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Author: Suniti Kumar Pathak
Publisher:
ISBN:
Category : Art, Buddhist
Languages : en
Pages : 118
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Book Description
Author: Suniti Kumar Pathak
Publisher:
ISBN:
Category : Art, Buddhist
Languages : en
Pages : 118
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Book Description
Author: Jacques Marchais Museum of Tibetan Art
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 326
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Book Description
Constructed between 1945 and 1947 by Jacques Marchais (the professional name of Jacqueline Klauber), the Jacques Marchais Museum of Tibetan Art in Staten Island houses more than 1200 pieces of Tibetan Buddhist art from China and Mongolia, dating from the 17th to the 19th centuries. Two essays about the history of the museum and the history of Tibetan Buddhism open the catalogue, which contains 169 objects from the museum's collections.
Author: Los Angeles County Museum of Art
Publisher: Univ of California Press
ISBN: 9780520051409
Category : Art
Languages : en
Pages : 284
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Book Description
Author: Newark Museum Association
Publisher:
ISBN:
Category : Art, Tibetan
Languages : en
Pages : 136
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Book Description
Author: Jörg Heimbel
Publisher: Jörg Heimbel
ISBN: 9937028493
Category : Buddhism
Languages : en
Pages : 708
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Book Description
Author: K.R. van Kooij
Publisher: BRILL
ISBN: 9004658645
Category : History
Languages : en
Pages : 224
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Book Description
What was the function of Buddhist art at the time Buddhism was a major religion in large areas of South, East, and South-East Asia? Can we establish what these sculptures and paintings meant to Buddhist believers living at a time when this art fulfilled important religious needs? These questions are discussed, not answered, in a volume about ‘Function and Meaning of Buddhist Art’ which contains the papers of a workshop on this theme held at Leiden University in 1991. While dealing with a variety of themes and subject-matter, sometimes in great detail, sixteen specialists focus on ritual and semantic aspects of Buddhist works of art from countries such as India, China, Japan, Tibet, Thailand, and Indonesia. Recent non-western art-historical publications show an increasing tendency to work with methodological frameworks developed by specialists on western art. Moreover, there are more similarities between Buddhist and other religious art ‘than, literally, meet the eye’. For this reason, two comparative studies are included in which parallels and universals are brought forward. Two main lines emerge in the results offered in this book, the one indicating a tendency to focus on intended meanings; the other concentrating on more than one level of reception of Buddhist art in a liturgical context.
Author: Chandra L. Reedy
Publisher: Associated University Presse
ISBN: 9780874135701
Category : Art
Languages : en
Pages : 348
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Book Description
Himalayan Bronzes focuses on a complete study of 340 medieval-period copper alloy sculptures from the Himalayan regions of Afghanistan, northern Pakistan, Kashmir, Himachal Pradesh, Nepal, and Tibet. For more than 1,500 years, artists in isolated valleys in and adjacent to the mountains of the Himalayas have created magnificent copper-based statues representing deities and spiritual leaders of the Hindu, Buddhist and Bon-Po religions. Author Chandra L. Reedy's multidisciplinary approach to the study of these statues integrates methods and techniques from art history, art conservation, geology, chemistry, statistics, archaeology, and ethnography to answer art historical and anthropological questions. Her guiding premise is that gathering and combining several types of information will result in more and better answers than any one type alone.
Author: Jinah Kim
Publisher: University of California Press
ISBN: 0520343212
Category : Art
Languages : en
Pages : 349
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Book Description
Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.
Author: Jinah Kim
Publisher: Univ of California Press
ISBN: 0520273869
Category : Art
Languages : en
Pages : 406
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Book Description
In considering medieval illustrated Buddhist manuscripts as sacred objects of cultic innovation, Receptacle of the Sacred explores how and why the South Asian Buddhist book-cult has survived for almost two millennia to the present. A book “manuscript” should be understood as a form of sacred space: a temple in microcosm, not only imbued with divine presence but also layered with the memories of many generations of users. Jinah Kim argues that illustrating a manuscript with Buddhist imagery not only empowered it as a three-dimensional sacred object, but also made it a suitable tool for the spiritual transformation of medieval Indian practitioners. Through a detailed historical analysis of Sanskrit colophons on patronage, production, and use of illustrated manuscripts, she suggests that while Buddhism’s disappearance in eastern India was a slow and gradual process, the Buddhist book-cult played an important role in sustaining its identity. In addition, by examining the physical traces left by later Nepalese users and the contemporary ritual use of the book in Nepal, Kim shows how human agency was critical in perpetuating and intensifying the potency of a manuscript as a sacred object throughout time.
Author: Jacques Marchais Museum of Tibetan Art
Publisher:
ISBN: 9780197717431
Category : Art
Languages : en
Pages : 0
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Book Description
This catalogue opens with two essays about the history of the Jacques Marchais Museum of Tibetan Art and the history of Tibetan Buddhism. It contains 169 objects from the museum's collections. It should be of interest to students of Tibetan studies and art historians.
