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Author: Roger C. Schlobin
Publisher: Notre Dame, Ind. : University of Notre Dame Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
An anthology of essays on the nature of fantasy, focusing on the basic principles that distinguish fantasy from other literary types and making a strong argument for its place as a major approach to the understanding of the creative act in art and literature.
Author: Roger C. Schlobin
Publisher: Notre Dame, Ind. : University of Notre Dame Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
An anthology of essays on the nature of fantasy, focusing on the basic principles that distinguish fantasy from other literary types and making a strong argument for its place as a major approach to the understanding of the creative act in art and literature.
Author: Brian Rosebury
Publisher: Springer
ISBN: 1349194964
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Author: David Davies
Publisher: Bloomsbury Publishing
ISBN: 1441171371
Category : Philosophy
Languages : en
Pages : 221
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Book Description
The Continuum Aesthetics series looks at the aesthetic questions and issues raised by all major art forms. Stimulating, engaging and highly readable, the series offers food for thought not only for students of aesthetics, but also for anyone with an interest in philosophy and the arts. Aesthetics and Literature places philosophical aesthetics at the heart of thinking about literature. The book takes concrete examples from the traditional and contemporary literary arts and uses them to introduce all the central philosophical issues in literature. David Davies considers, with stimulating insight and great clarity, the nature of literature and fiction, artistic uses of language, and the nature of fictional characters. He goes on to explore our emotional responses to literature, the cognitive value and ethical values of literature and the accountability of the literary arts. The book offers a clear, non-technical analysis of each key issue, its broader significance and the principal positions that philosophers have taken on it. Davies presents the relevant philosophical background in a manner that is accessible to philosophy students and lay readers alike. Anyone interested in the philosophy of literature will find this book a rich source of ideas, insight and information. Combining a clear and engaging style with a sophisticated treatment of a fascinating subject, Aesthetics and Literature is a valuable contribution to contemporary aesthetics.
Author: Robert Appelbaum
Publisher: Rowman & Littlefield
ISBN: 178660504X
Category : Philosophy
Languages : en
Pages : 196
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Book Description
Offering an ambitious study of the aesthetics of violence across art, literature, film and theatre, this volume brings together traditional German aesthetic and social theory with the modern problem of violence in art. Written in an engaging style, the book includes examples ranging from Homer and Shakespeare to slasher films and performance art.
Author: Peter Kivy
Publisher: John Wiley & Sons
ISBN: 1444397656
Category : Philosophy
Languages : en
Pages : 215
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Book Description
Drawing comparisons with other art forms, this book examines the role of aesthetic features in silent reading, such as narrative structure, and the core experience of reading a novel as a story rather than a scholarly exercise. Focuses on the experience of the art form known as the novel Uses the more common perspective of a reader who reads to be told a story, rather than for scholarly or critical analysis Draws comparisons with experience of the other arts, music in particular Explores the different effects of a range of narrative approaches
Author: George Edgar Slusser
Publisher: Carbondale : Southern Illinois University Press
ISBN:
Category : Fiction
Languages : en
Pages : 232
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Book Description
These thirteen original essays were written specifically for the Third J. Lloyd Eaton Conference on Science Fiction and Fantasy Literature, held February 21-22, 1981, at the University of California, Riverside. Leslie Fiedler sets the tone of this volume by fixing a basic set of coordinates--that of "elitist" and "popular" standards. Those replying to his charge are: Eric S. Rabkin, Professor of English at the University of Michigan and author of The Fantasticin Literature, "The Descent of Fantasy"; Gerald Prince, Professor of French at the University of Pennsylvania, "How New is New?"; Mark Rose, Professor of English at the University of California at Santa Barbara, author of Alien Encounters, "Jules Verne: Journey to the Center of Science Fiction"; Joseph Lenz, who teaches English Literature at the University of Michigan, "Manifest Destiny: Science Fiction Epic and Classical Forms"; Michelle Massé, of the English Department at the George Mason University, "'All you have to do is know what you want' Individual Expectations in Triton";Gary K. Wolfe, who teaches English at Roosevelt University, author of The Known and the Unknown, "Autoplastic and Alloplastic Adaptations in Science Fiction: 'Waldo' and 'Desertion'"; Robert Hunt, an editor with Glencoe Press, "Science Fiction for the Age of Inflation: Reading Atlas Shrugged in the 1980s"; George R. Guffey, Professor of English at UCLA, "Fahrenheit 451and the 'Cubby-Hole Editors' of Ballantine Books"; H. Bruce Franklin, Professor of English and American Literature at Rutgers University at Newark, "America as Science Fiction: 1939"; Sandra M. Gilbert, Professor of English at the University of California at Davis, and coauthor with Susan Gubar of Madwoman in the Attic, "Rider Haggard's Heart of Darkness"; the aforementioned Susan Gubar, Professor of English at Indiana University, "She in Her/and: Feminism as Fantasy"; and George R. Slusser, Curator of the Eaton Collection, "Death and the Mirror: Existential Fantasy."
