The Background of Colonial American Portraiture PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Background of Colonial American Portraiture PDF full book. Access full book title The Background of Colonial American Portraiture by Louisa Dresser. Download full books in PDF and EPUB format.
Author: Louisa Dresser
Publisher:
ISBN:
Category : Portrait painters
Languages : en
Pages : 66
Get Book Here
Book Description
Author: Louisa Dresser
Publisher:
ISBN:
Category : Portrait painters
Languages : en
Pages : 66
Get Book Here
Book Description
Author: Wayne Craven
Publisher:
ISBN: 9780521320443
Category : Art
Languages : en
Pages : 459
Get Book Here
Book Description
Discusses the sociological implications of portraits painted in seventeenth and eighteenth century America
Author: Richard H. Saunders
Publisher: Yale University Press
ISBN: 9780300042580
Category : Art
Languages : en
Pages : 328
Get Book Here
Book Description
Saunder's explores Smibert's early Scottish and London training as well as his travels in Italy; his portrait practice in London; his arrival in America and his stylistic development; the creation of "The Bermuda Group"; and the business of portrait painting in Boston.
Author: Emily Engel
Publisher: University of Texas Press
ISBN: 147732061X
Category : Art
Languages : en
Pages : 209
Get Book Here
Book Description
The Spanish colonial period in South America saw artists develop the subgenre of official portraiture, or portraits of key individuals in the continent’s viceregal governments. Although these portraits appeared to illustrate a narrative of imperial splendor and absolutist governance, they instead became a visual record of the local history that emerged during the colonial occupation. Using the official portrait collections accumulated between 1542 and 1830 in Lima, Buenos Aires, and Bogotá as a lens, Pictured Politics explores how official portraiture originated and evolved to become an essential component in the construction of Ibero-American political relationships. Through the surviving portraits and archival evidence—including political treatises, travel accounts, and early periodicals—Emily Engel demonstrates that these official portraits not only belie a singular interpretation as tools of imperial domination but also visualize the continent's multilayered history of colonial occupation. The first stand alone analysis of South American portraiture, Pictured Politics brings to light the historical relevance of political portraits in crafting the history of South American colonialism.
Author: Richard H. Saunders
Publisher: National Portrait Gallery
ISBN:
Category : Architecture
Languages : en
Pages : 368
Get Book Here
Book Description
Author: Shirryl Hughes
Publisher:
ISBN:
Category : Portrait painting
Languages : en
Pages : 238
Get Book Here
Book Description
Author:
Publisher: Cavendish Square Publishing
ISBN:
Category : Art
Languages : en
Pages : 56
Get Book Here
Book Description
Discusses the motivation, materials, and techniques of the first artists in colonial America--the sign painters--and how their works contribute to a better understanding of early American history and society.
Author: Wayne Craven
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Frederic Fairchild Sherman
Publisher:
ISBN:
Category : Portrait-painters
Languages : en
Pages : 166
Get Book Here
Book Description
Author: Jennifer Van Horn
Publisher: Yale University Press
ISBN: 0300257635
Category : Art
Languages : en
Pages : 344
Get Book Here
Book Description
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
