Author: Graham Crow
Publisher: Bloomsbury Publishing
ISBN: 113704277X
Category : Social Science
Languages : en
Pages : 216
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Book Description
This book explores the ways in which sociological arguments are constructed and presented, looking at what can be learned from the contrasting styles of sociologists working in different periods and theoretical traditions. Fundamental debates in the discipline are addressed, such as 'can sociology provide final answers?' and 'how far is detachment feasible or desirable?'. Finally, the book considers the practical significance which thinking about styles of argument has for all students of sociology.
Author: Robert Witkin
Publisher: Polity
ISBN: 9780745611341
Category : Art
Languages : en
Pages : 240
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Book Description
This book is a major contribution to the sociology of art. Wide-ranging and well illustrated, it develops an original argument about the relation between social structure and forms of art.
Author: Eva Illouz
Publisher: John Wiley & Sons
ISBN: 0745672116
Category : Social Science
Languages : en
Pages : 191
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Book Description
Few of us have been spared the agonies of intimate relationships. They come in many shapes: loving a man or a woman who will not commit to us, being heartbroken when we're abandoned by a lover, engaging in Sisyphean internet searches, coming back lonely from bars, parties, or blind dates, feeling bored in a relationship that is so much less than we had envisaged - these are only some of the ways in which the search for love is a difficult and often painful experience. Despite the widespread and almost collective character of these experiences, our culture insists they are the result of faulty or insufficiently mature psyches. For many, the Freudian idea that the family designs the pattern of an individual's erotic career has been the main explanation for why and how we fail to find or sustain love. Psychoanalysis and popular psychology have succeeded spectacularly in convincing us that individuals bear responsibility for the misery of their romantic and erotic lives. The purpose of this book is to change our way of thinking about what is wrong in modern relationships. The problem is not dysfunctional childhoods or insufficiently self-aware psyches, but rather the institutional forces shaping how we love. The argument of this book is that the modern romantic experience is shaped by a fundamental transformation in the ecology and architecture of romantic choice. The samples from which men and women choose a partner, the modes of evaluating prospective partners, the very importance of choice and autonomy and what people imagine to be the spectrum of their choices: all these aspects of choice have transformed the very core of the will, how we want a partner, the sense of worth bestowed by relationships, and the organization of desire. This book does to love what Marx did to commodities: it shows that it is shaped by social relations and institutions and that it circulates in a marketplace of unequal actors.
Author: Liah Greenfeld
Publisher: Cambridge University Press
ISBN: 0521360641
Category : Art
Languages : en
Pages : 223
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Book Description
Using a wealth of data collected in Israel, this study depicts a complete system in which art is created and evaluated--the scale of Israeli society allowing for a comprehensive and detailed description of all the agents involved in the production and consumption of modern art. The author analyzes the patterns of social relations and behavior created around two art worlds--the world of abstract avant-garde art and the world of traditional figurative painting. She argues that the two worlds differ radically both in terms of the factors that affect the formation of taste, the process of evaluation and the patterns of success in them and in the ways in which these factors exert their influence.
Author: Arthur L. Stinchcombe
Publisher: University of Chicago Press
ISBN: 0226774929
Category : Family & Relationships
Languages : en
Pages : 369
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Book Description
Arthur L. Stinchcombe has earned a reputation as a leading practitioner of methodology in sociology and related disciplines. Throughout his distinguished career he has championed the idea that to be an effective sociologist, one must use many methods. This incisive work introduces students to the logic of those methods. The Logic of Social Research orients students to a set of logical problems that all methods must address to study social causation. Almost all sociological theory asserts that some social conditions produce other social conditions, but the theoretical links between causes and effects are not easily supported by observation. Observations cannot directly show causation, but they can reject or support causal theories with different degrees of credibility. As a result, sociologists have created four main types of methods that Stinchcombe terms quantitative, historical, ethnographic, and experimental to support their theories. Each method has value, and each has its uses for different research purposes. Accessible and astute, The Logic of Social Research offers an image of what sociology is, what it's all about, and what the craft of the sociologist consists of.
