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Author: Amy Fass Emery
Publisher: University of Missouri Press
ISBN: 9780826210807
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
Emery develops the concept of an "anthropological imagination" - that is, the conjunction of anthropology and fiction in twentieth-century Latin American literature. Emery also gives consideration to documentary and testimonial writings.
Author: Amy Fass Emery
Publisher: University of Missouri Press
ISBN: 9780826210807
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
Emery develops the concept of an "anthropological imagination" - that is, the conjunction of anthropology and fiction in twentieth-century Latin American literature. Emery also gives consideration to documentary and testimonial writings.
Author: John Carlos Rowe
Publisher: Oxford University Press, USA
ISBN: 0195131509
Category : History
Languages : en
Pages : 739
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Book Description
John Carlos Rowe, considered one of the most eminent and progressive critics of American literature, has in recent years become instrumental in shaping the path of American studies. His latest book examines literary responses to U.S. imperialism from the late eighteenth century to the 1940s. Interpreting texts by Charles Brockden Brown, Poe, Melville, John Rollin Ridge, Twain, Henry Adams, Stephen Crane, W. E. B Du Bois, John Neihardt, Nick Black Elk, and Zora Neale Hurston, Rowe argues that U.S. literature has a long tradition of responding critically or contributing to our imperialist ventures. Following in the critical footsteps of Richard Slotkin and Edward Said, Literary Culture and U.S. Imperialism is particularly innovative in taking account of the public and cultural response to imperialism. In this sense it could not be more relevant to what is happening in the scholarship, and should be vital reading for scholars and students of American literature and culture.
Author: Katia Chornik
Publisher: Routledge
ISBN: 1909662178
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
Widely known for his novels El reino de este mundo and Los pasos perdidos, the Swiss-born Cuban writer Alejo Carpentier incorporated music in his fiction extensively, for instance in titles, in analogies with musical forms, in scenes depicting performances, recordings and broadcasts, and in characters’ discussions of musical issues. Chornik’s study focuses on Carpentier’s writings from a musicological perspective, bridging intermediality and intertextuality through an examination of music as formative, as form, and as performed. The emphasis lies on the novels Los pasos perdidos, El acoso, Concierto barroco and La consagración de la primavera, and on his unknown essay Los orígenes de la música y la música primitiva, the repository of ideas for Los pasos perdidos, included here for the first time as facsimile and in English translation. Chornik’s study will appeal to scholars and students in literary studies, cultural studies, musicology and ethnomusicology, and to a specifically interdisciplinary readership.
Author: Persephone Braham
Publisher: Bucknell University Press
ISBN: 1611487072
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
How did it happen that whole regions of Latin America—Amazonia, Patagonia, the Caribbean—are named for monstrous races of women warriors, big-footed giants and cannibals? Through history, monsters inhabit human imaginings of discovery and creation, and also degeneration, chaos, and death. Latin America’s most dynamic monsters can be traced to archetypes that are found in virtually all of the world's sacred traditions, but only in Latin America did Amazons, cannibals, zombies, and other monsters become enduring symbols of regional history, character, and identity. From Amazons to Zombies presents a comprehensive account of the qualities of monstrosity, the ways in which monsters function within and among cultures, and theories and genres of the monstrous. It describes the genesis and evolution of monsters in the construction and representation of Latin America from the Ancient world and early modern Iberia to the present.
Author: Emily A. Maguire
Publisher: University Press of Florida
ISBN: 0813063566
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
“An important contribution to U.S.-Caribbean dialogues in the field of Afro-Diasporic literatures and cultures.”—Jossianna Arroyo, author of Travestismos culturales: literature y etnografía en Cuba y Brasil “Maguire’s close readings of women ethnographers like Lydia Cabrera and Zora Neale Hurston result in a very original approach to dealing with the topic of race and how it overlaps with the categories of gender. Outstanding work!”—James Pancrazio, author of The Logic of Fetishism: Alejo Carpentier and the Cuban Tradition "Ingeniously tells the story of the tensions between artist and ethnographer that inform the Cuban national narrative of the twentieth century. Racial Experiments in Cuban Literature and Ethnography is essential reading for a large audience of students and scholars alike within Caribbean, American, and African Diaspora studies."--Jaqueline Loss, author of Cosmopolitanisms and Latin America In the wake of independence from Spain in 1898, Cuba’s intellectual avant-garde struggled to cast their country as a modern nation. They grappled with the challenges presented by the postcolonial situation in general and with the location of blackness within a narrative of Cuban-ness in particular. In this breakthrough study, Emily Maguire examines how a cadre of writers reimagined the nation and re-valorized Afro-Cuban culture through a textual production that incorporated elements of the ethnographic with the literary. Singling out the work of Lydia Cabrera as emblematic of the experimentation with genre that characterized the age, Maguire constructs a series of counterpoints that place Cabrera’s work in dialogue with that of her Cuban contemporaries—including Fernando Ortiz, Nicolás Guillén, and Alejo Carpentier. An illuminating final chapter on Cabrera and Zora Neale Hurston widens the scope to contextualize Cuban texts within a hemispheric movement to represent black culture. Emily A. Maguire is associate professor of Spanish at Northwestern University.
