Author: M. Boyde
Publisher: Springer
ISBN: 1137330503
Category : Art
Languages : en
Pages : 324
Get Book Here
Book Description
In 2008 the youtube video documenting the emotional reunion between two men and Christian the Lion became a worldwide sensation. Key themes of the essays in Captured: the Animal within Culture are encapsulated in Christian's story: the implications of the physical and cultural capture of animals.
Author: Elisa Fusi
Publisher: Createspace Independent Publishing Platform
ISBN: 9781537669953
Category :
Languages : en
Pages : 126
Get Book Here
Book Description
The animal within is a deep immersion in the Mayan Cosmology and the magical worlds it envisions. A breathtaking journey into indigenous legends and ancient myths, archetypes and the symbolism of animals. A fascinating exploration of Maya Nahuales guiding step by step the reader to draw a personal Maya Cross chart with a costellation of animal guardians.
Author: Michael Malay
Publisher: Springer
ISBN: 3319706667
Category : Literary Criticism
Languages : en
Pages : 265
Get Book Here
Book Description
This book argues that there are deep connections between ‘poetic’ thinking and the sensitive recognition of creaturely others. It explores this proposition in relation to four poets: Marianne Moore, Elizabeth Bishop, Ted Hughes, and Les Murray. Through a series of close readings, and by paying close attention to issues of sound, rhythm, simile, metaphor, and image, it explores how poetry cultivates a special openness towards animal others. The thinking behind this book is inspired by J. M. Coetzee’s The Lives of Animals. In particular, it takes up that book’s suggestion that poetry invites us to relate to animals in an open-ended and sympathetic manner. Poets, according to Elizabeth Costello, the book’s protagonist, ‘return the living, electric being to language’, and, doing so, compel us to open our hearts towards animals and the claims they make upon us. There are special affinities, for her, between the music of poetry and the recognition of others. But what might it mean to say that poets to return life to language? And why might this have any bearing on our relationship with animals? Beyond offering many suggestive starting points, Elizabeth Costello says very little about the nature of poetry’s special relationship with the animal; one aim of this study, then, is to ask of what this relationship consists, not least by examining the various ways poets have bodied forth animals in language.
Author:
Publisher: Marina Lighthouse
ISBN:
Category :
Languages : en
Pages : 36
Get Book Here
Book Description
Author: Peter Sahlins
Publisher: Princeton University Press
ISBN: 1935408275
Category : History
Languages : en
Pages : 497
Get Book Here
Book Description
Peter Sahlins’s brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the remarkable unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others (such as the dogs and lambs of the first xenotransfusion experiments) were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France — what Sahlins calls Renaissance humanimalism — toward more modern expressions of Classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes’s animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 where his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668: The Year of the Animal in France explores and reproduces the king’s animal collections — in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats — within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the trans_fusion experiments of Jean Denis, and others. The author joins the non_human and human agents of 1668 — panthers and painters, swans and scientists, weasels and weavers — in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
Author: Ziba Rashidian
Publisher: Springer
ISBN: 1137428651
Category : Literary Criticism
Languages : en
Pages : 227
Get Book Here
Book Description
Examining a wide range of works, from Gulliver's Travels to The Hunger Games, Representing the Modern Animal in Culture employs key theoretical apparatuses of Animal Studies to literary texts. Contributors address the multifarious modes of animal representation and the range of human-animal interactions that have emerged in the past 300 years.
Author: Julian Huxley
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 192
Get Book Here
Book Description
Author: Claire Nettleton
Publisher: Springer
ISBN: 3030193454
Category : Literary Criticism
Languages : en
Pages : 249
Get Book Here
Book Description
The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siècle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt’s Manette Salomon (1867), Émile Zola’s Therèse Raquin (1867), Jules Laforgue’s “At the Berlin Aquarium” (1895) and “Impressionism” (1883), Octave Mirbeau’s In the Sky (1892-1893) and Rachilde’s L’Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the “artist-animal,” an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.
Author: Geoffrey Dierckxsens
Publisher: Rowman & Littlefield
ISBN: 1783488220
Category : Philosophy
Languages : en
Pages : 257
Get Book Here
Book Description
Much has been written about animals in applied ethics, environmental ethics, and animal rights. This book takes a new turn, offering an examination of the 'animal question' from a more fundamental, philosophical-anthropological perspective. The contributors in this important volume focus on how the animal has appeared and can be used in philosophical argumentation as a metaphor or reference point that helps us understand what is distinctively human and what is not. A recurring theme in the essays is the existence of a zone of ambiguity between animals and humans, which puts into question comfortable assumptions about the uniqueness and superiority of human nature. While the chapters straddle the boundaries of historical-philosophical and systematic, continental and analytic approaches, their thematic unity knits them together, presenting a rich, broad, and yet cohesive perspective. The first part of the book offers general explorations of the relation between animal and human nature, and of the concomitant existential and ethical dimensions of this relationship. The chapters in the second part address the same theme, but, in so doing, focus on specific aspects of animal and human nature: imagination, politics, history, sense, finitude, and science
Author: Joyce E. Salisbury
Publisher: Routledge
ISBN: 113576431X
Category : History
Languages : en
Pages : 216
Get Book Here
Book Description
Praise for the first edition: "...a brave and fascinating exploration of an area that has so far been rather neglected by both historical and literary critics. The Beast Within provides extremely valuable information on the legal and cultural background of the human-animal relationship..." -- Studies in the Age of Chaucer This important book offers a unique exploration of the use of and attitude towards animals from the 4th to the 14th centuries. The Beast Within explores the varying roles of animals as property, food and sexual objects, and the complex relationship that this created with the people and world around them. Joyce E. Salisbury takes an interdisciplinary approach to the subject, weaving a historical narrative that includes economic, legal, theological, literary and artistic sources. The book shows how by the end of the Middle Ages the lines between humans and animals had blurred completely, making us recognise the beast that lay within us all. This new edition has been brought right up to date with current scholarship, and includes a brand new chapter on animals on trial and animals as human companions, as well as expanded and updated discussions on fables and saints, and a new section on ‘bestial humans’. This important and provocative book remains a key work on the historical study of animals, as well as in the field of environmental history more generally, and also provides crucial context to ongoing debates on animal rights and the environment.