Author: Gordon Graham
Publisher: Routledge
ISBN: 1134563671
Category : Philosophy
Languages : en
Pages : 248
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Book Description
A new edition of this bestselling introduction to aesthetics and the philosophy of art. Includes new sections on digital music and environmental aesthetics. All other chapters have been thoroughly revised and updated.
Author: Andrew Balmer
Publisher: Manchester University Press
ISBN: 1526116251
Category : Social Science
Languages : en
Pages : 0
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Book Description
This is an indispensable companion for students studying sociology and related disciplines, such as politics and human geography, as well as courses which draw upon sociological writing, such as nursing, social psychology or health studies. It demystifies the process of constructing coherent and powerful arguments, starting from an essay's opening paragraphs, building evidence and sequencing key points in the middle, through to pulling together a punchy conclusion. It gives a clear and helpful overview of the most important grammatical rules in English, and provides advice on how to solve common problems experienced in writing, including getting rid of waffle, overcoming writer's block and cutting an essay down to its required length. Using examples from essays written by sociology students at leading universities, the book shows what they have done well, what could be done better and how to improve their work using the techniques reviewed.
Author: Wolfgang Müller-Funk
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110555905
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
Narrative/s in Conflict presents the proceedings of an international workshop, held at the Trinity Long Room Hub Dublin in 2013, to a wider audience. This was a cross-disciplinary cooperation between the comparative research network 'Broken Narratives' (University of Vienna), the research strand 'Identities in Transformation' (Trinity College Dublin) and the Graduate Center for the Study of Culture at the University of Giessen. What has brought this informal network together is its credo that theories of narrative should be regarded as an integral part of cultural analysis. Choosing exemplary case studies from early Habsburg days up to the the wars and genocides of the 20th century and the post-9/11 'War on terror', our volume tries to analyze the relation between representation and conflict, i.e. between narrative constructions, social/historical processes, and cultural agon. Here it is crucial to state that narratives do not simply and passively 'mirror' conflicts as the conventional ‘realistic’ paradigm suggests; they rather provide a symbolic, sense-making matrix, and even a performative dimension. It even can be said that in many cases, narratives make conflicts.
Author: William Casement
Publisher: Rowman & Littlefield
ISBN: 1538158019
Category : Art
Languages : en
Pages : 281
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Book Description
"[P]rovides a treasure trove of information that will engage readers intrigued by but new to the subject of art forgery as well as those with an art or art history background." Booklist, Starred Review Forgery is a provocative presence in the art world that captures attention in the press and inspires books about the exploits of famous fraudsters as well as scholarly articles and monographs. But missing until now has been a big-picture look at the phenomenon of art forgery. The Many Faces of Art Forgery provides a uniquetreatment that features historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases. Key features include: The story of art forgery from antiquity to the present, including 80 named forgers, the tricks of their trade, and the social forces that ensure the existence of their enterprise. How scientific analysis is both effective and limited in exposing art fakes. Multiple definitions for the term “forgery” as applied to art. The effect on authenticity in legal terms, philosophical terms, and public opinion when an artwork undergoes extensive restoration, or artists hire surrogates to make their works, or they appropriate images from otherartists or styles from indigenous cultures. Forgers’ mentalities: their motivations, rationalizations, and strategies. The ethics of art forgery: from criminality to esteem for fooling experts. The possibility and aesthetic worth of a “perfect fake.” In all, readers will understand the substantial place forgery occupies in the realm of art, as well as that what constitutes authentic versus inauthentic is not always clear-cut, nor are legal and moral judgments about forgery. In conveying this message, the author provides a wealth of information in an accessible and engaging style suitable for experts and general readers alike.
Author: Ian Heywood
Publisher: NYU Press
ISBN: 0814735312
Category : Art
Languages : en
Pages : 241
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Book Description
This book offers a critical examination of influential social theories of art that points to the poverty of much contemporary "art theory" (including that of the New Art History and its deconstructionist critics) and the important but underacknowledged ethical implications of theorizing. Heywood writes clearly and illuminatingly about the problematic relationship between the seminar and the studio, theory and practice; his findings will be of interest and relevance to students of sociology, art history, fine art, philosophy, and cultural studies.
