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Author: Barbara C. Morden
Publisher: McNidder & Grace
ISBN: 9781904794998
Category : Apocalypse in art
Languages : en
Pages : 0
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Book Description
An internationally renowned painter in his time (1789-1854), John Martin created paintings of apocalyptic destruction and biblical disaster. He is credited with influencing a remarkable range of people, including the Brontes and the Pre-Raphaelites.
Author: Barbara C. Morden
Publisher: McNidder & Grace
ISBN: 9781904794998
Category : Apocalypse in art
Languages : en
Pages : 0
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Book Description
An internationally renowned painter in his time (1789-1854), John Martin created paintings of apocalyptic destruction and biblical disaster. He is credited with influencing a remarkable range of people, including the Brontes and the Pre-Raphaelites.
Author: William Feaver
Publisher: Oxford : Clarendon Press
ISBN: 9780198173342
Category :
Languages : en
Pages : 256
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Book Description
Author: John Rupert Martin
Publisher: Routledge
ISBN: 0429981759
Category : Art
Languages : en
Pages : 607
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Book Description
This is a nonchronological introduction to Baroque, one of the great periods of European art. John Martin's descriptions of the essential characteristics of the Baroque help one to gain an understanding of the style. His illustrations are informative and he has clearly looked with a fresh eye at the works of art themselves. In addition to the more than 200 illustrations, the volume contains an appendix of translated documents.
Author: John Martin
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 284
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Book Description
An exquisite, comprehensive and beautifully written study of the important role of Our Lady in history, art, literature, music, theology and apparition throughout history. This superb contribution to Mariology will appeal to both new and longtime Marian devotees as it stimulates the mind and inflames the spirit.
Author: Max Adams
Publisher: Hachette UK
ISBN: 1849167087
Category : History
Languages : en
Pages : 422
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Book Description
The richly varied lives of the Martin brothers reflected the many upheavals of Britain in the age of Industrial Revolution. Low-born and largely unschooled, they were part of a new generation of artists, scientists and inventors who witnessed the creation of the modern world. William, the eldest, was a cussedly eccentric inventor who couldn't look at a piece of machinery without thinking about how to improve it; Richard, a courageous soldier, fought in the Peninsular War and at Waterloo; Jonathan, a hellfire preacher tormented by madness and touched with a visionary genius reminiscent of William Blake, almost burned down York Minster in 1829; while John, the youngest Martin, single-handedly invented, mastered and exhausted an entire genre of painting, the apocalyptic sublime, while playing host to the foremost writers, scientists and thinkers of his day. In The Prometheans Max Adams interweaves the fascinating story of these maverick siblings with a magisterial and multi-faceted account of the industrial, political and artistic ferment of early 19th-century Britain. His narrative centres on a generation of inventors, artists and radical intellectuals (including the chemist Humphry Davy, the engineer George Stephenson, the social reformer Robert Owen and the poet Shelley) who were seeking to liberate humanity from the tyranny of material discomfort and political oppression. For Adams, the shared inspiration that binds this generation together is the cult of Prometheus, the titan of ancient Greek mythology who stole fire from Zeus to give to mortal man, and who became a potent symbol of political and personal liberation from the mid-18th century onwards. Whether writing about Davy's invention of the miner's safety lamp, the scandalous private life of the Prince Regent, the death of Shelley or J.M.W. Turner's use of colour, Adams's narrative is pacy, characterful, and rich in anecdote, quotation and memorable character sketch. Like John Martin himself, he has created a sprawling and brightly coloured canvas on an epic scale.
Author: John Martin
Publisher: Tate Enterprises Ltd
ISBN: 1849761388
Category : Art
Languages : en
Pages : 54
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Book Description
In February and March of 1849, the "Illustrated London News" carried a series of announcements about the works of the painter John Martin being exhibited at the British Institution, the third of which included an account of his early life. On the 17 March the paper received a long letter from the artist, reproduced here in full, in which he demands a right of reply. Their article is, he claims, "so unfortunate a tissue of errors from beginning to end, that it can only have the effect of misleading your readers." Martin's brief autobiography makes fascinating reading. Beginning with his youth in Newcastle where he was apprenticed to a coach-builder, it recounts his initial struggles in London and the eventual recognition accorded to his vast, apocalyptic landscape painting and stunning engravings, ending with the civic works he devoted himself to in later years. The reader is left in awe of Martin's determination and drive.With an introduction by Martin Myrone, Lead Curator of Pre-1800 British Art at Tate Britain, this engaging book provides many new insights into the work of this extraordinary painter of sublime landscapes and the times in which he lived.
Author: John Martin
Publisher:
ISBN: 9780871270016
Category : Addresses, essays, lectures
Languages : en
Pages : 0
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Book Description
Author: John Martin
Publisher: IICA
ISBN: 9780871270023
Category : Performing Arts
Languages : en
Pages : 374
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Book Description
Author: Martin Myrone
Publisher: Tate
ISBN: 9781854378897
Category : Art
Languages : en
Pages : 0
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Book Description
Published on the occasion of the exhibition at Tate Britain, Sept. 21, 2011-Jan. 15, 2012.
Author: Michael J. Campbell
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 220
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Book Description
This catalogue lists and describes the work of John Martin, print-maker, and is designed to accompany an exhibition of his work in the York City Art Gallery in 1992. John Martin became famous in the 18th and 19th centuries for his adventurous, mezzotint engravings, using new techniques.
