Author: Florence M. Montgomery
Publisher: W. W. Norton & Company
ISBN: 9780393732245
Category : Architecture
Languages : en
Pages : 512
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Book Description
First published in 1984, this remains the definitive study of textiles as they were used in early American homes.
Author: Florence M. Montgomery
Publisher: W. W. Norton
ISBN: 9780393017038
Category : Antiques & Collectibles
Languages : en
Pages : 412
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Book Description
Describes the textiles used for early-American bed hangings, window curtains, and upholstery, shows samples of early fabrics, and defines terms related to fabrics and sewing
Author: Susan Ouellette
Publisher: Routledge
ISBN: 1135862494
Category : Business & Economics
Languages : en
Pages : 123
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Book Description
This book explores the development of a provincial textile industry in colonial America. It is a social history of cloth-making that also employs the economic and political elements of Massachusetts Bay to tell their story.
Author: Kate Haulman
Publisher: UNC Press Books
ISBN: 0807869295
Category : History
Languages : en
Pages : 305
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Book Description
In eighteenth-century America, fashion served as a site of contests over various forms of gendered power. Here, Kate Haulman explores how and why fashion--both as a concept and as the changing style of personal adornment--linked gender relations, social order, commerce, and political authority during a time when traditional hierarchies were in flux. In the see-and-be-seen port cities of Boston, New York, Philadelphia, and Charleston, fashion, a form of power and distinction, was conceptually feminized yet pursued by both men and women across class ranks. Haulman shows that elite men and women in these cities relied on fashion to present their status but also attempted to undercut its ability to do so for others. Disdain for others' fashionability was a means of safeguarding social position in cities where the modes of dress were particularly fluid and a way to maintain gender hierarchy in a world in which women's power as consumers was expanding. Concerns over gendered power expressed through fashion in dress, Haulman reveals, shaped the revolutionary-era struggles of the 1760s and 1770s, influenced national political debates, and helped to secure the exclusions of the new political order.
Author: Tiya Miles
Publisher: Random House Trade Paperbacks
ISBN: 1984855018
Category : History
Languages : en
Pages : 425
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Book Description
NATIONAL BOOK AWARD WINNER • NEW YORK TIMES BESTSELLER • A renowned historian traces the life of a single object handed down through three generations of Black women to craft a “deeply layered and insightful” (The Washington Post) testament to people who are left out of the archives. WINNER: Frederick Douglass Book Prize, Harriet Tubman Prize, PEN/John Kenneth Galbraith Award, Anisfield-Wolf Book Award, Ralph Waldo Emerson Prize, Lawrence W. Levine Award, Darlene Clark Hine Award, Cundill History Prize, Joan Kelly Memorial Prize, Massachusetts Book Award ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post, Slate, Vulture, Publishers Weekly “A history told with brilliance and tenderness and fearlessness.”—Jill Lepore, author of These Truths: A History of the United States In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and, soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language. Historian Tiya Miles carefully traces these women’s faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward, in the United States. All That She Carried is a poignant story of resilience and love passed down against steep odds. It honors the creativity and resourcefulness of people who preserved family ties when official systems refused to do so, and it serves as a visionary illustration of how to reconstruct and recount their stories today. FINALIST: MAAH Stone Book Award, Kirkus Prize, Mark Lynton History Prize, Chatauqua Prize, Women’s Prize ONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, Time, The Boston Globe, The Atlantic, The Atlanta Journal-Constitution, Smithsonian Magazine, St. Louis Post-Dispatch, Ms. magazine, Book Riot, Library Journal, Kirkus Reviews, Booklist
Author: Amelia Peck
Publisher: Metropolitan Museum of Art
ISBN: 0870995928
Category : Art
Languages : en
Pages : 263
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Book Description
Catalogs the Museum's quilt and coverlet collection and discusses the history of the quiltmaker's art
Author: Linda Elisabeth LaPinta
Publisher: University Press of Kentucky
ISBN: 0813198194
Category : Antiques & Collectibles
Languages : en
Pages : 326
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Book Description
