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Author: George Puttenham
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 372
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Book Description
![The Arte of English Poesie, [June?] 1589 PDF](https://books.google.com/books/content/images/frontcover/ThEJAAAAQAAJ?fife=w80-h100)
Author: George Puttenham
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 372
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Book Description
Author: George Puttenham
Publisher: Cornell University Press
ISBN: 9780801486524
Category : History
Languages : en
Pages : 516
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Book Description
The first modernized and fully annotated edition of Puttenham's 1589 text.
Author: Richard Puttenham
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 330
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Book Description
Author: George Puttenham
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 332
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Book Description
Author: Richard Puttenham
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 332
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Book Description
Author: Richard Puttenham
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 0
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Book Description
Author: George Puttenham
Publisher: Cornell University Press
ISBN: 1501707418
Category : Literary Criticism
Languages : en
Pages : 513
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Book Description
George Puttenham's Art of English Poesy is a foundational work of English Renaissance criticism and literary theory. Rich in detail about the nature, purpose, and functions of poetry as well as the poet's character and goals, it is also a valuable historical document, offering generous insight into Elizabethan court culture, implicitly on display in the attitudes and values of the writer. His illustrative anecdotes enable us to watch European courtiers negotiating their social and political relationships with one another as well as with rulers and social inferiors. This new critical edition of The Art of English Poesy contains the first modernized and fully annotated edition of Puttenham's 1589 text; a substantial introductory essay by Frank Whigham and Wayne A. Rebhorn; a comprehensive bibliography; several glossaries and appendixes; and an index. The editors' masterly essay introduces Puttenham to modern readers and situates The Art of English Poesy in the context of the rhetorical theory, poetics, and courtly conduct of its time. The introduction also includes a concise biography of Puttenham based on a variety of new and unfamiliar data: he married an older and much richer woman whom he badly mistreated; indulged habitually in a life of sexual predation; was repeatedly sued, arrested, and imprisoned; survived several supposed attempts on his life; and died, nearly indigent, in 1591. For scholars and students of the English Renaissance, the Cornell edition of The Art of English Poesy should prove the definitive edition of Puttenham's major work.
Author: Richard Puttenham
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 0
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Book Description
Author: Thomas Percy
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
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Book Description
Author: Rayna Kalas
Publisher: Cornell University Press
ISBN: 1501732676
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
In a book that draws attention to some of our most familiar and unquestioned habits of thought—from "framing" to "perspective" to "reflection"—Rayna Kalas suggests that metaphors of the poetic imagination were once distinctly material and technical in character. Kalas explores the visual culture of the English Renaissance by way of the poetic image, showing that English writers avoided charges of idolatry and fancy through conceits that were visual, but not pictorial. Frames, mirrors, and windows have been pervasive and enduring metaphors for texts from classical antiquity to modernity; as a result, those metaphors seem universally to emphasize the mimetic function of language, dividing reality from the text that represents it. This book dissociates those metaphors from their earlier and later formulations in order to demonstrate that figurative language was material in translating signs and images out of a sacred and iconic context and into an aesthetic and representational one. Reading specific poetic images—in works by Spenser, Shakespeare, Gascoigne, Bacon, and Nashe—together with material innovations in frames and glass, Kalas reveals both the immanence and the agency of figurative language in the early modern period. Frame, Glass, Verse shows, finally, how this earlier understanding of poetic language has been obscured by a modern idea of framing that has structured our apprehension of works of art, concepts, and even historical periods. Kalas presents archival research in the history of frames, mirrors, windows, lenses, and reliquaries that will be of interest to art historians, cultural theorists, historians of science, and literary critics alike. Throughout Frame, Glass, Verse, she challenges readers to rethink the relationship of poetry to technology.
