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Author: Sebastián Carassai
Publisher: Duke University Press
ISBN: 0822376571
Category : History
Languages : en
Pages : 348
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Book Description
In The Argentine Silent Majority, Sebastián Carassai focuses on middle-class culture and politics in Argentina from the end of the 1960s. By considering the memories and ideologies of middle-class Argentines who did not get involved in political struggles, he expands thinking about the era to the larger society that activists and direct victims of state terror were part of and claimed to represent. Carassai conducted interviews with 200 people, mostly middle-class non-activists, but also journalists, politicians, scholars, and artists who were politically active during the 1970s. To account for local differences, he interviewed people from three sites: Buenos Aires; Tucumán, a provincial capital rocked by political turbulence; and Correa, a small town which did not experience great upheaval. He showed the middle-class non-activists a documentary featuring images and audio of popular culture and events from the 1970s. In the end Carassai concludes that, during the years of la violencia, members of the middle-class silent majority at times found themselves in agreement with radical sectors as they too opposed military authoritarianism but they never embraced a revolutionary program such as that put forward by the guerrilla groups or the most militant sectors of the labor movement.
Author: Sebastián Carassai
Publisher: Duke University Press
ISBN: 0822376571
Category : History
Languages : en
Pages : 348
Get Book Here
Book Description
In The Argentine Silent Majority, Sebastián Carassai focuses on middle-class culture and politics in Argentina from the end of the 1960s. By considering the memories and ideologies of middle-class Argentines who did not get involved in political struggles, he expands thinking about the era to the larger society that activists and direct victims of state terror were part of and claimed to represent. Carassai conducted interviews with 200 people, mostly middle-class non-activists, but also journalists, politicians, scholars, and artists who were politically active during the 1970s. To account for local differences, he interviewed people from three sites: Buenos Aires; Tucumán, a provincial capital rocked by political turbulence; and Correa, a small town which did not experience great upheaval. He showed the middle-class non-activists a documentary featuring images and audio of popular culture and events from the 1970s. In the end Carassai concludes that, during the years of la violencia, members of the middle-class silent majority at times found themselves in agreement with radical sectors as they too opposed military authoritarianism but they never embraced a revolutionary program such as that put forward by the guerrilla groups or the most militant sectors of the labor movement.
Author: Pablo Bradbury
Publisher: Boydell & Brewer
ISBN: 1855663635
Category :
Languages : en
Pages : 269
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Book Description
How did liberationist Christianity develop in Argentina between the 1930s and early 1970s? And how did it respond to state terrorism during the Dirty War? How did liberation theology develop in Argentina between the 1930s and early 1970s? And how did it respond to state terrorism during the Dirty War? Understanding the movement to be dynamic and highly diverse, this book reveals that ecclesial and political conflicts, especially over Peronism and celibacy, were at the heart of the construction of a liberationist Christian identity, which simultaneously internalised deep tensions over its relationship to the Catholic Church. It first situates the rise of a revolutionary Christian impulse in Argentina within changes in society, in Catholicism and Protestantism and in Marxism in the 1930s, before analysing how the phenomenon coalesced in the late sixties into a coherent social movement. Finally, the book examines the responses of liberationist Christians to the intense period of repression under the presidency of Isabel Perón and the rule of the military junta between 1974 and 1983. By exploring these distinct responses and uncovering the heterogeneity of liberationist Christianity, the book offers a fresh analysis of a movement that occupies a major role in the popular memory of the period of state terror, and provides a corrective to narratives that depict the movement as monolithic or as a passive victim of the dictatorship.
Author: Jennifer Adair
Publisher: Univ of California Press
ISBN: 0520973283
Category : History
Languages : en
Pages : 203
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Book Description
In 1983, following a military dictatorship that left thousands dead and disappeared and the economy in ruins, Raúl Alfonsín was elected president of Argentina on the strength of his pledge to prosecute the armed forces for their crimes and restore a measure of material well-being to Argentine lives. Food, housing, and full employment became the litmus tests of the new democracy. In Search of the Lost Decade reconsiders Argentina’s transition to democracy by examining the everyday meanings of rights and the lived experience of democratic return, far beyond the ballot box and corridors of power. Beginning with promises to eliminate hunger and ending with food shortages and burning supermarkets, Jennifer Adair provides an in-depth account of the Alfonsín government’s unfulfilled projects to ensure basic needs against the backdrop of a looming neoliberal world order. As it moves from the presidential palace to the streets, this original book offers a compelling reinterpretation of post-dictatorship Argentina and Latin America’s so-called lost decade.
