Author: James Cavanah Murphy
Publisher:
ISBN:
Category : Alhambra
Languages : en
Pages : 0

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Book Description

Author: John Shakespear
Publisher: London : [s.n.]
ISBN:
Category : Arabs
Languages : en
Pages : 380

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Book Description

Author:
Publisher: BRILL
ISBN: 9004448586
Category : History
Languages : en
Pages : 727

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Book Description
Mudejarismo and Moorish Revival in Europe offers a critical examination of the reception of Ibero-Islamic architecture in medieval Iberia and 19th-century Europe. Taking selected case studies as a starting point, the volume challenges prevalent readings of interconnected cultural and artistic phenomena.

Author: Daud Sutton
Publisher: eBook Partnership
ISBN: 1912706032
Category : Art
Languages : en
Pages : 64

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Book Description
Across the Islamic world, illuminating Korans from Morocco to Malaysia, and adorning mosques, mausoleums and palaces, are hidden some of the most exquisite geometrical devices ever conceived by man. In this excellent little book, geometer Daud Sutton unravels the mystery of Islamic patterns, explaining where they come from, how to draw them, and hinting at the Divine messages they encode. WOODEN BOOKS are small but packed with information. "e;Fascinating"e; FINANCIAL TIMES. "e;Beautiful"e; LONDON REVIEW OF BOOKS. "e;Rich and Artful"e; THE LANCET. "e;Genuinely mind-expanding"e; FORTEAN TIMES. "e;Excellent"e; NEW SCIENTIST. "e;Stunning"e; NEW YORK TIMES. Small books, big ideas.

Author: John Shakespear
Publisher:
ISBN:
Category : Spain
Languages : en
Pages : 384

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Author: Joseph Krauskopf
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 282

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Book Description
"This volume is a reprint of newspaper reports of a series of lectures delivered by the author from the pulpit of Congregation B'nai Jehudah, Kansas City, Mo., during the Fall and Winter of 1885-1886. The lectures were prepared to fulfill the requirements of popular discourses, and designed to convey information upon a highly important epoch of the world's history, that is almost neglected in English literature. The thought of publishing these lectures in book form was utterly foreign to the author throughout their preparation, until an urgent solicitation from very many persons, both Jews and Gentiles, in all parts of this country, whose interest in these lectures was aroused by their wide-spread republication by the Press, made it a duty."--Goodreads.com.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1082

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Author: Bulkeley Bandinel
Publisher:
ISBN:
Category :
Languages : en
Pages : 938

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Book Description

Author: William Hickling Prescott
Publisher:
ISBN:
Category :
Languages : en
Pages : 110

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Book Description

Author: Claudia Hopkins
Publisher: Bloomsbury Publishing
ISBN: 1350428558
Category : Art
Languages : en
Pages : 572

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Book Description
Richly illustrated, this is the first study in English to explore the longevity of Orientalist art in Spain over a period of 120 years. It highlights how artists in Spain shaped perceptions of Al-Andalus (Iberia under Islam 711–1492) and northern Morocco, from Spain's liberal revolution of the 1830s to the end of the Protectorate of Morocco in 1956. Combining art history with a cultural studies approach, and using exemplary case studies, Hopkins foregrounds the diverse issues that underpin Orientalist expression: reflections on history and the nation, cultural nationalism, gender and sexuality, aesthetics and art commerce, colonialism and racial thinking. In the process, the book challenges over-familiar understandings of Western Orientalism. Beyond Fortuny and Sorolla, many unfamiliar artists and exhibitions are introduced, amongst them Villaamil, whose nostalgic landscapes evoked the loss of Andalusi culture; Bécquer, who celebrated Spanish-Moroccan peace-making through the lens of Velázquez; the Symbolist Rusiñol, whose images of the Alhambra are infused with melancholy; Morcillo, whose extraordinary camp images opened a new space for male subjectivity; Tapiró and Bertuchi, who dedicated their lives to Morocco, and the Moroccan Sarghini, who participated in the state-funded Painters of Africa exhibitions in Franco's Madrid – an annual exhibition that served the colonial concept of a Hispano-Moroccan brotherhood under the dictatorship. This book traces the shifting impulses and meanings of Orientalist expression in Spain. It makes an original intervention in the field of Spanish art studies and contributes new material to the ongoing debates about Western Orientalism.