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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 796
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 796
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Book Description
Author: Michael Matthew Kaylor
Publisher: Michael Matthew Kaylor
ISBN: 8021041269
Category : Authors, English
Languages : en
Pages : 500
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 406
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Book Description
Author: Matt Cook
Publisher: Cambridge University Press
ISBN: 9780521822077
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
London and the Culture of Homosexuality explores the relationship between London and male homosexuality from the criminalisation of all 'acts of gross indecency' between men in 1885 to the outbreak of the First World War in 1914 - years marked by an intensification in concern about male-male relationships and also by the emergence of an embryonic homosexual rights movement. Taking his cue from literary and lesbian and gay scholars, urban historians and cultural geographers, Matt Cook combines discussion of London's homosexual subculture and various major and minor scandals with a detailed examination of representations in the press, in science and in literature. The conjunction of approaches used in this study provides fresh insights into the development of ideas about the modern homosexual and into the many different ways of comprehending and taking part in London's culture of homosexuality.
Author: Alexander Wilson
Publisher: Between The Lines
ISBN: 0921284527
Category : Human beings
Languages : en
Pages : 336
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Book Description
In this celebrated work, Alexander Wilson examines environments built over the past fifty years, as humans have continued to discover, exploit, protect, restore, and sometimes re-enchant a natural world in convulsion. Extensively illustrated.
Author: Cicely Robinson
Publisher: Yale University Press
ISBN: 0300247583
Category : Art
Languages : en
Pages : 161
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Book Description
A timely survey of this significant British artist and the complexities surrounding his work and reputation today Famed for his depictions of sun, sea, and sailing during a late Victorian and Edwardian golden age, the British painter Henry Scott Tuke RA (1858-1929) is an intriguing artistic anomaly. Moving between Cornish-based artist colonies and the London art scene, stylistically Tuke presents a fusion of progressive plein airisme, loose impressionistic handling, and a vivid palette, and yet he was fundamentally an academic painter of exhibition nudes. Though consistently successful throughout his lifetime, in the wake of two world wars Tuke's depictions of bathing boys came to represent a seemingly outmoded epoch. This far-reaching study features new research from leading authorities on Victorian and Edwardian art. Essays tackle questions of wide-ranging artistic influences, experimental art practice, and a varied reception history. Tuke's repeated portrayal of adolescent male nudes provokes challenging questions about the depiction, exhibition, and reception of the body--especially the young body--both then and now.
Author: Christopher Reed
Publisher: Oxford University Press
ISBN: 0199831734
Category : Art
Languages : en
Pages : 304
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Book Description
This bold, globe-spanning survey is the first book to thoroughly explore the radical, long-standing interdependence between art and homosexuality. It draws examples from the full range of the Western tradition, including classical, Renaissance, and contemporary art, with special focus on the modern era. It was in the modern period, when arguments about homosexuality and the avant-garde were especially public, that our current conception of the artist and the homosexual began to take shape, and almost as quickly to overlap. Not a chronology of gay or lesbian artists, the book is a fascinating and sophisticated account of the ways two conspicuous identities have fundamentally informed one another. Art and Homosexuality discusses many of modernism's canonical figures--painters like Courbet, Picasso, and Pollock; writers like Whitman and Stein--and issues, such as the rise of abstraction, the avant-garde's relationship to its patrons and the political exploitation of art. It shows that many of the core ideas that define modernism are nearly indecipherable without an understanding of the paired identities of artist and homosexual. Illustrated with over 175 b/w and color images that range from high to popular culture and from Ancient Greece to contemporary America, Art and Homosexuality punctures the platitudes surrounding discussions of both aesthetics and sexual identity and takes our understanding of each in stimulating new directions.
Author: Jane Haville Desmarais
Publisher: Routledge
ISBN: 0429802676
Category : Social Science
Languages : en
Pages : 301
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Book Description
First published in 1998, this is the first book to examine the critical reception accorded to Beardsley’s work. For most of his short working life fierce debate raged in Britain over the merit of Aubrey Beardsley’s black and white drawings. Applauded for their technical skill, they were as often deplored for their ‘slimy nastiness’, their fin-de-siècle decadence and their foreign styles. There are ‘tainted whiffs from across the channel which lodge the Gallic germs in our lungs. Our Beardsleys have identical symptoms with Verlaine, Degas, Le Grand, Forain, and might quite well be sick from infection’ stormed Margaret Armour in the Magazine of Art. Jane Haville Desmarais opens with an account of the English response, exploring the fascinating interplay between Beardsley’s exploitation of the new media to shape his public persona and promote his work and the critics’ use of his life and art to articulate the fears and anxieties of the English fin de siècle. The second half of the book moves to France and deals with a different set of preoccupation. The French perceived Beardsley as the natural inheritor of the mantle of Pre-Raphaelitism. His work remained current largely through the interest of the Symbolists and, in particular, Robert de Montesquiou who celebrated Beardsley’s picturing of the fantasy realms of desire. The intriguing study of two very different critical traditions casts light on key issues of art history and literary studies, in particular the relationship between critical response and social perception. With 21 black and white illustrations, the book also has invaluable appendices which include a bibliography of criticism and comment on the work of Aubrey Beardsley between 1893 and 1914.
Author: KimberlyMorse Jones
Publisher: Routledge
ISBN: 1351568450
Category : Art
Languages : en
Pages : 232
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Book Description
Mining various archives and newspaper repositories, Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism provides the first full-length study of a remarkable woman and heretofore neglected art critic. Pennell, a prolific 'New Art Critic', helped formulate and develop formalist methodology in Britain at the end of the nineteenth century, which she applied to her mostly anonymous or pseudonymous reviews published in numerous American and British newspapers and periodicals between 1883 and 1923. A bibliography of her art criticism is included as an appendix. In addition to advocating an advanced way in which to view art, Pennell used her platform to promote the work of ?new? artists, including ?ouard Manet and Edgar Degas, which had only recently been introduced to British audiences. In particular, Pennell championed the work of James McNeill Whistler for whom she, along with her husband, the artist Joseph Pennell, wrote a biography. Examination of her contributions to the late Victorian art world also highlights the pivotal role of criticism in the production and consumption of art in general, a point which is often ignored.
