International Legal Books in Print, 1990-1991 PDF Download
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Author: Bowker-Saur
Publisher: London ; New York : Bowker-Saur
ISBN:
Category : Law
Languages : en
Pages : 480
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Book Description
Author: Bowker-Saur
Publisher: London ; New York : Bowker-Saur
ISBN:
Category : Law
Languages : en
Pages : 480
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2132
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Book Description
Author: Frand Karslake
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 882
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Book Description
A priced and annotated annual record of international book auctions.
Author: Whitney Hanson
Publisher:
ISBN: 9780578327105
Category :
Languages : en
Pages : 328
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Book Description
Author: R.R. Bowker Company. Department of Bibliography
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1408
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Book Description
Author: Natasha Moore
Publisher: Springer
ISBN: 1137537809
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
Faced with the chaos and banality of modern, everyday life, a number of Victorian poets sought innovative ways of writing about the unpoetic present in their verse. Their varied efforts are recognisably akin, not least in their development of mixed verse-forms that fused novel and epic to create something equal to the miscellaneousness of the age.
Author:
Publisher:
ISBN:
Category : Reprints (Publications)
Languages : en
Pages : 156
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Book Description
Author: Penny C. Morrill
Publisher: University of Texas Press
ISBN: 147732934X
Category : Art
Languages : en
Pages : 312
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Book Description
The Casa del Deán in Puebla, Mexico, is one of few surviving sixteenth-century residences in the Americas. Built in 1580 by Tomás de la Plaza, the Dean of the Cathedral, the house was decorated with at least three magnificent murals, two of which survive. Their rediscovery in the 1950s and restoration in 2010 revealed works of art that rival European masterpieces of the early Renaissance, while incorporating indigenous elements that identify them with Amerindian visual traditions. Extensively illustrated with new color photographs of the murals, The Casa del Deán presents a thorough iconographic analysis of the paintings and an enlightening discussion of the relationship between Tomás de la Plaza and the indigenous artists whom he commissioned. Penny Morrill skillfully traces how native painters, trained by the Franciscans, used images from Classical mythology found in Flemish and Italian prints and illustrated books from France—as well as animal images and glyphic traditions with pre-Columbian origins—to create murals that are reflective of Don Tomás’s erudition and his role in evangelizing among the Amerindians. She demonstrates how the importance given to rhetoric by both the Spaniards and the Nahuas became a bridge of communication between these two distinct and highly evolved cultures. This pioneering study of the Casa del Deán mural cycle adds an important new chapter to the study of colonial Latin American art, as it increases our understanding of the process by which imagery in the New World took on Christian meaning.
Author: R.R. Bowker Company
Publisher: R. R. Bowker
ISBN:
Category : Reference
Languages : en
Pages : 1436
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Book Description
Author: Robin Hackett
Publisher: Rutgers University Press
ISBN: 9780813533476
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
In this book, Robin Hackett examines portrayals of race, class, and sexuality in modernist texts by white women to argue for the existence of a literary device that she calls "Sapphic primitivism." The works vary widely in their form and content and include Olive Schreiner's proto-modernist exploration of New Womanhood, The Story of an African Farm; Virginia Woolf's high modernist "play-poem," The Waves; Sylvia Townsend Warner's historical novel, Summer Will Show; and Willa Cather's Southern pastoral, Sapphira and the Slave Girl. In each, blackness and working-class culture are figured to represent sexual autonomy, including lesbianism, for white women. Sapphic primitivism exposes the ways several classes of identification were intertwined with the development of homosexual identities at the turn of the century. Sapphic primitivism is not, however, a means of disguising lesbian content. Rather, it is an aesthetic displacement device that simultaneously exposes lesbianism and exploits modern, primitivist modes of self-representation. Hackett's revelations of the mutual interests of those who study early twentieth-century constructions of race and sexuality and twenty-first-century feminists doing anti-racist and queer work are a major contribution to literary studies and identity theory.
