverers named Vinland. Geraldine Barnes leaves archaeological evidence aside and returns to the Old Norse narratives, Groenlendinga saga (Saga of Greenlanders) and Eiriks saga rauda(Saga of Eric the Red), in her study of the writing and rewriting of the Vinland story from the middle ages to the late twentieth century. She sets the sagas in the context of Iceland's transition from paganism to Christianity; later chapters explore the Vinland story in relation to issues of regional pride and national myths of foundation in nineteenth- and early twentieth-century America, to the ethos of popular imperialism during the same periodin English literature, and, in the late twentieth century, to postcolonial concerns. GERALDINE BARNES is associate professor of English, University of Sydney.
Publisher: Boydell & Brewer
ISBN: 9780859916080
Category : History
Languages : en
Pages : 216
Book Description
Viking America examined through the writing and rewriting of the Vinland story from the middle ages to the twentieth century. The accounts in the Vinland sagas of the great voyages to the northeast coast of America in the early years of the eleventh century have often been obscured by detailed argument over the physical identity of the West Atlantic landwhich its Scandinavian discoverers named Vinland. Geraldine Barnes leaves archaeological evidence aside and returns to the Old Norse narratives, Groenlendinga saga (Saga of Greenlanders) and Eiriks saga rauda(Saga of Eric the Red), in her study of the writing and rewriting of the Vinland story from the middle ages to the late twentieth century. She sets the sagas in the context of Iceland's transition from paganism to Christianity; later chapters explore the Vinland story in relation to issues of regional pride and national myths of foundation in nineteenth- and early twentieth-century America, to the ethos of popular imperialism during the same periodin English literature, and, in the late twentieth century, to postcolonial concerns. GERALDINE BARNES is associate professor of English, University of Sydney.
Westviking
Author: Farley Mowat
Publisher: Douglas & McIntyre
ISBN: 1771624086
Category : History
Languages : en
Pages : 437
Book Description
Step into the world of sagas, longships, and enigmatic Norse explorers with Farley Mowat’s captivating historical account, Westviking. The Viking sagas speak of a land called Vinland, a place of abundant resources and possibilities. Nearly a thousand years after the events those tales describe, Farley Mowat sets out to decipher these ancient accounts and trace their path along the rugged coastlines of the North Atlantic. In this celebrated classic, first published in 1965, Mowat’s immersive storytelling brings Viking culture to life as he tells the story of Viking settlement in Vinland—now thought to include areas of Newfoundland and New Brunswick—five hundred years before Christopher Columbus and John Cabot. With the vivid prose that made him a bestselling author and beloved storyteller, Mowat follows the stories of Norsemen like Erik the Red, Leif Erikson, Bjarni Herjolfsson and Thorfinn Karlsefni, unravelling their struggles and triumphs as they set sail for the uncharted waters of the New World—then face the challenges of a new and unfamiliar land. Meticulously researched and grippingly told, Mowat infuses his own adventurous spirit into the little-known story of the Viking culture that once took hold on the edges of North America.
Publisher: Douglas & McIntyre
ISBN: 1771624086
Category : History
Languages : en
Pages : 437
Book Description
Step into the world of sagas, longships, and enigmatic Norse explorers with Farley Mowat’s captivating historical account, Westviking. The Viking sagas speak of a land called Vinland, a place of abundant resources and possibilities. Nearly a thousand years after the events those tales describe, Farley Mowat sets out to decipher these ancient accounts and trace their path along the rugged coastlines of the North Atlantic. In this celebrated classic, first published in 1965, Mowat’s immersive storytelling brings Viking culture to life as he tells the story of Viking settlement in Vinland—now thought to include areas of Newfoundland and New Brunswick—five hundred years before Christopher Columbus and John Cabot. With the vivid prose that made him a bestselling author and beloved storyteller, Mowat follows the stories of Norsemen like Erik the Red, Leif Erikson, Bjarni Herjolfsson and Thorfinn Karlsefni, unravelling their struggles and triumphs as they set sail for the uncharted waters of the New World—then face the challenges of a new and unfamiliar land. Meticulously researched and grippingly told, Mowat infuses his own adventurous spirit into the little-known story of the Viking culture that once took hold on the edges of North America.