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Author: Terence
Publisher: Hackett Publishing
ISBN: 1585107751
Category : Drama
Languages : en
Pages : 83
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Book Description
The play Adelphoe provides an introduction to the world of Roman comedy from one of its best practitioners, Terence. As with all Focus translations, the emphasis is on an inexpensive, readable edition that is close to the original, with an extensive introduction, notes and appendices.
Author: Terence
Publisher: Hackett Publishing
ISBN: 1585107751
Category : Drama
Languages : en
Pages : 83
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Book Description
The play Adelphoe provides an introduction to the world of Roman comedy from one of its best practitioners, Terence. As with all Focus translations, the emphasis is on an inexpensive, readable edition that is close to the original, with an extensive introduction, notes and appendices.
Author: Terence
Publisher: Focus
ISBN:
Category : Drama
Languages : en
Pages : 100
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Book Description
English translation of Terence's Roman comedy that deals with questions of perennial interest: How best to raise children? How to give disinterested moral advice? Includes notes, introductory essay on Terence, Roman theater, and the play's production.
Author: Terence
Publisher: Cambridge University Press
ISBN: 9780521290012
Category : Drama
Languages : en
Pages : 276
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Book Description
An edition of the Latin comedy, "The Brothers", with introduction and detailed commentary.
Author: Terence
Publisher:
ISBN: 9781787806535
Category :
Languages : en
Pages : 78
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Book Description
Publius Terentius Afer is better known to us as the Roman playwright, Terence. Much of his life, especially the early part, is either unknown or has conflicting sources and accounts. His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years. One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him. These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived. Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama. When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey. Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome. His most famous quotation reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."
Author: Antony Augoustakis
Publisher: John Wiley & Sons
ISBN: 1118301994
Category : Literary Criticism
Languages : en
Pages : 663
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Book Description
A comprehensive collection of essays by leading scholars in the field that address, in a single volume, several key issues in interpreting Terence offering a detailed study of Terence’s plays and situating them in their socio-historical context, as well as documenting their reception through to present day • The first comprehensive collection of essays on Terence in English, by leading scholars in the field • Covers a range of topics, including both traditional and modern concerns of gender, race, and reception • Features a wide-ranging but interconnected series of essays that offer new perspectives in interpreting Terence • Includes an introduction discussing the life of Terence, its impact on subsequent studies of the poet, and the question of his ethnicity
Author: Terence
Publisher: MacMillan Publishing Company
ISBN:
Category : Drama
Languages : en
Pages : 76
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Book Description
Micio is an aging, easygoing Athenian bachelor whose strict and hardworking brother Demea permits him to adopt and rear Aeschinus, one of Demea’s two sons. Unlike his brother, Micio is a permissive parent, choosing to let pass many of Aeschinus’s small extravagances on the assumption that children are more likely to remain bound to their duty by ties of kindness than by those of fear. Micio comes to wonder if his policy raising his son Ctesipho is better.
Author: Terence
Publisher:
ISBN:
Category :
Languages : en
Pages : 195
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Book Description
The play Adephoe provides an introduction to the world of Roman comedy from one of its best practitioners, Terence. As with all Focus translations, the emphasis is on an inexpensive, readable edition that is close to the original, with an extensive introduction, notes and appendices.
Author: Terence
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Author: Martin T. Dinter
Publisher: Cambridge University Press
ISBN: 1107002109
Category : Drama
Languages : en
Pages : 449
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Book Description
Provides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters.
Author: Plautus
Publisher: Hackett Publishing
ISBN: 9780872203624
Category : Drama
Languages : en
Pages : 436
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Book Description
"This is a book worthy of high praise... All versions are exceedingly witty and versatile, in verse that ripples from one's lips, pulling all the punches of Plautus, the knockabout king of farce, and proving that the more polished Terence can be just as funny. Accuracy to the original has been thoroughly respected, but look at the humour in rendering Diphilius' play called Synapothnescontes as Three's a Shroud... Students in schools and colleges will benefit from short introductions to each play, to Roman stage conventions, to different types of Greek and Roman comedy, and there is a note on staging, with a diagram illustrating a typical Roman stage and further diagrams of the basic set for each play. The translators have paid more attention to stage directions than is usually given in translations, because they aim to show how these plays worked.