Although they are commonplace in American homes, quilts are much more than simple patchwork bed coverings and wall adornments. While many of these beautiful and intricate works of art are rich in history and tradition, others reflect the cutting-edge talent and avant-garde mastery of contemporary quiltmakers. Kentucky Quilts and Quiltmakers: Three Centuries of Creativity, Community, and Commerce is the first comprehensive study to approach quilts as objects of material culture that have adorned homes throughout the history of the commonwealth and the country. Linda Elisabeth LaPinta highlights such topics as quiltmaking in women's history, the influence of early Black quiltmakers, popular Kentucky quilt patterns, types, and colors, and the continuing importance of preserving the commonwealth's quilt history and traditions. The author provides a panoramic view of Kentucky quiltmaking from colonial America through the American Revolution, the Civil War to the 1900s, to the new millennium and the dynamic quilting industry of today. LaPinta reveals Kentucky's pivotal role in shaping significant aspects of American quilt culture—Kentuckians founded the first statewide quilt documentation project, created important exhibits and major quilt organizations, and established the National Quilt Museum. Rounding out this all-encompassing volume is a collection of fascinating and intimate artistic commentaries by notable quiltmakers, as well as discussion of the key players who have conserved, celebrated, and showcased the commonwealth's extraordinary quilt culture.
Author: Clarita Anderson
Publisher: Colonial Williamsburg
ISBN: 9780879352158
Category : Art
Languages : en
Pages : 276
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Book Description
This lavishly illustrated guide to one of the premier collections of woven coverlets in the United States is an essential reference for collectors, historians, specialists in material culture, and all those who are interested in American textiles. Information about the lives and professional careers of more than seven hundred weavers is included. In-depth discussions explore fifty coverlets that are depicted in detail.
Author: Kathleen A. Staples
Publisher: Bloomsbury Publishing USA
ISBN: 0313084602
Category : History
Languages : en
Pages : 482
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Book Description
This study of clothing during British colonial America examines items worn by the well-to-do as well as the working poor, the enslaved, and Native Americans, reconstructing their wardrobes across social, economic, racial, and geographic boundaries. Clothing through American History: The British Colonial Era presents, in six chapters, a description of all aspects of dress in British colonial America, including the social and historical background of British America, and covering men's, women's, and children's garments. The book shows how dress reflected and evolved with life in British colonial America as primitive settlements gave way to the growth of towns, cities, and manufacturing of the pre-Industrial Revolution. Readers will discover that just as in the present day, what people wore in colonial times represented an immediate, visual form of communication that often conveyed information about the real or intended social, economic, legal, ethnic, and religious status of the wearer. The authors have gleaned invaluable information from a wide breadth of primary source materials for all of the colonies: court documents and colonial legislation; diaries, personal journals, and business ledgers; wills and probate inventories; newspaper advertisements; paintings, prints, and drawings; and surviving authentic clothing worn in the colonies.
Author: Adrienne D. Hood
Publisher: University of Pennsylvania Press
ISBN: 0812203240
Category : Business & Economics
Languages : en
Pages : 241
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Book Description
Cloth was one of the most important commodities in the early modern world, and colonial North Americans had to develop creative strategies to acquire it. Although early European settlers came from societies in which hand textile production was central to the economy, local conditions in North America interacted with traditional craft structures to create new patterns of production and consumption. The Weaver's Craft examines the development of cloth manufacture in early Pennsylvania from its roots in seventeenth-century Europe to the beginning of industrialization. Adrienne D. Hood's focus on Pennsylvania and the long sweep of history yields a new understanding of the complexities of early American fabric production and the regional variations that led to distinct experiences of industrialization. Drawing on an extensive array of primary sources, combined with a quantitative approach, the author argues that in contrast to New England, rural Pennsylvania women spun the yarn that a small group of trained male artisans wove into cloth on a commercial basis throughout the eighteenth century. Their production was considerably augmented by consumers purchasing cheap cloth from Europe and Asia, making them active participants in a global marketplace. Hood's painstaking research and numerous illustrations of textile equipment, swatch books, and consumer goods will be of interest to both scholars and craftspeople.
