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Author: Jane Arthurs
Publisher: McGraw-Hill Education (UK)
ISBN: 0335224105
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
In recent years there has been a marked increase in both the volume and diversity of sexual imagery and talk on television, condemned by some as a ‘rising tide of filth’, celebrated by others as a ‘liberation’ from the regulations of the past. Television and Sexuality questions both these responses through an examination of television’s multiple channels and genres, and the wide range of sexual information and pleasures they provide. The book explores the way that sexual citizenship and sexual consumerism have been defined in the digital era to reveal the underlying assumptions held by the television industry about the tastes and sexual identities of its diverse audiences. It draws on the work of key thinkers in cultural and media studies, as well as feminist and queer theory, to interrogate the political and cultural significance of these developments. With topics including the regulation of taste and decency, sex scandals in the news, the biology of sex in science programmes, and gay, lesbian and postfeminist identities in ‘quality’ drama, this book is key reading for students in cultural and media studies and gender studies.
Author: Jane Arthurs
Publisher: McGraw-Hill Education (UK)
ISBN: 0335224105
Category : Performing Arts
Languages : en
Pages : 204
Get Book Here
Book Description
In recent years there has been a marked increase in both the volume and diversity of sexual imagery and talk on television, condemned by some as a ‘rising tide of filth’, celebrated by others as a ‘liberation’ from the regulations of the past. Television and Sexuality questions both these responses through an examination of television’s multiple channels and genres, and the wide range of sexual information and pleasures they provide. The book explores the way that sexual citizenship and sexual consumerism have been defined in the digital era to reveal the underlying assumptions held by the television industry about the tastes and sexual identities of its diverse audiences. It draws on the work of key thinkers in cultural and media studies, as well as feminist and queer theory, to interrogate the political and cultural significance of these developments. With topics including the regulation of taste and decency, sex scandals in the news, the biology of sex in science programmes, and gay, lesbian and postfeminist identities in ‘quality’ drama, this book is key reading for students in cultural and media studies and gender studies.
Author: Brenda R. Weber
Publisher: Duke University Press
ISBN: 0822376644
Category : Performing Arts
Languages : en
Pages : 359
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Book Description
This essay collection focuses on the gendered dimensions of reality television in both the United States and Great Britain. Through close readings of a wide range of reality programming, from Finding Sarah and Sister Wives to Ghost Adventures and Deadliest Warrior, the contributors think through questions of femininity and masculinity, as they relate to the intersections of gender, race, class, and sexuality. They connect the genre's combination of real people and surreal experiences, of authenticity and artifice, to the production of identity and norms of citizenship, the commodification of selfhood, and the naturalization of regimes of power. Whether assessing the Kardashian family brand, portrayals of hoarders, or big-family programs such as 19 Kids and Counting, the contributors analyze reality television as a relevant site for the production and performance of gender. In the process, they illuminate the larger neoliberal and postfeminist contexts in which reality TV is produced, promoted, watched, and experienced. Contributors. David Greven, Dana Heller, Su Holmes, Deborah Jermyn, Misha Kavka, Amanda Ann Klein, Susan Lepselter, Diane Negra, Laurie Ouellette, Gareth Palmer, Kirsten Pike, Maria Pramaggiore, Kimberly Springer, Rebecca Stephens, Lindsay Steenberg, Brenda R. Weber
Author: Kyra Clarke
Publisher: Taylor & Francis
ISBN: 1317310780
Category : Social Science
Languages : en
Pages : 262
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Book Description
Popular film and television hold valuable potential for learning about sex and sexuality beyond the information-based model of sex education currently in schools. This book argues that the representation of complicated—or "messy"—relationships in these popular cultural forms makes them potent as affective pedagogical moments. It endeavours to develop new sexual literacies by contemplating how pedagogical moments, that is, fleeting moments which disrupt expectations or create discomfort, might enrich the available discourses of sexuality and gender, especially those available to adolescents. In Part One, Clarke critiques the heteronormative discourses of sex education that produce youth in particularly gendered ways, noting that "rationality" is often expected to govern experiences that are embodied and arguably inherently incoherent. Part Two explores public intimacy, contemplating the often overlapping and confused boundaries between public and private.
