The "Ars componendi sermones" PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The "Ars componendi sermones" PDF full book. Access full book title The "Ars componendi sermones" by Ranulf Higden. Download full books in PDF and EPUB format.
Author: Ranulf Higden
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 144
Get Book Here
Book Description
Author: Ranulf Higden
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 144
Get Book Here
Book Description
Author: Margaret Jennings
Publisher: BRILL
ISBN: 900461057X
Category : Literary Criticism
Languages : en
Pages : 133
Get Book Here
Book Description
Since the publication of Th. Charland's Artes Praedicandi in 1936, several significant studies of the rise and development of Arts of Preaching have appeared. There are, however, a few aspects of both classical and medieval traditions surrounding these artes which have not been featured in earlier critiques and which contribute to an appreciation of the form, namely: the changing concept of the word "ars", the dialectical/logical emphasis of the schoolmen, and most importantly, the great pastoral movement of the high Middle Ages which can be posited as the ultimate impetus for an art's composition. The latter phenomenon separates the artes praedicandi from the artes dictaminis and poeticae and gives perspective on the shaping influences in preaching tradition. Finally, the specifically Higden material focuses attention on his singularly well-made manual for the construction of a thematic sermon, the Ars componendi sermones.
Author: Ranulf Higden
Publisher:
ISBN:
Category : Manuscripts, Latin
Languages : en
Pages : 414
Get Book Here
Book Description
Author: Ranulf Higden
Publisher: Peeters Publishers
ISBN: 9789042912427
Category : History
Languages : en
Pages : 100
Get Book Here
Book Description
Ranulph Higden, monk of St. Werburgh's Abbey and well-known author of the Polychronicon and other treatises, penned a concise and user-friendly Art of Preaching about 1346. His Ars componendi sermones follows a schematic common to many members of this genre and includes attributes desirable or necessary in the preacher, methods for piquing an audience's interest, the process of effective repetition, and suggestions for creating rhythmic patterns in prose. Its major focus, however, is the clear and comprehensive discussion of each thematic sermon part: the theme or scriptural text, its development in protheme and introduction, its division, subdivision, and embellishment. In structure and content, Higden's prescriptive manual has affinities to contemporary rhetorical texts, especially the artes poeticae and dictaminis, and displays an analogous relationship with Ciceronian dispositio as developed in the De Inventione and Rhetorica ad Herennium. A few of the many items of interest scattered throughout the text are Ranulph's insistence that preaching be separate from university exercises and his comments about various subjects like direct entry into heaven post mortem, the scope of medieval optics, what and who compose the church, and the quadruple levels of scriptural exegesis.
![Ars componendi sermones [Hrsg.v.:] Jennings, Margaret M., C.S.J. A criti ed. of the Ars componendi sermones](https://books.google.com/books/content/images/frontcover/CkFLMgAACAAJ?fife=w80-h100)
Author: Ranulphus Higden
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Siegfried Wenzel
Publisher: University of Toronto Press
ISBN: 1442622237
Category : History
Languages : en
Pages : 152
Get Book Here
Book Description
Between the early thirteenth and late fifteenth centuries, theologians and preachers in Western Europe adopted a distinct and rigidly structured sermon format. The scholastic sermon, as it was known, was taught through technical treatises known as artes praedicandi, of which approximately 230 survive. A dense and complicated arrangement, modern scholars often find the scholastic sermon challenging to understand and interpret. In this concise text, Siegfried Wenzel focuses on the main features of the sermon, from the initial thema to the concluding prayer. Medieval Artes Praedicandi also includes an annotated list of forty-two major surviving artes praedicandi, discussing the evolution of the genre, and a structural analysis of a sample sermon (from Worcester Cathedral Library Ms. F.10), which shows how the prescriptions of the artes were applied. Written by a leading expert on the late medieval scholastic sermon, Medieval Artes Praedicandi is an essential resource for scholars and advanced students interested in using scholastic sermons in their research.
