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Author: Ezekiel Mphahlele
Publisher: Hassell Street Press
ISBN: 9781014207234
Category :
Languages : en
Pages : 248
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Ezekiel Mphahlele
Publisher: Hassell Street Press
ISBN: 9781014207234
Category :
Languages : en
Pages : 248
Get Book Here
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Tina Campt
Publisher: Duke University Press
ISBN: 0822350742
Category : History
Languages : en
Pages : 256
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Book Description
Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.
Author: Peter Rigby
Publisher: Routledge
ISBN: 1000183831
Category : Social Science
Languages : en
Pages : 129
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Book Description
This controversial book is an impassioned African response to the racial stereotyping of African people and people of African descent by prominent white scholars. It highlights how the media contributes to the growth of racist ideas, particularly in reporting current events in Africa, and demonstrates how some of America's most revered intellectuals cloak racist ideologies in ostensibly egalitarian discourses. The author seeks to rewrite the image of 'race' in order to show the damage racism can cause serious scholarship.
Author: Catherine E. McKinley
Publisher: Bloomsbury Publishing USA
ISBN: 1620403544
Category : Design
Languages : en
Pages : 221
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Book Description
Winner of the African Photobook of the Year Award A Choice Outstanding Title of the Year A USA Today "Must-Read for Black History Month" An NPR "Goats and Soda" Editors' Pick A BookRiot Favorite Nonfiction Book of the Year An unprecedented visual history of African women told in striking and subversive historical photographs-featuring an Introduction by Edwidge Danticat and a Foreword by Jacqueline Woodson. Most of us grew up with images of African women that were purely anthropological-bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty-“poverty porn.” But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos to present a visual history spanning a hundred-year arc (1870–1970) of what is among the earliest photography on the continent. These images tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that threatened their selfhood and livelihoods. Featuring works by celebrated African masters, African studios of local legend, and anonymous artists, The African Lookbook captures the dignity, playfulness, austerity, grandeur, and fantasy-making of African women across centuries. McKinley also features photos by Europeans-most starkly, striking nudes-revealing the relationships between white men and the Black female sitters where, at best, a grave power imbalance lies. It's a bittersweet truth that when there is exploitation there can also be profound resistance expressed in unexpected ways-even if it's only in gazing back. These photos tell the story of how the sewing machine and the camera became powerful tools for women's self-expression, revealing a truly glorious display of everyday beauty.
Author: Mel Bunce
Publisher: Routledge
ISBN: 1317334280
Category : Social Science
Languages : en
Pages : 259
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Book Description
Africa’s Media Image in the 21st Century is the first book in over twenty years to examine the international media’s coverage of sub-Saharan Africa. It brings together leading researchers and prominent journalists to explore representation of the continent, and the production of that image, especially by international news media. The book highlights factors that have transformed the global media system, changing whose perspectives are told and the forms of media that empower new voices. Case studies consider questions such as: how has new media changed whose views are represented? Does Chinese or diaspora media offer alternative perspectives for viewing the continent? How do foreign correspondents interact with their audiences in a social media age? What is the contemporary role of charity groups and PR firms in shaping news content? They also examine how recent high profile events and issues been covered by the international media, from the Ebola crisis, and Boko Haram to debates surrounding the "Africa Rising" narrative and neo-imperialism. The book makes a substantial contribution by moving the academic discussion beyond the traditional critiques of journalistic stereotyping, Afro-pessimism, and ‘darkest Africa’ news coverage. It explores the news outlets, international power dynamics, and technologies that shape and reshape the contemporary image of Africa and Africans in journalism and global culture.
Author: Lisa E. Farrington
Publisher:
ISBN: 019516721X
Category : African American art
Languages : en
Pages : 368
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Book Description
Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meetLaura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration onthe famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their workwith a social and political agenda, and through the tumultuous, explosive years of the civil rights movement. Drawing on revealing interviews with numerous contemporary artists, such as Betye Saar, Faith Ringgold, Nanette Carter, Camille Billops, Xenobia Bailey, and many others, the second half ofCreating Their Own Image probes more recent stylistic developments, such as abstraction, conceptualism, and post-modernism, never losing sight of the struggles and challenges that have consistently influenced this body of work. Weaving together an expansive collection of artists, styles, andperiods, Farrington argues that for centuries African-American women artists have created an alternative vision of how women of color can, are, and might be represented in American culture. From utilitarian objects such as quilts and baskets to a wide array of fine arts, Creating Their Own Imageserves up compelling evidence of the fundamental human need to convey one's life, one's emotions, one's experiences, on a canvas of one's own making.
