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Author: Amadou Ouédraogo
Publisher: Sans Souci Books
ISBN:
Category : History
Languages : en
Pages : 182
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Book Description
From its medieval origins to the present, Mandé culture in West Africa is known for its highly intriguing art and tradition of hunting; undeniably one of its most conspicuous distinctive features. Totally entrenched in myth, legend and history; firmly grounded in the supernatural, the divine and the abstruse, hunting is altogether a cult, a ritual gesture, a token of allegiance to divine forces. Considered to be a dauntless intrusion of man into the realm of metaphysics and the “unknown”, the hunting vocation transcends by far the confines of human and tangible spheres. This study examines various articulations of the hunting art and tradition as they are conveyed in numerous African literary and cinematographic works. It elucidates the mythical and supernatural magnitude of the hunting activity by showing how it is presided over by immutable deities and tutelary figures. Held to be endowed with infrangible supernatural and esoteric proportions, hunting is deemed to be a reflection of Mandé people’s worldview, a vibrant expression of how they perceive and articulate their existence as part of, and in relation to the world. From all perspectives, traditional hunting in Mandé society is viewed as a noble, dignified and revered activity; sustained by a vehement sense of brotherhood, esprit de corps, faithful loyalty, compassion, munificence. It encompasses a set of principles and values enjoined by transcendent forces, in illo tempore, and meant to serve as timeless paradigmatic ideals to be preserved and handed down along generations. By persistently echoing the magnificence of the hunting art and tradition, African artists place the vocation at the heart of contemporary Africans’ yearning quest for origins, identity and plenitude.
Author: Amadou Ouédraogo
Publisher: Sans Souci Books
ISBN:
Category : History
Languages : en
Pages : 182
Get Book Here
Book Description
From its medieval origins to the present, Mandé culture in West Africa is known for its highly intriguing art and tradition of hunting; undeniably one of its most conspicuous distinctive features. Totally entrenched in myth, legend and history; firmly grounded in the supernatural, the divine and the abstruse, hunting is altogether a cult, a ritual gesture, a token of allegiance to divine forces. Considered to be a dauntless intrusion of man into the realm of metaphysics and the “unknown”, the hunting vocation transcends by far the confines of human and tangible spheres. This study examines various articulations of the hunting art and tradition as they are conveyed in numerous African literary and cinematographic works. It elucidates the mythical and supernatural magnitude of the hunting activity by showing how it is presided over by immutable deities and tutelary figures. Held to be endowed with infrangible supernatural and esoteric proportions, hunting is deemed to be a reflection of Mandé people’s worldview, a vibrant expression of how they perceive and articulate their existence as part of, and in relation to the world. From all perspectives, traditional hunting in Mandé society is viewed as a noble, dignified and revered activity; sustained by a vehement sense of brotherhood, esprit de corps, faithful loyalty, compassion, munificence. It encompasses a set of principles and values enjoined by transcendent forces, in illo tempore, and meant to serve as timeless paradigmatic ideals to be preserved and handed down along generations. By persistently echoing the magnificence of the hunting art and tradition, African artists place the vocation at the heart of contemporary Africans’ yearning quest for origins, identity and plenitude.
Author: Patrick R. McNaughton
Publisher:
ISBN: 9780253336835
Category : Crafts & Hobbies
Languages : en
Pages : 276
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Book Description
" ... Finely crafted scholarship. Elegant and graceful, yet packed with knowledge and information, it embodies the aesthetic qualities which it describes and explores." American Ethnologist "The text is detailed and informative, and enjoyable reading ..." Choice "The Mande Blacksmith is an important book ... sensitive, sympathetic, multifaceted, and thorough ..." African Arts "McNaughton's Mande Blacksmiths is undeniably the most profound study of African artists yet published." Ethnoarts " ... penetrating ... McNaughton boldly grapples with the thorniest issues related to his subject and articulates them with clarity and precision." International Journal of African Historical Studies " ... a work in the best tradition of ethnographic research ... critical reappraisal, innovative inquiry, and fresh observation ... make this book an invaluable fund of new material on Mande societies ..." American Anthropologist "McNaughton ... provides an important interpretation of these artists' conceptual place as members of a complex culture." Religious Studies Review Examining the artistic, technological, social, and spiritual dimensions of Mande blacksmiths, who are the sculptors of their society, McNaughton defines these artists conceptual place as extraordinary members of a complex culture.
Author: Keith Cartwright
Publisher: University Press of Kentucky
ISBN: 0813189942
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
The literature often considered the most American is rooted not only in European and Western culture but also in African and American Creole cultures. Keith Cartwright places the literary texts of such noted authors as George Washington Cable, W.E.B. DuBois, Alex Haley, Zora Neale Hurston, Ralph Ellison, William Faulkner, Joel Chandler Harris, Herman Melville, Toni Morrison, and many others in the context of the history, spiritual traditions, folklore, music, linguistics, and politics out of which they were written. Cartwright grounds his study of American writings in texts from the Senegambian/Old Mali region of Africa. Reading epics, fables, and gothic tales from the crossroads of this region and the American South, he reveals that America's foundational African presence, along with a complex set of reactions to it, is an integral but unacknowledged source of the national culture, identity, and literature.
