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Author: Navala Kr̥shṇa
Publisher: Virago Press
ISBN:
Category : Art
Languages : en
Pages : 618
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Book Description
Prof. Dr. Anand Krishna needs no introduction to the world ofIndian Art and Culture. With his experience of study, research andpublication in this field, on his father Rai Krishnadasa s richfoundation, his creativity goes back to 1944; his tradition continueseven to the next generation.This unique volume is a compilation of articles contributed byhis colleagues, friends and students all Indian art specialists fromthe whole world. Covering almost 2,000 years, this book embracesalmost every facet of the Indian arts, such as architecture, sculpture,textiles, decorative arts, folk and modern art, sociology and culture.Enriched with over 400 spectacular colour and b&w relevantillustrations, this unprecedented scholarly book will be a source ofinformation for the academics as well as of great interest to everyperson fascinated with Indian art.
Author: Navala Kr̥shṇa
Publisher: Virago Press
ISBN:
Category : Art
Languages : en
Pages : 618
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Book Description
Prof. Dr. Anand Krishna needs no introduction to the world ofIndian Art and Culture. With his experience of study, research andpublication in this field, on his father Rai Krishnadasa s richfoundation, his creativity goes back to 1944; his tradition continueseven to the next generation.This unique volume is a compilation of articles contributed byhis colleagues, friends and students all Indian art specialists fromthe whole world. Covering almost 2,000 years, this book embracesalmost every facet of the Indian arts, such as architecture, sculpture,textiles, decorative arts, folk and modern art, sociology and culture.Enriched with over 400 spectacular colour and b&w relevantillustrations, this unprecedented scholarly book will be a source ofinformation for the academics as well as of great interest to everyperson fascinated with Indian art.
Author: ChristopherR. Marshall
Publisher: Routledge
ISBN: 1351549553
Category : Art
Languages : en
Pages : 286
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Book Description
Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.
Author: Ananda K. Coomaraswamy
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
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Book Description
Author: Dipti Khera
Publisher: Princeton University Press
ISBN: 0691209111
Category : Art
Languages : en
Pages : 232
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Book Description
A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the era In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur’s artworks—monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings—represent the period’s major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava—the feel, emotion, and mood—of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived. Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur’s painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality. The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place.
Author: Amit Ambalal
Publisher: Yale University Press
ISBN: 0300214723
Category : Art
Languages : en
Pages : 174
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Book Description
The Pushtimarg, a Hindu sect established in India in the fifteenth century, possesses a unique culture--reaching back centuries and still vital today--in which art and devotion are deeply intertwined. This important volume, illustrated with more than one hundred vivid images, offers a new, in-depth look at the Pushtimarg and its rich aesthetic traditions, which are largely unknown outside of South Asia. Original essays by eminent scholars of Indian art focus on the style of worship, patterns of patronage, and artistic heritage that generated pichvais, large paintings on cloth designed to hang in temples, as well as other paintings for the Pushtimarg. In this expansive study, the authors deftly examine how pichvais were and still are used in the seasonal and daily veneration of Shrinathji, an aspect of Krishna as a child who is the chief deity of the temple town of Nathdwara in Rajasthan. Gates of the Lord introduces readers not only to the visual world of the Pushtimarg, but also to the spirit of Nathdwara.
Author: Ellen Raven
Publisher: BRILL
ISBN: 9004473009
Category : Reference
Languages : en
Pages : 669
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Book Description
An extensive, illustrated bibliography for the Hindu god Śiva in the arts of South and Southeast Asia, offering detailed indices and easy access to resource repositories.
Author: John Cort
Publisher: Oxford University Press
ISBN: 0195385020
Category : Art
Languages : en
Pages : 417
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Book Description
John Cort explores the narratives by which the Jains have explained the presence of icons of Jinas (their enlightened and liberated teachers) that are worshiped and venerated in the hundreds of thousands of Jain temples throughout India. Most of these narratives portray icons favorably, and so justify their existence; but there are also narratives originating among iconoclastic Jain communities that see the existence of temple icons as a sign of decay and corruption. The veneration of Jina icons is one of the most widespread of all Jain ritual practices. Nearly every Jain community in India has one or more elaborate temples, and as the Jains become a global community there are now dozens of temples in North America, Europe, Africa, and East Asia. The cult of temples and icons goes back at least two thousand years, and indeed the largest of the four main subdivisions of the Jains are called Murtipujakas, or "Icon Worshipers." A careful reading of narratives ranging over the past 15 centuries, says Cort, reveals a level of anxiety and defensiveness concerning icons, although overt criticism of the icons only became explicit in the last 500 years. He provides detailed studies of the most important pro- and anti-icon narratives. Some are in the form of histories of the origins and spread of icons. Others take the form of cosmological descriptions, depicting a vast universe filled with eternal Jain icons. Finally, Cort looks at more psychological explanations of the presence of icons, in which icons are defended as necessary spiritual corollaries to the very fact of human embodiedness.
Author: Jörg Gengnagel
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447051521
Category : Religion
Languages : en
Pages : 304
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Book Description
Words and Deeds is a collection of articles on rituals in South Asia with a special focus on their texts and context. The volume presupposes that a comprehensive definition of "ritual" does not exist. Instead, the papers in it avoid essentialist definitions, allowing for a possible polythetic definition of the concept to emerge. Papers in this volume include those on Initiation, Pre-Natal Rites, Religious Processions, Royal Consecration, Rituals which mark the commencement of ritual, Rituals of devotion and Vedic sacrifice as well as contributions which address the broader theoretical issues of engaging in the study of ritual texts and ritual practice, both from the etic and the emic perspective. These studies show that any study of the relationship between the text and the context of rituals must also allow for the possibility that different categories of performers can and do subjectively constitute the relationship between their ritual knowledge and ritual practice, between text and context in differing and nuanced ways.
Author: Susan Sinclair
Publisher: BRILL
ISBN: 9004170588
Category : Architecture
Languages : en
Pages : 1510
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Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 800
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Book Description
