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Author: Ffion Mair Jones
Publisher: University of Wales Press
ISBN: 0708322964
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
This volume approaches the fascinating figure of Iolo Morganwg – stonemason, poet and literary forger – from three distinct but interrelated angles. They all take as their starting point Iolo Morganwg’s ‘marginality’ within mainstream literary society both in London and in Wales and demonstrate the strategies that he used to overcome the frustrations of his situation. Iolo’s notoriety as a literary forger provides the context for the first discussion in the volume, which considers his efforts to pass on his own work as that of famous Welsh writers of the past. This chapter looks at how important the editorial apparatus with which Iolo surrounded his forgeries was to his attempt to ensure their satisfactory reception. Secondly, two collections of printed books owned by Iolo and containing marginal commentary in his hand are explored. The discussion here demonstrates Iolo’s keen interest in the forging of a path for the Welsh language within the developing public domain of the regional eisteddfodau and also his complex personal relations with some of the more successful authors of his day. Iolo’s vulnerability and marginality within the context of a Welsh public sphere are both brought to the fore in this chapter. Finally, the volume turns to the marginalia left by Iolo on letters within his collection of correspondence, showing his extraordinary creativity and bringing to attention for the first time some of his unpublished work in the fields of Welsh and English poetry and on matters relating to the Welsh language.
Author: Ffion Mair Jones
Publisher: University of Wales Press
ISBN: 0708322964
Category : Literary Criticism
Languages : en
Pages : 370
Get Book
Book Description
This volume approaches the fascinating figure of Iolo Morganwg – stonemason, poet and literary forger – from three distinct but interrelated angles. They all take as their starting point Iolo Morganwg’s ‘marginality’ within mainstream literary society both in London and in Wales and demonstrate the strategies that he used to overcome the frustrations of his situation. Iolo’s notoriety as a literary forger provides the context for the first discussion in the volume, which considers his efforts to pass on his own work as that of famous Welsh writers of the past. This chapter looks at how important the editorial apparatus with which Iolo surrounded his forgeries was to his attempt to ensure their satisfactory reception. Secondly, two collections of printed books owned by Iolo and containing marginal commentary in his hand are explored. The discussion here demonstrates Iolo’s keen interest in the forging of a path for the Welsh language within the developing public domain of the regional eisteddfodau and also his complex personal relations with some of the more successful authors of his day. Iolo’s vulnerability and marginality within the context of a Welsh public sphere are both brought to the fore in this chapter. Finally, the volume turns to the marginalia left by Iolo on letters within his collection of correspondence, showing his extraordinary creativity and bringing to attention for the first time some of his unpublished work in the fields of Welsh and English poetry and on matters relating to the Welsh language.
Author: Geraint H. Jenkins
Publisher: University of Wales Press
ISBN: 1783165278
Category : Literary Criticism
Languages : en
Pages : 477
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Book Description
This is the first full-scale study of the political radicalism of Iolo Morganwg, the renowned Welsh romantic whose colourful life as a Glamorgan stonemason, poet, writer, political activist and humanitarian made him one of the founders of modern Wales. This path-breaking volume offers a vivid portrait of a natural contrarian who tilted against the forces of the establishment for the whole of his adult life. Known as the ‘Bard of Liberty’ or the ’little republican bard’, he moved in highly-politicized circles, embraced republicanism, founded the Gorsedd of the Bards of the Isle of Britain, threw in his lot with Unitarians, promoted a sense of cultural nationalism, and supported the anti-slave trade campaign and the anti-war movement during years of war, oppression and cruelty.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 596
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Book Description
Author: Elizabeth Edwards
Publisher: University of Wales Press
ISBN: 0708325696
Category : Poetry
Languages : en
Pages : 348
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Book Description
This new selection of Anglophone Welsh poetry presents a range of literary responses to the French Revolution and the ensuing wars with France, a period in which Wales and its history became prime imaginative territory for poets of all political sympathies.
Author: M. O. Grenby
Publisher: Cambridge University Press
ISBN: 0521196442
Category : History
Languages : en
Pages : 337
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Book Description
This book is a major study of child readers and their reading habits in the period when children's literature first became established.
Author: Mary-Ann Constantine
Publisher: University of Wales Press
ISBN: 0708325912
Category : History
Languages : en
Pages : 350
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Book Description
A collection of essays exploring the impact on Welsh culture of one of the most exciting periods in history, the decades surrounding the French Revolution of 1789.
Author: Giuseppe Mattei
Publisher:
ISBN:
Category : Wales
Languages : en
Pages : 644
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Book Description
Author: John Kirk
Publisher: Routledge
ISBN: 1317320646
Category : History
Languages : en
Pages : 303
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Book Description
This collection of essays addresses the role of literature in radical politics. Topics covered include the legacy of Robert Burns, broadside literature in Munster and radical literature in Wales.
Author: Lucia McMahon
Publisher: University of Virginia Press
ISBN: 0813947871
Category : Social Science
Languages : en
Pages : 380
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Book Description
Elizabeth Smith, a learned British woman born in the momentous year 1776, gained transnational fame posthumously for her extensive intellectual accomplishments, which encompassed astronomy, botany, history, poetry, and language studies. As she navigated her place in the world, Smith made a self-conscious decision to keep her many talents hidden from disapproving critics. Therefore, her rise to fame began only in 1808, when her posthumous memoir appeared. In this elegantly written biography, Lucia McMahon reconstructs the places and social constellations that enabled Smith’s learning and adventures in England, Wales, and Ireland, and traces her transatlantic fame and literary afterlife across Britain and the United States. Through re-telling Elizabeth Smith’s fascinating life story and retracing her posthumous transatlantic fame, McMahon reveals a larger narrative about women’s efforts to enact learned and fulfilling lives, and the cultural reactions such aspirations inspired in the early nineteenth century. Although Smith was cast as "exceptional" by her contemporaries and modern scholars alike, McMahon argues that her scholarly achievements, travel explorations, and posthumous fame were all emblematic of the age in which she lived. Offering insights into Romanticism, picturesque tourism, celebrity culture, and women’s literary productions, McMahon asks the provocative question, "How many seemingly exceptional women must we uncover in the historical record before we are no longer surprised?"
Author: Phyllis Kinney
Publisher: University of Wales Press
ISBN: 1783168587
Category : Music
Languages : en
Pages : 312
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Book Description
Phyllis Kinney's Welsh Traditional Music covers the traditional music of Wales from its beginnings through to the present day, providing musical analysis and placing its material firmly into a social and historical context. Among the many different forms of Welsh traditional music discussed are seasonal music (including wassail songs, Christmas and May carols and Plygain carols), folk drama, ballad-singing, the relevance of the eisteddfod and the musical journals of the nineteenth century. Additionally, the book includes a history of song collecting from the eighteenth century to the establishment and ongoing activities of the Welsh Folk-Song Society in the twentieth; both the instrumental and the vocal traditions are examined, as well as the uniquely Welsh tradition of ‘cerdd dant’. This is a work of pioneering scholarship that accounts for Welsh traditional music within the context of a greater Welsh musical tradition.
