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Author: Susan Ireland
Publisher: Greenwood Publishing Group
ISBN: 9780313324253
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Immigration to Qu'ebec has led to the decline of the idea of the homogenous national identity within French-language literary production and the creation of a new literature of multiple Queb'ecois identities, according to editors Ireland and Proulx. Concepts of diversity and hybridity run throughout the 16 essays contained here, which seek to collectively explore the way immigrant writers position themselves in relation to Qu'eb'ecois literature and society. A few essays explore the general contours of Qu'eb'ecois cinema and theater in relation to these questions, but the majority are devoted to more focused examinations of particular writers of novels, short stories, and poems.
Author: Susan Ireland
Publisher: Greenwood Publishing Group
ISBN: 9780313324253
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Immigration to Qu'ebec has led to the decline of the idea of the homogenous national identity within French-language literary production and the creation of a new literature of multiple Queb'ecois identities, according to editors Ireland and Proulx. Concepts of diversity and hybridity run throughout the 16 essays contained here, which seek to collectively explore the way immigrant writers position themselves in relation to Qu'eb'ecois literature and society. A few essays explore the general contours of Qu'eb'ecois cinema and theater in relation to these questions, but the majority are devoted to more focused examinations of particular writers of novels, short stories, and poems.
Author: Susan Ireland
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Immigration to Qu'ebec has led to the decline of the idea of the homogenous national identity within French-language literary production and the creation of a new literature of multiple Queb'ecois identities, according to editors Ireland and Proulx. Concepts of diversity and hybridity run throughout the 16 essays contained here, which seek to collectively explore the way immigrant writers position themselves in relation to Qu'eb'ecois literature and society. A few essays explore the general contours of Qu'eb'ecois cinema and theater in relation to these questions, but the majority are devoted to more focused examinations of particular writers of novels, short stories, and poems.
Author: Eilene Hoft-March
Publisher: Cambridge Scholars Publishing
ISBN: 1443804576
Category : Literary Collections
Languages : en
Pages : 330
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Book Description
Aimer et Mourir offers a wide-ranging selection of essays that collectively address how, from the Middle Ages to the present, the notions of love and death get inextricably associated with the narratives that are women’s lives. Some of the essays tackle male writers’ representations that link women and, in particular, women’s sexuality, with death, resulting in the figures of the femme fatale, the woman in parturition, and the desiring vampire. A number of essays reiterate that women’s hyper-sexualized bodies have been used as a social construct and a psychological screen upon which to project a fear of death. The challenges to this pat reduction of “woman’s” domain come from the mostly women writers represented here—and they span from Marguerite de Navarre to Amélie Nothomb. These women writers rework the old formulae, giving us instead death-defying memories of love, love regenerative of language (as of bodies), love forcing the frontiers of death, or love creatively redefined within the parameters of death. Nor are these new narratives imagined as belonging to women alone but rather as attesting to a richer, more varied, and greatly sensitized human experience.
Author: Dervila Cooke
Publisher: Springer Nature
ISBN: 3031459369
Category :
Languages : en
Pages : 237
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Book Description
Author: Elizabeth Dahab
Publisher: Lexington Books
ISBN: 073911879X
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Ever since Bessie Smith's powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century's most beloved and challenging voices.
Author:
Publisher: BRILL
ISBN: 9004363246
Category : Literary Criticism
Languages : en
Pages : 554
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Book Description
This study analyses how immigrant and ethnic-minority writers have challenged the understanding of certain national literatures and have markedly changed them. In other national contexts, ideologies and institutions have contained the challenge these writers pose to national literatures. Case studies of the emergence and recognition of immigrant and ethnic-minority writing come from fourteen national contexts. These include classical immigration countries, such as Canada and the United States, countries where immigration accelerated and entered public debate after World War II, such as the United Kingdom, France and Germany, as well as countries rarely discussed in this context, such as Brazil and Japan. Finally, this study uses these individual analyses to discuss this writing as an international phenomenon. Sandra R.G. Almeida, Maria Zilda F. Cury, Sarah De Mul, Sneja Gunew, Dave Gunning, Kristina Iwata-Weickgenannt, Martina Kamm, Liesbeth Minnaard, Maria Oikonomou, Wenche Ommundsen, Marie Orton, Laura Reeck, Daniel Rothenbühler, Cathy J. Schlund-Vials, Wiebke Sievers, Bettina Spoerri, Christl Verduyn, Sandra Vlasta.