Author: Carolyn Muessig
Publisher: BRILL
ISBN: 9789004108837
Category : History
Languages : en
Pages : 392
Get Book Here
Book Description
This book demonstrates that monastic preaching was a diverse activity which included preaching by monks, nuns and heretics. The study offers a preliminary step in understanding how preaching shaped monastic identity in the Middle Ages.
Author: Siegfried Wenzel
Publisher: Catholic University of America Press
ISBN: 0813221374
Category : Religion
Languages : en
Pages : 288
Get Book Here
Book Description
Based on his wide-ranging knowledge of late-medieval Latin sermons from England as well as his editorial experience with medieval Latin texts, Siegfried Wenzel offers critical editions of five instruction manuals on the "art of preaching" dating from 1230 to the fifteenth century. Four of the texts are edited and translated for the first time; the fifth is re-edited from all extant manuscripts. Each of the five sermons is accompanied by a facing-page translation into English. The book aims to stimulate interest and new research in a field that still awaits closer analysis of the relationships among existing treatises and of their historical development.
Author: Rita Copeland
Publisher: Oxford University Press
ISBN: 0192659758
Category : Literary Criticism
Languages : en
Pages : 432
Get Book Here
Book Description
Rhetoric is an engine of social discourse and the art charged with generating and swaying emotion. The history of rhetoric provides a continuous structure by which we can measure how emotions were understood, articulated, and mobilized under various historical circumstances and social contracts. This book is about how rhetoric in the West, from Late Antiquity to the later Middle Ages, represented the role of emotion in shaping persuasions. It is the first book-length study of medieval rhetoric and the emotions, coloring that rhetorical history between about 600 CE and the cusp of early modernity. Rhetoric in the Middle Ages, as in other periods, constituted the gateway training for anyone engaged in emotionally persuasive writing. Medieval rhetorical thought on emotion has multiple strands of influence and sedimentations of practice. The earliest and most persistent tradition treated emotional persuasion as a property of surface stylistic effect, which can be seen in the medieval rhetorics of poetry and prose, and in literary production. But the impact of Aristotelian rhetoric, which reached the Latin West in the thirteenth century, gave emotional persuasion a core role in reasoning, incorporating it into the key device of proof, the enthymeme. In Aristotle, medieval teachers and writers found a new rhetorical language to explain the social and psychological factors that affect an audience. With Aristotelian rhetoric, the emotions became political. The impact of Aristotle's rhetorical approach to emotions was to be felt in medieval political treatises, in poetry, and in preaching.
Author: Alastair Minnis
Publisher: University of Pennsylvania Press
ISBN: 0812205715
Category : Literary Criticism
Languages : en
Pages : 528
Get Book Here
Book Description
Can an outrageously immoral man or a scandalous woman teach morality or lead people to virtue? Does personal fallibility devalue one's words and deeds? Is it possible to separate the private from the public, to segregate individual failing from official function? Chaucer addressed these perennial issues through two problematic authority figures, the Pardoner and the Wife of Bath. The Pardoner dares to assume official roles to which he has no legal claim and for which he is quite unsuited. We are faced with the shocking consequences of the belief, standard for the time, that immorality is not necessarily a bar to effective ministry. Even more subversively, the Wife of Bath, who represents one of the most despised stereotypes in medieval literature, the sexually rapacious widow, dispenses wisdom of the highest order. This innovative book places these "fallible authors" within the full intellectual context that gave them meaning. Alastair Minnis magisterially examines the impact of Aristotelian thought on preaching theory, the controversial practice of granting indulgences, religious and medical categorizations of deviant bodies, theological attempts to rationalize sex within marriage, Wycliffite doctrine that made authority dependent on individual grace and raised the specter of Donatism, and heretical speculation concerning the possibility of female teachers. Chaucer's Pardoner and Wife of Bath are revealed as interconnected aspects of a single radical experiment wherein the relationship between objective authority and subjective fallibility is confronted as never before.
