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Author: Ismail Raji al-Faruqi
Publisher: International Institute of Islamic Thought (IIIT)
ISBN: 1565645588
Category : Religion
Languages : en
Pages : 34
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Book Description
In dealing with any aspect of Islamic civilization, its final raison d'etre and creative base must be seen as resting on the Qur'ān. Islamic culture is, in fact, a "Qur'ānic culture"; for its definitions, its structures, its goals, and its methods for execution of those goals are all derived from that series of revelations from God to the Prophet Muhammad. Without that revelation, the culture could not have been generated; without that revelation, there could have been neither an Islamic religion, an Islamic state, an Islamic philosophy, an Islamic law, an Islamic society, nor an Islamic political or economic organization. Just as surely as these aspects of Islamic culture may be rightly seen as Qur'ānic in basis and motivation, in implementation and goal, the arts of Islamic civilization should also be viewed as aesthetic expressions of similar derivation and realization. Yes, the Islamic arts are indeed Qur'ānic arts. How then are the Islamic arts to be seen as "Qur'ānic" expressions in color, in line, in movement, in shape, and in sound? This is the subject of this work.
Author: Ismail Raji al-Faruqi
Publisher: International Institute of Islamic Thought (IIIT)
ISBN: 1565645588
Category : Religion
Languages : en
Pages : 34
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Book Description
In dealing with any aspect of Islamic civilization, its final raison d'etre and creative base must be seen as resting on the Qur'ān. Islamic culture is, in fact, a "Qur'ānic culture"; for its definitions, its structures, its goals, and its methods for execution of those goals are all derived from that series of revelations from God to the Prophet Muhammad. Without that revelation, the culture could not have been generated; without that revelation, there could have been neither an Islamic religion, an Islamic state, an Islamic philosophy, an Islamic law, an Islamic society, nor an Islamic political or economic organization. Just as surely as these aspects of Islamic culture may be rightly seen as Qur'ānic in basis and motivation, in implementation and goal, the arts of Islamic civilization should also be viewed as aesthetic expressions of similar derivation and realization. Yes, the Islamic arts are indeed Qur'ānic arts. How then are the Islamic arts to be seen as "Qur'ānic" expressions in color, in line, in movement, in shape, and in sound? This is the subject of this work.
Author: Nasser D. Khalili
Publisher:
ISBN: 9789774161940
Category : Islamic Empire
Languages : en
Pages : 186
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Book Description
The artistic achievements of the Islamic world chronicled over fourteen centuries.
Author: Iftikhar Dadi
Publisher: Univ of North Carolina Press
ISBN: 0807895962
Category : Art
Languages : en
Pages : 356
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Book Description
This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Author: Nuzhat Kazmi
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 152
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Book Description
Islamic Art is a product of certain forceful factors that created a cultural milieu which was centred on the religious ethos and intellectual affinities inspired by Islam and its followers. No art can grow in isolation and nor did Islamic art. From its early manifestations to this date, it has taken from other cultural traditions and has also given to different social structures and visual languages of the world. This book looks at the artistic output of the Islamic civilization through the centuries, from the time of its inception to its interpretations in the contemporary world. The author has brought the inclusive as well as the exclusive qualities of this great tradition of the world with the empathy and seriousness that this unique art demand.
Author: Muhammad Abdul Jabbar Beg
Publisher: M. A. J. Beg
ISBN: 9780954188269
Category : Islamic art
Languages : en
Pages : 180
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Book Description
Contents include: 'The Religious Music of Islam', 'The Lawfulness of Painting in Early Islam', 'Muslim Art', 'Islam and Architecture' and 'Religious Art of Islamic Civilization'.
Author: Doris Behrens-Abouseif
Publisher: BRILL
ISBN: 9004144420
Category : Social Science
Languages : en
Pages : 457
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Book Description
This collection of essays provides a timely reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies. However, traditionalists, revivalists and modernists all referred in one way or another to an Islamic heritage, whether to reinvent, revive or reject it. Beginning with an historical introduction and an assessment of changing attitudes towards the visual arts the following essays provide case studies of architecture and art in Ottoman Turkey, Egypt, Morocco, sub-Saharan Africa, Iran, Central Asia, India and the Caribbean. They examine such issues as patronage, sources of artistic inspiration and responses to European art. The essays have a relevance and importance for our understanding of the societies and attitudes of that time, and have a direct bearing on the more general debate concerning cultural identity and the integration of modern ideas in the Muslim world. The book is richly illustrated with very many illustrations in black-and-white and in full colour.
Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 634
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Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Author: Lizann Flatt
Publisher: Life in the Early Islamic Worl
ISBN: 9780778721741
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
Explores art in the Islamic world, including architecture, decoration, household objects, books, music, and illustrations.
Author: Atif Toor
Publisher:
ISBN: 9781400744862
Category : Islamic arts
Languages : en
Pages : 48
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394344
Category : History
Languages : en
Pages : 450
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Book Description
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
