Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 458

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Author: Roger Dean
Publisher:
ISBN: 9780905895451
Category : Sound recordings
Languages : en
Pages : 160

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Book Description
INDIVIDUAL DESIGNERS. A stunningly designed review and celebration of the greatest album cover designs from the 50s to the 70s, Roger Deans innovative volume was first published in 1977. The original, and still the best, it sold over 250,000 copies in its first year and heralded six further volumes and a host of imitations. This new edition retains the lavish 12 format to show off the covers in all their life-size glory, and maintains the superbly themed pictorial compositions of each double-page spread.Features over 600 sleeves in full colour, and showcases the astonishing diversity and excellence of design that the medium produced in its first three decades.The result is both a retro collectible that will intrigue music lovers and an essential reference work for a new generation of artists and designers.

Author: Sandu Publications
Publisher: Gingko Press
ISBN: 9783943330533
Category :
Languages : en
Pages : 224

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Book Description
While the golden age of records may never be recreated, the importance of album art has never diminished. Capturing a musician's talent visually is an essential part of their branding successs. Behind the album features several designers and their process for creating covers, posters, lyric books, and all the packaging essentials for top musicians. Many innovative designs from the past and recent times give the reader an idea of what is possible within the art of music packaging design.

Author: John Stuart Ogilvie
Publisher: BoD – Books on Demand
ISBN: 338542237X
Category : Fiction
Languages : en
Pages : 70

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Book Description
Reprint of the original, first published in 1881.

Author: Martin Popoff
Publisher: Motorbooks
ISBN: 0760389284
Category : Music
Languages : en
Pages : 277

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Book Description
Required reading for any metalhead, this updated compendium of in-depth, entertaining, and profusely illustrated conversations spanning all of Iron Maiden’s studio albums includes 2021’s Senjutsu. In this new edition of Iron Maiden: Album by Album, prolific rock journalist Martin Popoff pays tribute to Iron Maiden’s discography through a series of in-depth, frank, and fascinating conversations about all of the legendary heavy metal band’s studio albums. Inside, Popoff gathers together metal journalists, authors, and musicians, who offer insights, opinions, and anecdotes about every release. Richly illustrated with thoughtfully curated performance and offstage photography, as well as rare memorabilia, the conversations comprise a unique historical overview of the band, covering: Early albums with original lead singer Paul Di’Anno The songwriting of founder and bassist Steve Harris The impeccable talents of drummer Nicko McBrain and guitarists Dave Murray, Adrian Smith, and Janick Gers Mega tours undertaken in support of the LPs Fights within the band And much more—even their iconic mascot Eddie is sure to make an appearance or two! Popoff also includes loads of sidebars that provide complete track listings, details on album personnel, and information on where and when the albums were recorded. Reignite your passion for the masters of metal with this captivating album-by-album exploration. Up the Irons!

Author: Emine Fetvacı
Publisher: Princeton University Press
ISBN: 0691194254
Category : Art
Languages : en
Pages : 610

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Book Description
The first study of album-making in the Ottoman empire during the seventeenth century, demonstrating the period’s experimentation, eclecticism, and global outlook The Album of the World Emperor examines an extraordinary piece of art: an album of paintings, drawings, calligraphy, and European prints compiled for the Ottoman sultan Ahmed I (r. 1603–17) by his courtier Kalender Paşa (d. 1616). In this detailed study of one of the most important works of seventeenth-century Ottoman art, Emine Fetvacı uses the album to explore questions of style, iconography, foreign inspiration, and the very meaning of the visual arts in the Islamic world. The album’s thirty-two folios feature artworks that range from intricate paper cutouts to the earliest examples of Islamic genre painting, and contents as eclectic as Persian and Persian-influenced calligraphy, studies of men and women of different ethnicities and backgrounds, depictions of popular entertainment and urban life, and European prints depicting Christ on the cross that in turn served as models for apocalyptic Ottoman paintings. Through the album, Fetvacı sheds light on imperial ideals as well as relationships between court life and popular culture, and shows that the boundaries between Ottoman art and the art of Iran and Western Europe were much more porous than has been assumed. Rather than perpetuating the established Ottoman idiom of the sixteenth century, the album shows that this was a time of openness to new models, outside sources, and fresh forms of expression. Beautifully illustrated and featuring all the folios of the original seventy-page album, The Album of the World Emperor revives a neglected yet significant artwork to demonstrate the distinctive aesthetic innovations of the Ottoman court.

Author: Jacob Dlamini
Publisher: Harvard University Press
ISBN: 0674916557
Category : Political Science
Languages : en
Pages : 401

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Book Description
An award-winning historian and journalist tells the very human story of apartheid’s afterlife, tracing the fates of South African insurgents, collaborators, and the security police through the tale of the clandestine photo album used to target apartheid’s enemies. From the 1960s until the early 1990s, the South African security police and counterinsurgency units collected over 7,000 photographs of apartheid’s enemies. The political rogue’s gallery was known as the “terrorist album,” copies of which were distributed covertly to police stations throughout the country. Many who appeared in the album were targeted for surveillance. Sometimes the security police tried to turn them; sometimes the goal was elimination. All of the albums were ordered destroyed when apartheid’s violent collapse began. But three copies survived the memory purge. With full access to one of these surviving albums, award-winning South African historian and journalist Jacob Dlamini investigates the story behind these images: their origins, how they were used, and the lives they changed. Extensive interviews with former targets and their family members testify to the brutal and often careless work of the police. Although the police certainly hunted down resisters, the terrorist album also contains mug shots of bystanders and even regime supporters. Their inclusion is a stark reminder that apartheid’s guardians were not the efficient, if morally compromised, law enforcers of legend but rather blundering agents of racial panic. With particular attentiveness to the afterlife of apartheid, Dlamini uncovers the stories of former insurgents disenchanted with today’s South Africa, former collaborators seeking forgiveness, and former security police reinventing themselves as South Africa’s newest export: “security consultants” serving as mercenaries for Western nations and multinational corporations. The Terrorist Album is a brilliant evocation of apartheid’s tragic caprice, ultimate failure, and grim legacy.

Author: Evelyn Karet
Publisher: Routledge
ISBN: 1351546678
Category : Art
Languages : en
Pages : 359

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Book Description
Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio?s death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.

Author: Kevin Young
Publisher: Graywolf Press
ISBN: 9781555976071
Category : Literary Collections
Languages : en
Pages : 0

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Book Description
*Finalist for the 2012 National Book Critics Circle Award for Criticism* *A Publishers Weekly Top 10 Literary Criticism and Essays Pick for Spring 2012* The Grey Album, the first work of prose by the brilliant poet Kevin Young, winner of the Graywolf Press Nonfiction Prize Taking its title from Danger Mouse's pioneering mashup of Jay-Z's The Black Album and the Beatles' The White Album, Kevin Young's encyclopedic book combines essay, cultural criticism, and lyrical choruses to illustrate the African American tradition of lying—storytelling, telling tales, fibbing, improvising, "jazzing." What emerges is a persuasive argument for the many ways that African American culture is American culture, and for the centrality of art—and artfulness—to our daily life. Moving from gospel to soul, funk to freestyle, Young sifts through the shadows, the bootleg, the remix, the grey areas of our history, literature, and music.

Author: Richard Benson
Publisher: Yale University Press
ISBN: 9780300087239
Category : Education
Languages : en
Pages : 168

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Book Description
This engaging photograph album of Yale's third century--punctuated with essays by past and present notables of the Yale community and by Benson's own commentary--moves from Old Yale at the turn of the century to challenges facing the university in the new millennium. 150 quadratones, 55 color illustrations.