Author: Ingrid Monson
Publisher: Routledge
ISBN: 1317777255
Category : Music
Languages : en
Pages : 287
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Book Description
The African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, North America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music. Featured here are jazz, wassoulou music, and popular and traditional musics of the Caribbean and Africa, framed with attention to the reciprocal relationships of the local and the global.
Author: Jonathan L. Ready
Publisher: Oxford University Press
ISBN: 0198802552
Category : Foreign Language Study
Languages : en
Pages : 332
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Book Description
Presenting a new take on what made the Homeric epics such successful examples of verbal artistry, this volume explores the construction of the Homeric simile and the performance of Homeric poetry from the neglected comparative perspectives offered by the study of modern-day oral traditions.
Author: Gwendolyn Midlo Hall
Publisher: LSU Press
ISBN: 0807119997
Category : Social Science
Languages : en
Pages : 458
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Book Description
Although a number of important studies of American slavery have explored the formation of slave cultures in the English colonies, no book until now has undertaken a comprehensive assessment of the development of the distinctive Afro-Creole culture of colonial Louisiana. This culture, based upon a separate language community with its own folkloric, musical, religious, and historical traditions, was created by slaves brought directly from Africa to Louisiana before 1731. It still survives as the acknowledged cultural heritage of tens of thousands of people of all races in the southern part of the state. In this pathbreaking work, Gwendolyn Midlo Hall studies Louisiana's creole slave community during the eighteenth century, focusing on the slaves' African origins, the evolution of their own language and culture, and the role they played in the formation of the broader society, economy, and culture of the region. Hall bases her study on research in a wide range of archival sources in Louisiana, France, and Spain and employs several disciplines--history, anthropology, linguistics, and folklore--in her analysis. Among the topics she considers are the French slave trade from Africa to Louisiana, the ethnic origins of the slaves, and relations between African slaves and native Indians. She gives special consideration to race mixture between Africans, Indians, and whites; to the role of slaves in the Natchez Uprising of 1729; to slave unrest and conspiracies, including the Pointe Coupee conspiracies of 1791 and 1795; and to the development of communities of runaway slaves in the cypress swamps around New Orleans.
Author: Library of Congress. Office for Subject Cataloging Policy
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1548
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Book Description
Author: Jonathon Repinecz
Publisher: MSU Press
ISBN: 1628953764
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
How can traditions be subversive? The kinship between African traditions and novels has been under debate for the better part of a century, but the conversation has stagnated because of a slowness to question the terms on which it is based: orality vs. writing, tradition vs. modernity, epic vs. novel. These rigid binaries were, in fact, invented by colonialism and cemented by postcolonial identity politics. Thanks to this entrenched paradigm, far too much ink has been poured into the so-called Great Divide between oral and writing societies, and to the long-lamented decline of the ways of old. Given advances in social science and humanities research—studies in folklore, performance, invented traditions, colonial and postcolonial ethnography, history, and pop culture—the moment is right to rewrite this calcified literary history. This book is not another story of subverted traditions, but of subversive ones. West African epics like Sunjata, Samori, and Lat-Dior offer a space from which to think about, and criticize, the issues of today, just as novels in European languages do. Through readings of documented performances and major writers like Yambo Ouologuem and Amadou Hampâté Bâ of Mali, Ahmadou Kourouma of Ivory Coast, and Aminata Sow Fall and Boubacar Boris Diop of Senegal, this book conducts an entirely new analysis of West African oral epic and its relevance to contemporary world literature.
Author: Ralph A. Austen
Publisher: Indiana University Press
ISBN: 9780253334527
Category : African literature
Languages : en
Pages : 370
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Book Description
These essays examine Sunjata from a variety of perspectives.
Author: Stephen Bulman
Publisher: BRILL
ISBN: 9004349332
Category : History
Languages : en
Pages : 186
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Book Description
The Epic of Sumanguru Kante contains the Bamana text and English translation of griot Abdoulaye Sako’s oral narrative of the life of Sumanguru, recorded in 1997 in Koulikoro (Mali), together with explanatory notes, a scholarly introduction, and sections on the Bamana language and musical accompaniment. Sumanguru is a familiar figure within Manding epic oral traditions about ancient Mali. But while these narratives generally focus on Sunjata Keita, Sako’s oral poem is rare in according Sumanguru the central role. In so doing he includes hitherto undocumented episodes relating to Sumanguru’s life and role as the ruler of Soso, the little known state said to have flourished in the western Sudan between the fall of ancient Ghana and rise of ancient Mali.
