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Author: Susan Ireland
Publisher: Greenwood Publishing Group
ISBN: 9780313324253
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Immigration to Qu'ebec has led to the decline of the idea of the homogenous national identity within French-language literary production and the creation of a new literature of multiple Queb'ecois identities, according to editors Ireland and Proulx. Concepts of diversity and hybridity run throughout the 16 essays contained here, which seek to collectively explore the way immigrant writers position themselves in relation to Qu'eb'ecois literature and society. A few essays explore the general contours of Qu'eb'ecois cinema and theater in relation to these questions, but the majority are devoted to more focused examinations of particular writers of novels, short stories, and poems.
Author: Susan Ireland
Publisher: Greenwood Publishing Group
ISBN: 9780313324253
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Immigration to Qu'ebec has led to the decline of the idea of the homogenous national identity within French-language literary production and the creation of a new literature of multiple Queb'ecois identities, according to editors Ireland and Proulx. Concepts of diversity and hybridity run throughout the 16 essays contained here, which seek to collectively explore the way immigrant writers position themselves in relation to Qu'eb'ecois literature and society. A few essays explore the general contours of Qu'eb'ecois cinema and theater in relation to these questions, but the majority are devoted to more focused examinations of particular writers of novels, short stories, and poems.
Author: Susan Ireland
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Immigration to Qu'ebec has led to the decline of the idea of the homogenous national identity within French-language literary production and the creation of a new literature of multiple Queb'ecois identities, according to editors Ireland and Proulx. Concepts of diversity and hybridity run throughout the 16 essays contained here, which seek to collectively explore the way immigrant writers position themselves in relation to Qu'eb'ecois literature and society. A few essays explore the general contours of Qu'eb'ecois cinema and theater in relation to these questions, but the majority are devoted to more focused examinations of particular writers of novels, short stories, and poems.
Author: Eilene Hoft-March
Publisher: Cambridge Scholars Publishing
ISBN: 1443804576
Category : Literary Collections
Languages : en
Pages : 330
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Book Description
Aimer et Mourir offers a wide-ranging selection of essays that collectively address how, from the Middle Ages to the present, the notions of love and death get inextricably associated with the narratives that are women’s lives. Some of the essays tackle male writers’ representations that link women and, in particular, women’s sexuality, with death, resulting in the figures of the femme fatale, the woman in parturition, and the desiring vampire. A number of essays reiterate that women’s hyper-sexualized bodies have been used as a social construct and a psychological screen upon which to project a fear of death. The challenges to this pat reduction of “woman’s” domain come from the mostly women writers represented here—and they span from Marguerite de Navarre to Amélie Nothomb. These women writers rework the old formulae, giving us instead death-defying memories of love, love regenerative of language (as of bodies), love forcing the frontiers of death, or love creatively redefined within the parameters of death. Nor are these new narratives imagined as belonging to women alone but rather as attesting to a richer, more varied, and greatly sensitized human experience.
Author: Dervila Cooke
Publisher: Springer Nature
ISBN: 3031459369
Category :
Languages : en
Pages : 237
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Book Description
Author: Amy L. Hubbell
Publisher: Cambridge Scholars Publishing
ISBN: 1443853321
Category : Literary Collections
Languages : en
Pages : 375
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Book Description
The Unspeakable: Representations of Trauma in Francophone Literature and Art is situated at the crossroads of language, culture and genre; it contends that suffering transcends time, space and cultural specificity. Even when extreme trauma is silenced, it often still emerges in surprising and painful ways. This volume draws together examples from throughout the Francophone world, including countries such as Algeria, Morocco, Lebanon, Rwanda, Cameroon, Congo, Côte d’Ivoire, Haiti, New Caledonia, Quebec and France, and across genres such as autobiography, poetry, theater, film, fiction and visual art to provide a cohesive analysis of the representation of trauma. In addition to the survivors’ expression of trauma, the witnesses and receivers are also taken into account. By gathering studies that explore diverse bodily and psychological traumas through tropes such as repetition, silence and working-through, it tackles ethical responsibility and interrogates how expressive forms evoke a terrible reality through the use of imagination. The aim of this volume is not to question if suffering is representable, but rather to examine to what extent art surpasses its own limitations and goes straight to its essence. The Unspeakable hopes to provide models for the cultural translation of trauma, because, when represented and released from silence and isolation, trauma can give way to the arduous process of healing.
