Author: Victor Cousin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 420
Book Description
Lectures on the True, the Beautiful, and the Good
Author: Victor Cousin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 420
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 420
Book Description
The Arts
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 520
Book Description
LECTURES ON THE TRUE THE BEAUTIFUL
Author: VICTOR. COUSIN
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
Book Description
The Arts and the Christian Life
Author: Earl Davey
Publisher: Wipf and Stock Publishers
ISBN: 1666733318
Category : Religion
Languages : en
Pages : 162
Book Description
Many find their engagement with works of art raises questions concerning where value is found and how meaning and import are understood and experienced. For persons of Christian faith, a parallel question arises concerning the significance such experience holds for the Christian life and the spiritual journey. This collection of essays pursues questions that address how we perceive value in our experience of the arts, how this experience leads to a greater measure of human fullness, and what significance engagement with the arts holds for the Christian life. The author argues that human experience and the quality of our personhood are enriched in and through the imaginative life and that our spiritual lives are profoundly impacted by our aesthetic engagements. An underlying assumption is that all great art, all that is beautiful, is inherently religious: that is, it embodies qualities that reflect the glory of God and is therefore valuable to the Christian life and one’s spiritual experience. Indeed, insofar as the noetic privileges language and reason, the arts and the domain of the aesthetic provide an alternate pathway by which we are able to encounter the Divine.
Publisher: Wipf and Stock Publishers
ISBN: 1666733318
Category : Religion
Languages : en
Pages : 162
Book Description
Many find their engagement with works of art raises questions concerning where value is found and how meaning and import are understood and experienced. For persons of Christian faith, a parallel question arises concerning the significance such experience holds for the Christian life and the spiritual journey. This collection of essays pursues questions that address how we perceive value in our experience of the arts, how this experience leads to a greater measure of human fullness, and what significance engagement with the arts holds for the Christian life. The author argues that human experience and the quality of our personhood are enriched in and through the imaginative life and that our spiritual lives are profoundly impacted by our aesthetic engagements. An underlying assumption is that all great art, all that is beautiful, is inherently religious: that is, it embodies qualities that reflect the glory of God and is therefore valuable to the Christian life and one’s spiritual experience. Indeed, insofar as the noetic privileges language and reason, the arts and the domain of the aesthetic provide an alternate pathway by which we are able to encounter the Divine.
On the Musically Beautiful
Author: Eduard Hanslick
Publisher: Hackett Publishing
ISBN: 9780872200159
Category : Philosophy
Languages : en
Pages : 152
Book Description
"Like Hanslick, Professor Payzant is both musician and philosopher; and he has brought the knowledge and insights of both disciplines to this large undertaking." --Gordon Epperson, Journal of Aesthetics and Art Criticism
Publisher: Hackett Publishing
ISBN: 9780872200159
Category : Philosophy
Languages : en
Pages : 152
Book Description
"Like Hanslick, Professor Payzant is both musician and philosopher; and he has brought the knowledge and insights of both disciplines to this large undertaking." --Gordon Epperson, Journal of Aesthetics and Art Criticism
House Beautiful
Author:
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 800
Book Description
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 800
Book Description
The Art of Wood Inlay
Author: George Stevens
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781895569827
Category : Crafts & Hobbies
Languages : en
Pages : 138
Book Description
Inlay is a wonderful way to create flowers, scenes, figures, and other intricate and colorful designs on wood objects--and a great opportunity to work with small quantities of rare and costly woods (also precious metals, leather, mother-of-pearl, and other materials). Today, since veneers and marquetry have come to substitute for inlay, this book helps to carry on the tradition of an almost forgotten art, and shows modern craftspeople how to use it to make plain objects special. Through detailed instructions, diagrams, and photographs, every step in the inlay process unfolds, including a special section on finishing. The spectacular projects feature everything from a pretty floral tray to Christmas ornaments, from a bookstand to a set of nested bowls--even jewelry!
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781895569827
Category : Crafts & Hobbies
Languages : en
Pages : 138
Book Description
Inlay is a wonderful way to create flowers, scenes, figures, and other intricate and colorful designs on wood objects--and a great opportunity to work with small quantities of rare and costly woods (also precious metals, leather, mother-of-pearl, and other materials). Today, since veneers and marquetry have come to substitute for inlay, this book helps to carry on the tradition of an almost forgotten art, and shows modern craftspeople how to use it to make plain objects special. Through detailed instructions, diagrams, and photographs, every step in the inlay process unfolds, including a special section on finishing. The spectacular projects feature everything from a pretty floral tray to Christmas ornaments, from a bookstand to a set of nested bowls--even jewelry!