Author: Matthew B. Karush
Publisher: Duke University Press
ISBN: 0822373777
Category : History
Languages : en
Pages : 295
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Book Description
In Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation’s place in the world. Eventually, these musicians produced expressions of Latin identity that reverberated beyond Argentina, including a novel form of pop ballad; an anti-imperialist, revolutionary folk genre; and a style of rock built on a pastiche of Latin American and global genres. A website with links to recordings by each musician accompanies the book.
Author: Vania Markarian
Publisher: Univ of California Press
ISBN: 0520290011
Category : Education
Languages : en
Pages : 250
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Book Description
Students take to the streets -- Coordinates of a cycle of protest -- On violence -- The unions and the movement -- The Lefts and the students -- Paths and paradoxes of revolutionary action -- Militant mystiques -- Youth cultures -- More nuances -- Conclusion : 1968 and the emergence of a "New Left
Author: David Kohut
Publisher: Rowman & Littlefield
ISBN: 1442276428
Category : History
Languages : en
Pages : 495
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Book Description
The Historical Dictionary of the Dirty Wars coversthe period 1954–1990 in South America, when authoritarian regimes waged war on subversion, both real and imagined. The term “dirty war” (guerra sucia), though originally associated with the military dictatorship in Argentina from 1976 to 1983, has since been applied to neighboring dictatorships in Paraguay (1954–1989), Brazil (1964–1985), Bolivia (1971–1981), Uruguay (1973–1985), and Chile (1973–1990). Although the concept is by no means peculiar to Latin America—the term has become a byword for state-sponsored repression anywhere in the world—these regimes were among its most notorious practitioners. In the mid-1970s they joined forces—along with Ecuador and Peru—to create Operation Condor, a top-secret network of military dictatorships that kidnapped, tortured, and disappeared one another’s political opponents. Their death squads operated both nationally and internationally, sometimes beyond the region. This third edition of Historical Dictionary of the Dirty Wars contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on the countries themselves; guerrilla and political movements that provoked (though by no means exonerated) governmental reaction; leading guerrilla, human-rights, military, and political figures; local, regional, and international human-rights organizations; expressions of cultural resistance (art, film, literature, music, and theater); and artistic figures (filmmakers, novelists, and playwrights) whose works attempted to represent or resist the period of repression. This book is an excellent access point for students, researchers, and anyone wanting to know more about the dirty wars of South America
Author: Ariel Wilkis
Publisher: University of New Mexico Press
ISBN: 082636649X
Category : History
Languages : en
Pages : 240
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Book Description
Originally published in Argentina in 2019 and now finally available in English, Luzzi and Wilkis’s acclaimed book traces the history of the economic, social, and political relevance of the dollar in Argentina and its popularization over the years. How did the dollar come to play such a leading role in Argentina’s national existence? How and why did this global currency become a local currency on the other end of the Western hemisphere? Through the reconstruction of the social and cultural history of the US dollar in Argentina, Luzzi and Wilkis provide original insight into this sidebar of the dollar’s history, showing how it became a “local” currency even outside its country of origin.
Author: Esteban Buch
Publisher: Routledge
ISBN: 1317162641
Category : Music
Languages : en
Pages : 235
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Book Description
Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.
Author: Michelle Frances Carmody
Publisher: Springer
ISBN: 3319783939
Category : History
Languages : en
Pages : 248
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Book Description
In Argentina and elsewhere in Latin America, decades after the fall of authoritarian regimes in the 1970s, transitional justice has proven to be anything but transitional—it has become a cornerstone of state policy and a powerful tool of state formation. Contextualizing cultural and political shifts in Argentina after the 1976 military coup with comparisons to other countries in the Southern Cone, Michelle Frances Carmody argues that incorporating human rights practices into official policy became a way for state actors to both build the authority of the state and manage social conflict, a key aim of post-Cold War democracies. By examining the relationship between transitional justice and the Latin American political order, this book illuminates overlooked dimensions of state formation in the age of human rights.
Author: Mark Philip Bradley
Publisher: Cambridge University Press
ISBN: 1316720500
Category : History
Languages : en
Pages : 325
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Book Description
Concerns about rights in the United States have a long history, but the articulation of global human rights in the twentieth century was something altogether different. Global human rights offered individuals unprecedented guarantees beyond the nation for the protection of political, economic, social and cultural freedoms. The World Reimagined explores how these revolutionary developments first became believable to Americans in the 1940s and the 1970s through everyday vernaculars as they emerged in political and legal thought, photography, film, novels, memoirs and soundscapes. Together, they offered fundamentally novel ways for Americans to understand what it means to feel free, culminating in today's ubiquitous moral language of human rights. Set against a sweeping transnational canvas, the book presents a new history of how Americans thought and acted in the twentieth-century world.
