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Author: William H. Gerdts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Author: William H. Gerdts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Author: Ulrich W. Hiesinger
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
"This is the first book to explore in depth the development of America's premier Impressionist group, which formed amid great controversy in 1897 following the secession of its members from the once progressive Society of American Artists. Childe Hassam, John H. Twachtman, William Merritt Chase (who joined the group after Twachtman's death), Edmund C. Tarbell, Frank W. Benson, Joseph R. De Camp, Thomas W. Dewing, Edward E. Simmons, Willard L. Metcalf, Robert Reid, and J. Alden Weir ... The author discusses the beginning of the ten artists' activities as members of a sweeping reform movement at the time of the nation's Centennial Exhibition in 1876, traces their emergence as Impressionist painters in the 1880s and 1890s, and charts the course of their mature careers as members of the Ten between 1897 and 1917."--Jacket.
Author: Timothy J. Standring
Publisher: Yale University Press
ISBN: 0300254458
Category : Art
Languages : en
Pages : 130
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Book Description
A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing--part of the association known as The Ten--found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists--styles ranging from conservative academic modes to Tonalism--and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.
Author: Warren Adelson
Publisher: Abbeville Publishing Group
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
Celebrates Hassam's imposing career as one of America's foremost impressionists. Adelson (president of Adelson Galleries), Cantor (teacher, writer and lecturer on American art) and Gerdts (author and professor emeritus, Graduate Center of the City U. of New York) approach the artist from several angles (an international context, his little-understood late work, and predominant themes) to reveal his many facets and uncover previously unknown aspects of his life and work. Illustrated with color reproductions that represent all of Hassam's styles, the volume concludes with an illustrated chronology and an annotated bibliography. Oversize: 10.25x12". Annotation copyrighted by Book News, Inc., Portland, OR
Author: National Museum of American Art (U.S.)
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 114
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Book Description
This volume features artists who brought a new sophistication and elegancento American art in the three decades before World War I. Wealthyndustrialists eager to acquire culture began to patronize native artists whoad achieved international recognition. John Singer Sargent, Irving Wiles andecilia Beaux created portraits of these new patrons, while John La Farge andugustus Saint-Gaudens made luxurious adornments for their homes. One groupf painters - including Louis Comfort Tiffany, Frederick Arthur Bridgman,enry Ossawa Tanner and Charles Sprague Pearce - responded especially to theascnation with exotic Middle Eastern, Egyptian or "Oriental" cultures thatharacterized this age of international imperialism. The educated and refinedspects of Gilded Age culture are expressed here in Renaissance-inspiredaintings by Abbott Thayer and Mary Cassatt. Romantic literary works byisionary Albert Pinkham Ryder symbolize the idealized strivings of thiseneration, while the rugged masculine landscapes of Winslow Homer emblemizehe struggle and conflict that marked this period of contending social and
Author: Ann Lee Morgan
Publisher: Oxford University Press
ISBN: 0195373219
Category : Art, American
Languages : en
Pages : 554
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Book Description
In this dictionary of American art, 945 alphabetically arranged entries cover painters, sculptors, graphic artists, photographers, printmakers, and contemporary hybrid artists, along with important aspects of the cultural infrastructure.
Author: Helene Barbara Weinberg
Publisher: Metropolitan Museum of Art
ISBN: 1588391191
Category : Impressionism
Languages : en
Pages : 441
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Book Description
"This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.
Author: Lorinda Munson Bryant
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 514
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Book Description
Author: Paul Staiti
Publisher: Bloomsbury Publishing USA
ISBN: 1632864673
Category : History
Languages : en
Pages : 546
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Book Description
A vibrant and original perspective on the American Revolution through the stories of the five great artists whose paintings animated the new American republic. The images accompanying the founding of the United States--of honored Founders, dramatic battle scenes, and seminal moments--gave visual shape to Revolutionary events and symbolized an entirely new concept of leadership and government. Since then they have endured as indispensable icons, serving as historical documents and timeless reminders of the nation's unprecedented beginnings. As Paul Staiti reveals in Of Arms and Artists, the lives of the five great American artists of the Revolutionary period--Charles Willson Peale, John Singleton Copley, John Trumbull, Benjamin West, and Gilbert Stuart--were every bit as eventful as those of the Founders with whom they continually interacted, and their works contributed mightily to America's founding spirit. Living in a time of breathtaking change, each in his own way came to grips with the history they were living through by turning to brushes and canvases, the results often eliciting awe and praise, and sometimes scorn. Their imagery has connected Americans to 1776, allowing us to interpret and reinterpret the nation's beginning generation after generation. The collective stories of these five artists open a fresh window on the Revolutionary era, making more human the figures we have long honored as our Founders, and deepening our understanding of the whirlwind out of which the United States emerged.
Author: Fabienne Eggelhöfer
Publisher: Prestel Publishing
ISBN: 9783791356655
Category : ART
Languages : en
Pages : 0
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Book Description
Paul Klee's influence on a wide range of American artists is explored in-depth in this stunning book. Critics have traditionally confined Paul Klee's contribution to American art as one of "spirit," and limited to the works of the New York School and other Abstract Expressionist painters. In fact, Klee's influence on American art is more expansive, as illustrated in this study of ten artists who, through their use of automatic drawing, color field painting, symbols, and pictographs, reveal how Klee's theories and artistic methods contributed to the history of post-war American art. The ten artists explored include familiar names, such as Jackson Pollock, Robert Motherwell, Mark Tobey, Gene Davis, and Kenneth Noland, as well as lesser-known artists William Baziotes, Norman Lewis, Theodore Stamos, and Bradley Walker Tomlin. The richly-illustrated book features essays exploring Klee's legacy among various schools of American art and a chronology illustrates where and how American artists learned about Klee. It also includes a profile of each artist and their connections to Klee, followed by exquisite reproductions of their works.
