Author: Colin Tilney
Publisher:
ISBN:
Category : Canons, fugues, etc. (Harpsichord)
Languages : en
Pages : 68
Book Description
The Art of the unmeasured prelude: Commentary
Author: Colin Tilney
Publisher:
ISBN:
Category : Canons, fugues, etc. (Harpsichord)
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (Harpsichord)
Languages : en
Pages : 68
Book Description
The Cambridge Companion to the Harpsichord
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Early Keyboard Journal
Author:
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 494
Book Description
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 494
Book Description
The Stylus Phantasticus and Free Keyboard Music of the North German Baroque
Author: Paul Collins
Publisher: Routledge
ISBN: 135154022X
Category : Music
Languages : en
Pages : 246
Book Description
The concept of stylus phantasticus (orfantastic style ) as it was expressed in free keyboard music of the north German Baroque forms the focus of this book. Exploring both the theoretical background to the style and its application by composers and performers, Paul Collins surveys the development of Athanasius Kircher‘s original concept and its influence on music theorists such as Brossard, Janovka, Mattheson, and Walther. Turning specifically to fantasist composers of keyboard works, the book examines the keyboard toccatas of Merulo, Fresobaldi, Rossi and Froberger and their influence on north German organists Tunder, Weckmann, Reincken, Buxtehude, Bruhns, Lubeck, Bohm, and Leyding. The free keyboard music of this distinguished group highlights the intriguing relationship at this time between composition and performance, the concept of fantasy, and the understanding of originality and individuality in seventeenth-century culture.
Publisher: Routledge
ISBN: 135154022X
Category : Music
Languages : en
Pages : 246
Book Description
The concept of stylus phantasticus (orfantastic style ) as it was expressed in free keyboard music of the north German Baroque forms the focus of this book. Exploring both the theoretical background to the style and its application by composers and performers, Paul Collins surveys the development of Athanasius Kircher‘s original concept and its influence on music theorists such as Brossard, Janovka, Mattheson, and Walther. Turning specifically to fantasist composers of keyboard works, the book examines the keyboard toccatas of Merulo, Fresobaldi, Rossi and Froberger and their influence on north German organists Tunder, Weckmann, Reincken, Buxtehude, Bruhns, Lubeck, Bohm, and Leyding. The free keyboard music of this distinguished group highlights the intriguing relationship at this time between composition and performance, the concept of fantasy, and the understanding of originality and individuality in seventeenth-century culture.
The Interpretation of Unmeasured Preludes of Louis Couperin
Author: Yuko Tanaka
Publisher:
ISBN:
Category : Performance practice (Music)
Languages : en
Pages : 158
Book Description
Publisher:
ISBN:
Category : Performance practice (Music)
Languages : en
Pages : 158
Book Description
Keyboard Music Before 1700
Author: Alexander Silbiger
Publisher: Routledge
ISBN: 1135924236
Category : Music
Languages : en
Pages : 421
Book Description
Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.
Publisher: Routledge
ISBN: 1135924236
Category : Music
Languages : en
Pages : 421
Book Description
Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.