Author: Jean FRANCO
Publisher: Harvard University Press
ISBN: 0674037170
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
The cultural Cold War in Latin America was waged as a war of values--artistic freedom versus communitarianism, Western values versus national cultures, the autonomy of art versus a commitment to liberation struggles--and at a time when the prestige of literature had never been higher. The projects of the historic avant-garde were revitalized by an anti-capitalist ethos and envisaged as the opposite of the republican state. The Decline and Fall of the Lettered City charts the conflicting universals of this period, the clash between avant-garde and political vanguard. This was also a twilight of literature at the threshold of the great cultural revolution of the seventies and eighties, a revolution to which the Cold War indirectly contributed. In the eighties, civil war and military rule, together with the rapid development of mass culture and communication empires, changed the political and cultural map. A long-awaited work by an eminent Latin Americanist widely read throughout the world, this book will prove indispensable to anyone hoping to understand Latin American literature and society. Jean Franco guides the reader across minefields of cultural debate and histories of highly polarized struggle. Focusing on literary texts by Garcia Marquez, Vargas Llosa, Roa Bastos, and Juan Carlos Onetti, conducting us through this contested history with the authority of an eyewitness, Franco gives us an engaging overview as involving as it is moving.
Author: Gloria Elizabeth Chacón
Publisher: UNC Press Books
ISBN: 1469636824
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Latin America's Indigenous writers have long labored under the limits of colonialism, but in the late twentieth and twenty-first centuries, they have constructed a literary corpus that moves them beyond those parameters. Gloria E. Chacon considers the growing number of contemporary Indigenous writers who turn to Maya and Zapotec languages alongside Spanish translations of their work to challenge the tyranny of monolingualism and cultural homogeneity. Chacon argues that these Maya and Zapotec authors reconstruct an Indigenous literary tradition rooted in an Indigenous cosmolectics, a philosophy originally grounded in pre-Columbian sacred conceptions of the cosmos, time, and place, and now expressed in creative writings. More specifically, she attends to Maya and Zapotec literary and cultural forms by theorizing kab'awil as an Indigenous philosophy. Tackling the political and literary implications of this work, Chacon argues that Indigenous writers' use of familiar genres alongside Indigenous language, use of oral traditions, and new representations of selfhood and nation all create space for expressions of cultural and political autonomy. Chacon recognizes that Indigenous writers draw from universal literary strategies but nevertheless argues that this literature is a vital center for reflecting on Indigenous ways of knowing and is a key artistic expression of decolonization.
Author: Richard Perez
Publisher: Springer Nature
ISBN: 3030398358
Category : Literary Criticism
Languages : en
Pages : 651
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Book Description
The Palgrave Handbook of Magical Realism in the Twenty-First Century examines magical realism in literatures from around the globe. Featuring twenty-seven essays written by leading scholars, this anthology argues that literary expressions of magical realism proliferate globally in the twenty-first century due to travel and migrations, the shrinking of time and space, and the growing encroachment of human life on nature. In this global context, magical realism addresses twenty-first-century politics, aesthetics, identity, and social/national formations where contact between and within cultures has exponentially increased, altering how communities and nations imagine themselves. This text assembles a group of critics throughout the world—the Americas, Europe, Africa, Asia, the Middle East, and Australia—who employ multiple theoretical approaches to examine the different ways magical realism in literature has transitioned to a global practice; thus, signaling a new stage in the history and development of the genre.
Author: Susan Lord
Publisher: Indiana University Press
ISBN: 025305706X
Category : Biography & Autobiography
Languages : en
Pages : 441
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Book Description
Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara Gómez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution. Gómez directed numerous documentary films in 10 prolific years. She also made De cierta manera (One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference. The Cinema of Sara Gómez assembles history, criticism, biography, methodology, and theory of Gómez's work in scholarly writing; interviews with friends and collaborators; the film script of De cierta manera; and a detailed and complete filmography. Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work, The Cinema of Sara Gómez unpacks her complex life and gives weight to her groundbreaking cinema.
Author: Ana Douglass
Publisher: Routledge
ISBN: 1136073620
Category : Social Science
Languages : en
Pages : 390
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Book Description
This is a collection within the anthropology of violence and witness studies, a discipline inaugurated in the 1980s. It accomplishes a tight focus while tackling seemingly disparate topics: from Rigoberat Menchu to O.J. Simpson, and from feminist poetry to Hiroshima Mon Amour. With approaches ranging from anthropological and historical to literary and philosophical, this collection is engaging in both subject matter and writing style.
