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Author: Tata Sons Private Limited
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Tata Sons Private Limited
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: George Frederick Kunz
Publisher:
ISBN:
Category : Elephants
Languages : en
Pages : 720
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Book Description
Author: Norbert J. Beihoff
Publisher:
ISBN:
Category : Ivories
Languages : en
Pages : 120
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Book Description
Author: William Maskell
Publisher:
ISBN:
Category : Ivories
Languages : en
Pages : 152
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Book Description
Author: Anna Maria Elizabeth Cust
Publisher:
ISBN:
Category : Ivories
Languages : en
Pages : 198
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Book Description
Author: Walters Art Gallery (Baltimore, Md.)
Publisher: Viking Penguin
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
One Egyptian ivory figurine of a hippopotamus, though less than two inches long, manages to convey the heaviness and power of the animal. Ivory is a supple medium, and each age has shaped it according to its concepts of refinement, pomp, utility and beauty. The Greeks built ivory couches as a symbol of luxury. Roman general Lucius Scipio and his men carried 1231 ivory tusks in a triumphal procession. Byzantine artisans carved lifelike ivory saints and angels on miniature altar panels. Muslim craftsmen fashioned intricate inscriptions on oliphants or hunting horns made from tusks. Among the unusual or outstanding objects reproduced in this catalog of the Walters collection in Baltimore are a Cretan snake goddess, a Coptic statuette of the Virgin of Tenderness (the earliest known example of this image), a German Baroque statue of Cleopatra being bitten by a serpent, and an Art Nouveau orchid comb by Rene Lalique. More than 700 plates (100 in color) are accompanied by essays contributed by various scholars who trace this highly developed art through the centuries.
Author: John Beckwith
Publisher: Harvey Miller
ISBN: 9780199210077
Category : Ivories
Languages : en
Pages : 0
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Book Description
Ivory carvings are among the most beautiful achievements of medieval art. They reflect not only the deeply religious nature of the medieval world but also express the consummate skill and highly creative minds of those who carved them. The English craftsmen of the Early Middle Ages produced such renowned masterpieces as the Bury St Edmunds Cross and the Lewis Chessmen. John Beckwith provides a definitive study of English ivory carving from 700-1200 AD, which describes and illustrates over 160 carvings. He places the ivories in relation to contemporary illuminated manuscripts and enamel work. Through fascinating and lively portraits of some of the abbots and bishops who were the great patrons of their time, and in particular, Henry of Blois, bishop of Winchester, he places the art form firmly within its historical and cultural context.
Author: Paul Williamson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 364
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Book Description
"The first volume of a new catalogue of the Victoria and Albert Museum's collection of medieval ivory carvings, covering the years 400-1200, appeared in 2010. The present two volumes complete the catalogue, taking in every piece carved between about 1200 and 1550; and it is satisfying to report that a further volume, on the post-medieval ivories, was published by my colleague Marjorie Trusted in 2013."--Preface, p. 9.
Author: Paul Williamson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 58
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Author: Archer St. Clair
Publisher: JHU Press
ISBN: 9780801872617
Category : Art
Languages : en
Pages : 256
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Book Description
From 1989 to 1994 more than fifteen hundred bone and ivory objects were excavated from the northeast slope of Rome's Palatine Hill. These remains constitute the largest such find in the western Mediterranean and the first traces of the actual working of ivory in Rome itself. In this original work, art historian Archer St. Clair explores the significance of these finds in understanding both the development of artisanship in Rome and the broader Greco-Roman cultural and artistic tradition to which they belong. Dating primarily from the first through the fifth century C.E., the carved objects include ornamentation for furniture and boxes in the form of plaques and framing strips, jewelry, dolls, a wide variety of pins, as well as smaller numbers of handles, needles, and other implements. Also present at the site was extensive evidence of a bone and ivory workshop, including prepared blanks and waste fragments that provide valuable evidence for artisanal practices in both materials. This volume includes a representative catalog of 648 objects from Palatine East, extensively illustrated with photographs and detailed drawings. Four chapters of introductory material offer a comprehensive overview of the material properties of bone and ivory, the literary evidence, and wider context of their use in the ancient world, and the particular significance of the Palatine East site. While bone has often been treated simply as an inferior and less valuable alternative to ivory, St. Clair notes the close association in their use and elucidates a complex relationship between them. In doing so, she offers a detailed, contextual study of the uses, social perception, and distribution of the two materials, revealing a shared Mediterranean vocabulary of form and technique.