Author: Betty Press
Publisher: Univ. Press of Mississippi
ISBN: 1628469137
Category : Photography
Languages : en
Pages : 183
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Book Description
I Am Because We Are features 125 black-and-white photographs by Betty Press taken all over East and West Africa since 1987, combined with related African proverbs compiled by Annetta Miller, an American born in Tanzania. The book highlights the importance of proverbs in educating members of African societies on how to think, how to behave, and how to have a better life. Press took these photographs with the goal of making a significant educational and artistic contribution to the appreciation and understanding of African culture and society as well as our own. The photographs of daily life deal with knowledge, cooperation, love, beauty, friendship, hope, humor, sorrow, happiness, gratitude, dance, tradition, faith, peace, war, death, and human relationships. These are the same themes found in African proverbial language. Thus came the natural idea of coupling images with proverbs. Together they offer a powerful expression of African life and the universality of human emotions, ideas, and knowledge.
Author: Ed Guerrero
Publisher: Temple University Press
ISBN: 1439904138
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
A challenge to Hollywood's one-dimensional images of African Americans.
Author: David Bindman
Publisher: Belknap Press
ISBN: 9780674504394
Category : Art
Languages : en
Pages : 456
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Book Description
The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egyptâe"positioned properly as part of African historyâe"this volume focuses on the figure of the black as rendered by artists from Africa, East Asia, and the Indian subcontinent. The aesthetic traditions illustrated here are as diverse as the political and social histories of these regions. From Igbo Mbari sculptures to modern photography from Mali, from Indian miniatures to Japanese prints, African and Asian artists portrayed the black body in ways distinct from the European tradition, even as they engaged with Western art through the colonial encounter and the forces of globalization. This volume complements the vision of art patrons Dominique and Jean de Menil who, during the 1960s, founded an image archive to collect the ways that people of African descent have been represented in Western art from the ancient world to modern times. A halfâe century later, Harvard University Press and the Hutchins Center for African and African American Research completed the historic publication of The Image of the Black in Western Artâe"ten books in totalâe"beginning with Egyptian antiquities and concluding with images that span the twentieth century. The Image of the Black in African and Asian Art reinvigorates the de Menil familyâe(tm)s original mission and reorients the study of the black body with a new focus on Africa and Asia.
Author: Peter Tosh
Publisher: Akashic Books
ISBN: 1617758302
Category : Juvenile Fiction
Languages : en
Pages : 31
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Book Description
A beautiful children's picture book featuring the lyrics of Peter Tosh's global classic celebrating children of African descent. So don't care where you come from As long as you're a black man, you're an African No mind your nationality You have got the identity of an African African is a children's book featuring lyrics by Peter Tosh and illustrations by Jamaican artist Rachel Moss. The song "African" by Peter Tosh was originally released in 1977 on his second solo record, Equal Rights. He wrote the song during a time of civil unrest in Jamaica as a reminder to all black people that they were part of the same community. The album is considered one of the most influential reggae works of all time. A key song from the classic 1970s era of reggae Peter Tosh was one of the founding members of the iconic reggae group the Wailers "The joyful illustrations depict young and older black people of various colors, with many different hairstyles and wearing an array of clothing styles, playing, riding, dancing, and walking...The dynamic art and text work together to form a loving ode to belonging for black people of the diaspora." --Kirkus Reviews "[A] survey of Tosh's repertoire reminds us that his best works were distinctive and impactful. When the Wailers were first starting their careers at Studio One, Tosh voiced boastful classics...When the Wailers launched their own label in 1968, Tosh became the Stepping Razor, adapting a song written by the Wailers' harmony coach, Joe Higgs, and when the trio began working with visionary producer Lee 'Scratch' Perry, he recorded '400 Years,' one of the most moving explorations of the historical injustices of slavery and its lingering aftermath...His Legalize It album was far ahead of its time in demanding the decriminalization of marijuana in 1975, while Equal Rights reminded that peace will never come without justice...[He was] one of reggae's most fiery and controversial performers, whose work remains relevant." --Guardian "Tosh's first two solo records, Legalize It and Equal Rights, are not just two of the best reggae records ever, but also two of the finest records of the '70s, period. They were inventive and deeply catchy records full of songs that could be as playful as they were defiant. Peter Tosh was always outspoken, always the rebel, but it was the way he said things--that honeyed voice, those brilliant and subtly intricate compositions--that set him apart." --PopMatters