Author: Sherry Simon
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773548599
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Speaking Memory evokes the complex "language-scapes" that form at the crossroads of culture and history in cities. While engaging with current debates on the nature and role of translation in globalized urban landscapes, the contributors offer a series of detailed and nuanced readings of “translational” cities – their histories, their construction and transformation in memory, and the artistic projects that tell their stories. The three sections of the book highlight historical case studies, conceptual issues, and text-based analyses of city scripts, in particular as they relate to creative literary practices and language interventions on the surface of the city itself. In this volume, translation points to the dissonance of city life, but also to the possibility of a generalized, public discourse – a space vital to urban citizenship, where the convergence of languages can be the source of new conversations. Essays cover a variety of topics and approaches, bringing new voices and insights to discussions on multilingualism and translation in the urban contexts of cities including Dublin, Montevideo, Montreal, Prague, and Vilnius. Defining cities as fields of translational forces where languages are both in conversation and in tension, translation in Speaking Memory is stretched beyond its usual confines, encompassing literary, artistic, and cultural practices that permeate everyday contemporary life. Contributors include Liamis Briedis (Vilnius University), Matteo Colombi (University of Leipzig), Michael Cronin (Dublin City University), Michael Darroch (Windsor University), Roch Duval (Université de Montréal), Andre Furlani (Concordia University), Simon Harel (Université de Montréal), William Marshall (Stirling University), Sarah Mekdjian (Université Paris III), Alexis Nouss (Université d’Aix en Provence), Katia Pizzi (University of London), Sherry Simon (Concordia University), Will Straw (McGill University), and Miriam Suchet (Université Paris III).
Author: Smaro Kamboureli
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554589134
Category : Literary Criticism
Languages : en
Pages : 448
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Book Description
Critical Collaborations: Indigeneity, Diaspora, and Ecology in Canadian Literary Studies is the third volume of essays produced as part of the TransCanada conferences project. The essays gathered in Critical Collaborations constitute a call for collaboration and kinship across disciplinary, political, institutional, and community borders. They are tied together through a simultaneous call for resistance—to Eurocentrism, corporatization, rationalism, and the fantasy of total systems of knowledge—and a call for critical collaborations. These collaborations seek to forge connections without perceived identity—linking concepts and communities without violating the differences that constitute them, seeking epistemic kinships while maintaining a willingness to not-know. In this way, they form a critical conversation between seemingly distinct areas and demonstrate fundamental allegiances between diasporic and indigenous scholarship, transnational and local knowledges, legal and eco-critical methodologies. Links are forged between Indigenous knowledge and ecological and social justice, creative critical reading, and ambidextrous epistemologies, unmaking the nation through translocalism and unsettling histories of colonial complicity through a poetics of relation. Together, these essays reveal how the critical methodologies brought to bear on literary studies can both challenge and exceed disciplinary structures, presenting new forms of strategic transdisciplinarity that expand the possibilities of Canadian literary studies while also emphasizing humility, complicity, and the limits of knowledge.
Author: Elizabeth Dahab
Publisher: Lexington Books
ISBN: 073911879X
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Ever since Bessie Smith's powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century's most beloved and challenging voices.
Author: Subha Xavier
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773599371
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
The expression "littérature migrante," coined by Québécois critics in the mid-1980s, reflected the emerging body of literary works written by recent immigrants to the province. Redefining the concept of migrancy, Subha Xavier’s The Migrant Text argues that global movements of people have fundamentally changed literary production over the past thirty years. Bringing together a corpus of recent novels by immigrants to France and Quebec, Xavier suggests that these diverse works extend beyond labels such as francophone or postcolonial literature to forge a new mode of writing that deserves recognition on its own terms. Weaving together literary theory and salient examples taken from numerous French-language novels, The Migrant Text shows how both external and internal factors shape migrant writing in contemporary French literature. The opening chapters trace the elusive concept of the migrant as it appears in extant theories of nationalism, postcolonialism, world literature, and francophonie. What follows are incisive analyses of fiction written for French audiences by authors from Algeria, Cameroon, China, Haiti, Iraq, and Poland, whose works reveal that the processes of troubling national categories and evading colonial power dynamics can be wellsprings for creativity. One of the most pressing social and political topics of our day, immigration challenges our ideas about homeland and citizenship. Celebrating the courage and tenacity of immigrants from around the world, The Migrant Text carves a new space for discussing the dynamics of global literature.
Author: Véronique Machelidon
Publisher: Manchester University Press
ISBN: 152610766X
Category : Literary Criticism
Languages : en
Pages : 394
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Book Description
This volume takes the pulse of French post-coloniality by studying representations of trans-Mediterranean immigration to France in recent literature, television and film. The writers and filmmakers examined have found new ways to conceptualize the French heritage of immigration from North Africa and to portray the state of multiculturalism within – and in spite of – a continuing Republican framework. Their work deflates stereotypes, promotes respect for cultural and ethnic minorities and gives a new dignity to subjects supposedly located on the margins of the Republic. Establishing a productive dialogue with Marianne Hirsch’s ground-breaking concept of postmemory, this volume provides a much-needed vocabulary for rethinking the intergenerational legacy of trans-Mediterranean immigrants.
