The Art of Noises, 1913- 1931 PDF Download
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Author: Luigi Russolo
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 63
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Book Description
Author: Luigi Russolo
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 63
Get Book Here
Book Description
Author: Luigi Russolo
Publisher:
ISBN:
Category :
Languages : en
Pages : 15
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Book Description
Author: Luigi Russolo
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author: Luigi Russolo
Publisher:
ISBN:
Category : Avant-garde (Music)
Languages : en
Pages : 15
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Book Description
Author: Daniel P. Schwartz
Publisher: McGill-Queen's Press - MQUP
ISBN: 022802143X
Category : Performing Arts
Languages : en
Pages : 139
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Book Description
Cinema scholars categorize city symphony films of the 1920s and early 1930s as a subgenre of the silent film. Defined in visual terms, the city symphony organizes the visible elements of urban experience according to musical principles such as rhythm and counterpoint. In City Symphonies Daniel Schwartz explores the unheard sonic dimensions of these ostensibly silent films. The book turns its ear to the city symphony as an audible phenomenon, one that encompasses a multitude of works beyond the cinema, such as musical compositions, mass spectacles, radio experiments, and even paintings. What these works have in common is their treatment of the city as a medium for sound. The city is neither background nor content; rather, it is the material through which avant-garde works express themselves. In resonating through the city, these multimedia pieces perform experiments that undermine the borders between sight and sound. Applying an interdisciplinary approach, City Symphonies expands our understanding of the genre, breaking out of the confines of the cinema and onto the street.
Author: Luigi Russolo
Publisher:
ISBN:
Category : Futurism (Literary movement)
Languages : en
Pages : 15
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Book Description
Author:
Publisher: Routledge
ISBN: 1136806199
Category : Music
Languages : en
Pages : 736
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Book Description
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
Author: Solomon R. Guggenheim Museum
Publisher: Guggenheim Museum
ISBN: 9780892074990
Category : Art, Italian
Languages : en
Pages : 0
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Book Description
February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.
Author: Günter Berghaus
Publisher: Walter de Gruyter
ISBN: 3110804220
Category : Literary Criticism
Languages : en
Pages : 660
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Book Description
This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.
Author: A. Niebisch
Publisher: Springer
ISBN: 113727686X
Category : Social Science
Languages : en
Pages : 242
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Book Description
Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication and how they aimed at creating a media ecology based on and inspired by technologies such as the radio and the photo cell.