Author: Sean Mills
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773583483
Category : History
Languages : en
Pages : 318
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Book Description
A compelling study of the global dimensions and local particularities of political activism in Sixties Montreal.
Author: Sherry Simon
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773548602
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Speaking Memory evokes the complex "language-scapes" that form at the crossroads of culture and history in cities. While engaging with current debates on the nature and role of translation in globalized urban landscapes, the contributors offer a series of detailed and nuanced readings of “translational” cities – their histories, their construction and transformation in memory, and the artistic projects that tell their stories. The three sections of the book highlight historical case studies, conceptual issues, and text-based analyses of city scripts, in particular as they relate to creative literary practices and language interventions on the surface of the city itself. In this volume, translation points to the dissonance of city life, but also to the possibility of a generalized, public discourse – a space vital to urban citizenship, where the convergence of languages can be the source of new conversations. Essays cover a variety of topics and approaches, bringing new voices and insights to discussions on multilingualism and translation in the urban contexts of cities including Dublin, Montevideo, Montreal, Prague, and Vilnius. Defining cities as fields of translational forces where languages are both in conversation and in tension, translation in Speaking Memory is stretched beyond its usual confines, encompassing literary, artistic, and cultural practices that permeate everyday contemporary life. Contributors include Liamis Briedis (Vilnius University), Matteo Colombi (University of Leipzig), Michael Cronin (Dublin City University), Michael Darroch (Windsor University), Roch Duval (Université de Montréal), Andre Furlani (Concordia University), Simon Harel (Université de Montréal), William Marshall (Stirling University), Sarah Mekdjian (Université Paris III), Alexis Nouss (Université d’Aix en Provence), Katia Pizzi (University of London), Sherry Simon (Concordia University), Will Straw (McGill University), and Miriam Suchet (Université Paris III).
Author: Smaro Kamboureli
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554589134
Category : Literary Criticism
Languages : en
Pages : 448
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Book Description
Critical Collaborations: Indigeneity, Diaspora, and Ecology in Canadian Literary Studies is the third volume of essays produced as part of the TransCanada conferences project. The essays gathered in Critical Collaborations constitute a call for collaboration and kinship across disciplinary, political, institutional, and community borders. They are tied together through a simultaneous call for resistance—to Eurocentrism, corporatization, rationalism, and the fantasy of total systems of knowledge—and a call for critical collaborations. These collaborations seek to forge connections without perceived identity—linking concepts and communities without violating the differences that constitute them, seeking epistemic kinships while maintaining a willingness to not-know. In this way, they form a critical conversation between seemingly distinct areas and demonstrate fundamental allegiances between diasporic and indigenous scholarship, transnational and local knowledges, legal and eco-critical methodologies. Links are forged between Indigenous knowledge and ecological and social justice, creative critical reading, and ambidextrous epistemologies, unmaking the nation through translocalism and unsettling histories of colonial complicity through a poetics of relation. Together, these essays reveal how the critical methodologies brought to bear on literary studies can both challenge and exceed disciplinary structures, presenting new forms of strategic transdisciplinarity that expand the possibilities of Canadian literary studies while also emphasizing humility, complicity, and the limits of knowledge.
Author: Adlai Murdoch
Publisher: Cambridge Scholars Publishing
ISBN: 1443869546
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Migration is both a demographic and a cultural phenomenon. As such, it both reshapes the global village and subverts the all-encompassing vision of the city, a space split between the blending of all new cultures and the need felt by many migrants to maintain their traditions and thereby contribute to a multicultural mosaic. This series of essays explores how the concepts of the melting-pot and the mosaic have shaped the representation of Paris and Montreal in francophone literatures. Migrant movements to these cities from the Caribbean, the Maghreb, Sub-Saharan Africa, Quebec, Indochina, and the Indian Ocean have produced new groups of intersecting cultures. Under the dual influences of their native and host countries, migrants have produced an innovative and multifaceted literature that reflects their composite world-view. Their writing poses pressing questions of ethnicity, immigration, integration, and citizenship, and challenges longstanding notions both of the concept of the city and of how its spaces embody and articulate Frenchness in the face of ongoing change. Such shifts produce changes not only in the diasporic culture, but in the national culture as well, through creolization processes. These shifting identities increasingly destabilize current notions of national membership and social and cultural belonging, since we can no longer presume a direct correspondence between place, culture, language and identity. They also pose new questions of national identity and difference as the immigrant presence expands and inflects the cosmopolitan pluralism of today’s societies.