Critique of Judgment
Author: Immanuel Kant
Publisher: Livraria Press
ISBN: 3989884034
Category : Philosophy
Languages : en
Pages : 337
Book Description
A new translation of Immanuel Kant's famous "Critique of Judgement", one of his three core critiques, from the original German manuscript first published in 1790. This new edition contains an afterword by the translator, a timeline of Kant's life and works, and a helpful index of Kant's key concepts and intellectual rivals. This translation is designed for readability, rendering Kant's enigmatic German into the simplest equivalent possible, and removing the academic footnotes to make this critically important historical text as accessible as possible to the modern reader. "Herewith I end my whole critical business" Kant states in the preface to his third and final Critique in his core triad of critical philosophical treatises. In his old age, he turned from being Polemic to being prescriptive in his vision for a future of transcendental, rational morality. Here he recaps his whole critical system and breaks out his final thoughts between a Critique of Aesthetic and Teleological Judgment. Between Pure Reason (theoretical) and Practical Reason (law and ethics) stands the mediating Power of Judgement which recognizes the particular in the general and bridges the chasm between sensuality and morality, nature and freedom, manifesting itself to the senses. Kant's Teleological, dialectal understanding of the experience of art is still used today in Modern art theory. His analysis of sublimity as "disinterested pleasure" as an aesthetic experience between the dynamics of the cognitive faculties of sensuality and rationality, creates a paradox of judgment as both subjective and universal. To Kant, the correct recognition of what beauty is, and responding to it authentically (morally), is vital to his entire project.
Publisher: Livraria Press
ISBN: 3989884034
Category : Philosophy
Languages : en
Pages : 337
Book Description
A new translation of Immanuel Kant's famous "Critique of Judgement", one of his three core critiques, from the original German manuscript first published in 1790. This new edition contains an afterword by the translator, a timeline of Kant's life and works, and a helpful index of Kant's key concepts and intellectual rivals. This translation is designed for readability, rendering Kant's enigmatic German into the simplest equivalent possible, and removing the academic footnotes to make this critically important historical text as accessible as possible to the modern reader. "Herewith I end my whole critical business" Kant states in the preface to his third and final Critique in his core triad of critical philosophical treatises. In his old age, he turned from being Polemic to being prescriptive in his vision for a future of transcendental, rational morality. Here he recaps his whole critical system and breaks out his final thoughts between a Critique of Aesthetic and Teleological Judgment. Between Pure Reason (theoretical) and Practical Reason (law and ethics) stands the mediating Power of Judgement which recognizes the particular in the general and bridges the chasm between sensuality and morality, nature and freedom, manifesting itself to the senses. Kant's Teleological, dialectal understanding of the experience of art is still used today in Modern art theory. His analysis of sublimity as "disinterested pleasure" as an aesthetic experience between the dynamics of the cognitive faculties of sensuality and rationality, creates a paradox of judgment as both subjective and universal. To Kant, the correct recognition of what beauty is, and responding to it authentically (morally), is vital to his entire project.
Hegel's Aesthetics
Author: Lydia L. Moland
Publisher: Oxford University Press
ISBN: 0190847352
Category : Philosophy
Languages : en
Pages : 353
Book Description
Hegel is known as "the father of art history," yet recent scholarship has overlooked his contributions. This is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. In a new analysis of Hegel's notorious "end of art" thesis, Hegel's Aesthetics shows the indispensability of Hegel's aesthetics for understanding his philosophical idealism and introduces a new claim about his account of aesthetic experience. In a departure from previous interpretations, Lydia Moland argues for considering Hegel's discussion of individual arts--architecture, sculpture, painting, music, and poetry--on their own terms, unlocking new insights about his theories of perception, feeling, selfhood, and freedom. This new approach allows Hegel's philosophy to engage with modern aesthetic theories and opens new possibilities for applying Hegel's aesthetics to contemporary art. Moland further elucidates his controversial analysis of symbolic, classical, and romantic art through clarifying Hegel's examples of each. By incorporating newly available sources from Hegel's lectures on art, this book widely expands our understanding of the particular artworks Hegel discusses as well as the theories he rejects. Hegel's Aesthetics further situates his arguments in the intense philosophizing about art among his contemporaries, including Kant, Lessing, Herder, Schelling, and the Schlegel brothers. Ultimately, the book offers a rich vision of the foundation of his ideas about art and the range of their application, confirming Hegel as one of the most important theorists of art in the history of philosophy.
Publisher: Oxford University Press
ISBN: 0190847352
Category : Philosophy
Languages : en
Pages : 353
Book Description
Hegel is known as "the father of art history," yet recent scholarship has overlooked his contributions. This is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. In a new analysis of Hegel's notorious "end of art" thesis, Hegel's Aesthetics shows the indispensability of Hegel's aesthetics for understanding his philosophical idealism and introduces a new claim about his account of aesthetic experience. In a departure from previous interpretations, Lydia Moland argues for considering Hegel's discussion of individual arts--architecture, sculpture, painting, music, and poetry--on their own terms, unlocking new insights about his theories of perception, feeling, selfhood, and freedom. This new approach allows Hegel's philosophy to engage with modern aesthetic theories and opens new possibilities for applying Hegel's aesthetics to contemporary art. Moland further elucidates his controversial analysis of symbolic, classical, and romantic art through clarifying Hegel's examples of each. By incorporating newly available sources from Hegel's lectures on art, this book widely expands our understanding of the particular artworks Hegel discusses as well as the theories he rejects. Hegel's Aesthetics further situates his arguments in the intense philosophizing about art among his contemporaries, including Kant, Lessing, Herder, Schelling, and the Schlegel brothers. Ultimately, the book offers a rich vision of the foundation of his ideas about art and the range of their application, confirming Hegel as one of the most important theorists of art in the history of philosophy.
Journal of the Society of Arts
Author: Royal Society of Arts (Great Britain)
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 904
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 904
Book Description