Author: Amelinda Bérubé
Publisher: Sourcebooks, Inc.
ISBN: 1492671029
Category : Young Adult Fiction
Languages : en
Pages : 352
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Book Description
The Blair Witch Project meets Imaginary Girls in this story of sisterhood turned toxic, imaginary monsters brought to life, and secrets that won't stay buried. Sixteen-year-old Skye is done playing the knight in shining armor for her insufferable younger sister, Deirdre. And moving across the country seems like the perfect chance to start over as someone different. In their isolated new neighborhood, Skye manages to fit in, but Deirdre withdraws from everyone, becoming fixated on the swampy woods behind their house and building monstrous sculptures out of sticks and bones. Then Deirdre disappears. And when something awful comes scratching at Skye's window in the middle of the night, claiming Skye's the only one who can save Deirdre, Skye knows she will stop at nothing to bring her sister home.
Author: Anna-Teresa Tymieniecka
Publisher: Springer Science & Business Media
ISBN: 9401137625
Category : Philosophy
Languages : en
Pages : 362
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Book Description
In the footsteps of Ingardeniana II, this volume marks the 20th anniver sary of Roman Ingarden's death, partly focusing upon his thought, partly bringing his aesthetics into the present-day framework of research. It might have appeared puzzling to the followers of our Analecta Husserliana why within the original horizon encircled by the research work of our International Society of Phenomenology and Literatur- whose research work is devised in a diametrically opposed direction to that of Roman Ingarden - there is steadfastly running through our discussions a line of Ingardenian reflection. The reason, as I have pointed out in the introduction to Ingardeniana II, expertly edited by Hans Rudnik, is clear: Ingarden's analysis of the intentional structures of works of art offers in its distinct and clear-cut forms an 'objective' correlate - as well as a point of reference - to the vast conundrum of issues concerning the creative endeavor of the writer, poet, artist in their struggle to endow life with its specifically human significance; a conundrum that in our research we are trying to disentangl- elucidating its mysterious ramifications, their sources and dynamic virtualities. As a matter of fact, Ingarden's thought, newly interpreted and originally expanded, occupies a legitimate place in the present collec tion. We find here, in the first place, an original expansion of Ingarden's aesthetic theory in the monograph of ladwiga Smith followed by the essays of Wadaw Osadnik, Yushiro Takei and Charles Rzepka.
Author: Hans Rudolf Velten
Publisher: transcript Verlag
ISBN: 3839470587
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Fantasy novels are products of popular culture. They owe their popularity also to the visualization of medievalist artifacts on book covers and designs, illustrations, maps, and marketing: Castles on towering cliffs, cathedral-like architecture, armored heroes and enchanting fairies, fierce dragons and mages follow mythical archetypes and develop pictorial aesthetics of fantasy, completed by gothic fonts, maps and page layout that refer to medieval manuscripts and chronicles. The contributors to this volume explore the patterns and paradigms of a specific medievalist iconography and book design of fantasy which can be traced from the 19th century to the present.
Author: Tomáš Koblížek
Publisher: Bloomsbury Publishing
ISBN: 1350032603
Category : Philosophy
Languages : en
Pages : 413
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Book Description
The notion of aesthetic illusion relates to a number of art forms and media. Defined as a pleasurable mental state that emerges during the reception of texts and artefacts, it amounts to the reader's or viewer's sense of having entered the represented world while at the same time keeping a distance from it. Aesthetic Illusion in Literature and the Arts is an in-depth study of the main questions surrounding this experience of art as reality. Beginning with an introduction providing historical background to modern discussions of illusion, it deals with a wide range of theoretical issues. The collection explores the nature and function of the aesthetic illusion as well as the role of affect and emotion, the implications of aesthetic illusion for the theory of fiction, the variable forms of aesthetic illusion and its relationship to other components of aesthetic response. Aesthetic Illusion in Literature and the Arts brings together a team of scholars from philosophy, literature and art and presents an interdisciplinary examination of a concept lying at the heart of contemporary aesthetics.