ZGMTH - Zeitschrift der Gesellschaft für Musiktheorie, 9. Jahrgang 2012
Author: Folker Froebe
Publisher: Georg Olms Verlag
ISBN: 3487151774
Category : Music
Languages : en
Pages : 322
Book Description
Varia 1 I. OTT: Das kompositorische Verfahren in Jean Moutons Quadrupelkanon • J. HAMER: Louis Couperins Préludes non mesurés • F. FROEBE: Zur Rekomposition eines ›französischen‹ Modellkomplexes in Bachs Pièce d’Orgue BWV 572 • L. KRÄMER: Form und Soziolekt in Schuberts Tänzen • B. SPRICK: Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 • R. LANG: Zur pädagogischen Qualität musiktheoretischer Lehrdialoge • L. KUNKEL: Akkordstrukturen in George Gershwins Porgy and Bess • F. FROEBE / B. PETERSEN / J.P. SPRICK: XI. Jahreskongress der Gesellschaft für Musiktheorie (GMTH) • K. BREYER: Clemens Kühn / John Leigh (Hgg.), Systeme der Musiktheorie Varia 2 H. MOSSBURGER: ›Res‹ oder ›Verba‹? • M. GRABOW: Zur Bedeutung von Analyse für Reinhard Febels Bearbeitung von BWV 639 • G. LUCHTERHANDT: Arnold Schönbergs Tonalitätsdenken • C. RAZ: From Trinidad to Cyberspace: Reconsidering Ernst Toch’s Geographical Fugue • H. SOOK OH: Die ästhetische Bedeutung des musikalischen Zitats in der koreanischen Musik des 20. und 21. Jahrhunderts • S. PROBST: Hugo Riemann zwischen Theorie und Praxis • M. NINGEL: Das Farbenspiel in Debussys La mer est plus belle • W. BITZAN: Eine analytische Annäherung an Claude Debussys Verlaine-Lied Clair de lune • A. MORAITIS: Nordic Conference on aural Disciplines in higher Music Education • M. SCHWENKREIS: Giorgio Sanguinetti, The Art of Partimento • J. MENKE: Nachruf auf Eckehard Kiem
Publisher: Georg Olms Verlag
ISBN: 3487151774
Category : Music
Languages : en
Pages : 322
Book Description
Varia 1 I. OTT: Das kompositorische Verfahren in Jean Moutons Quadrupelkanon • J. HAMER: Louis Couperins Préludes non mesurés • F. FROEBE: Zur Rekomposition eines ›französischen‹ Modellkomplexes in Bachs Pièce d’Orgue BWV 572 • L. KRÄMER: Form und Soziolekt in Schuberts Tänzen • B. SPRICK: Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 • R. LANG: Zur pädagogischen Qualität musiktheoretischer Lehrdialoge • L. KUNKEL: Akkordstrukturen in George Gershwins Porgy and Bess • F. FROEBE / B. PETERSEN / J.P. SPRICK: XI. Jahreskongress der Gesellschaft für Musiktheorie (GMTH) • K. BREYER: Clemens Kühn / John Leigh (Hgg.), Systeme der Musiktheorie Varia 2 H. MOSSBURGER: ›Res‹ oder ›Verba‹? • M. GRABOW: Zur Bedeutung von Analyse für Reinhard Febels Bearbeitung von BWV 639 • G. LUCHTERHANDT: Arnold Schönbergs Tonalitätsdenken • C. RAZ: From Trinidad to Cyberspace: Reconsidering Ernst Toch’s Geographical Fugue • H. SOOK OH: Die ästhetische Bedeutung des musikalischen Zitats in der koreanischen Musik des 20. und 21. Jahrhunderts • S. PROBST: Hugo Riemann zwischen Theorie und Praxis • M. NINGEL: Das Farbenspiel in Debussys La mer est plus belle • W. BITZAN: Eine analytische Annäherung an Claude Debussys Verlaine-Lied Clair de lune • A. MORAITIS: Nordic Conference on aural Disciplines in higher Music Education • M. SCHWENKREIS: Giorgio Sanguinetti, The Art of Partimento • J. MENKE: Nachruf auf Eckehard Kiem
A Performer's Guide to Seventeenth-Century Music
Author: Stewart Carter
Publisher: Indiana University Press
ISBN: 0253005280
Category : Music
Languages : en
Pages : 558
Book Description
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Publisher: Indiana University Press
ISBN: 0253005280
Category : Music
Languages : en
Pages : 558
Book Description
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Playing the Harpsichord Expressively
Author: Mark Kroll
Publisher: Scarecrow Press
ISBN: 9780810850323
Category : Music
Languages : en
Pages : 146
Book Description
This book gives a practical method for playing the harpsichord in a way that was lost when the instrument was marginalized by the piano in the 19th century. Since a thorough knowledge of historical performance practice is such an important aspect of playing this repertoire, excerpts from relevant primary sources are given at the end of many of the lessons.
Publisher: Scarecrow Press
ISBN: 9780810850323
Category : Music
Languages : en
Pages : 146
Book Description
This book gives a practical method for playing the harpsichord in a way that was lost when the instrument was marginalized by the piano in the 19th century. Since a thorough knowledge of historical performance practice is such an important aspect of playing this repertoire, excerpts from relevant primary sources are given at the end of many of the lessons.
Early Music News
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 230
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 230
Book Description