Author: Elana Levine
Publisher: Duke University Press
ISBN: 9780822339199
Category : Health & Fitness
Languages : en
Pages : 342
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Book Description
DIVA cultural history of sexual content in television shows and TV advertising during the 1970s./div
Author: Julia Himberg
Publisher: University of Texas Press
ISBN: 1477313621
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
Television conveys powerful messages about sexual identities, and popular shows such as Will & Grace, Ellen, Glee, Modern Family, and The Fosters are often credited with building support for gay rights, including marriage equality. At the same time, however, many dismiss TV’s portrayal of LGBT characters and issues as “gay for pay”—that is, apolitical and exploitative programming created simply for profit. In The New Gay for Pay, Julia Himberg moves beyond both of these positions to investigate the complex and multifaceted ways that television production participates in constructing sexuality, sexual identities and communities, and sexual politics. Himberg examines the production stories behind explicitly LGBT narratives and characters, studying how industry workers themselves negotiate processes of TV development, production, marketing, and distribution. She interviews workers whose views are rarely heard, including market researchers, public relations experts, media advocacy workers, political campaigners designing strategies for TV messaging, and corporate social responsibility department officers, as well as network executives and producers. Thoroughly analyzing their comments in the light of four key issues—visibility, advocacy, diversity, and equality—Himberg reveals how the practices and belief systems of industry workers generate the conceptions of LGBT sexuality and political change that are portrayed on television. This original approach complicates and broadens our notions about who makes media; how those practitioners operate within media conglomerates; and, perhaps most important, how they contribute to commonsense ideas about sexuality.
Author: Rebecca Joubin
Publisher: Lexington Books
ISBN: 073918430X
Category : Social Science
Languages : en
Pages : 509
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Book Description
Dramatic miniseries are the primary arena for the expression of postcolonial Syrian culture and artistic talent, an arena that unites diverse aspects of artisanship in a struggle over visions of the past, present, and future of the nation. As the tour de force of the television medium, blossoming amidst persisting authoritarianism, these miniseries serve as a crucial and complex artistic avenue through which political and social opposition manifests. Scholars have tried to come to terms with a highly critical culture produced within attempted state co-optation, and argue that politically critical culture operates as a “safety valve” to release frustrations so that dissenters are less likely to mobilize against the government. Through research fueled by a viewing of over two hundred and fifty miniseries ranging from the 1960s to the present—as well as an examination of hundreds of press reports, Facebook pages, and extensive interviews with drama creators—this book turns away from the dominant paradigm that focuses on regime intent. When turning attention instead to the drama creators themselves we witness the polyphony of voices employing love and marriage metaphors and gender (de)constructions to explore larger issues of nationalism, self-identity, and political critique. At the heart of constructions of femininity are the complications that arise with the symbiosis of pure femininity with authentic national identity. Deconstructing masculinity as political critique has been less complicated since it is not implicated in Western identity issues; on the contrary, illustrations of subservient masculinity serve to subtly denounce government corruption and oppression. Miniseries from the 1960s demonstrate that the focus of the qabaday (tough man) on female sexuality comes from his own political alienation vis-à-vis the state, and is part of a vicious cycle of state violence vis-à-vis the citizen. In recent years, and in particular after the uprising, we can see the emerging definition of the true qabaday as one who does not suppress a woman’s sexuality, thereby allowing for full equality in relationships as the basis of a truly free society.
Author: Thomas Fahy
Publisher: McFarland
ISBN: 0786489286
Category : Performing Arts
Languages : en
Pages : 191
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Book Description
Academy Award-winning screenwriter of the film American Beauty and creator of the HBO series Six Feet Under, Alan Ball has consistently probed the cultural forces shaping gender, sexuality, and death in the United States. Through gritty dialogue and edgy humor, Ball centers much of his social critique on the illusory promises of the American Dream. For many of his characters, a belief in the American Dream--including idealized notions of the family, heterosexual norms, and the acceptance of prescribed gender roles--proves stifling and self-destructive. This is the first book to explore Ball's writings for theater, television and film, with an emphasis on his best-known work. These essays offer insight into both the captivating and problematic dimensions of Ball's work, while drawing connections among his diverse writings. An interview with Ball is included.
Author: Yarma Velázquez Vargas
Publisher: Cambridge Scholars Publishing
ISBN: 1443823015
Category : Social Science
Languages : en
Pages : 130
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Book Description
This study uses critical discourse analysis to conduct an examination of the reality television program Queer Eye. The goal is to help understand the manner in which the representations of queer culture in the show reinforce the binaries of sex, gender and sexuality. By investigating the evolution of Queer Eye this study provides insights into American popular culture’s understanding and depiction of sexual difference and evidences the strong link between these representations and the commercial interests of the producers. In the show Queer Eye, the male guests sell access to their lives for a makeover and in the process they are indoctrinated into new patterns of consumption. The identity of both the five main characters and the guest character is represented as a reflection of their aesthetic choices, and audiences are exposed to numerous product placements and advertising messages. In encouraging materialism, the show transforms the term queer into a commodity sign and redefines masculinity as represented through wealth and accumulation. Moreover, consistent with the stereotypical representation of gay males in American culture the queerness of the Fab is depicted as asexual and a form of aestheticism.
Author: Ragan Fox
Publisher: Routledge
ISBN: 1351660136
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
In the summer of 2010, Ragan Fox was one of twelve people selected to participate in the twelfth season of CBS's reality program Big Brother. Offering a rare, autobiographical, and behind-the-scenes peek behind Big Brother's theatrical curtain, Fox provides a scholarly account of the show's casting procedures, secret soundstage interactions, and viewer involvement, while investigating how the program's producers, fans, and players theatrically render identities of racial and sexual minorities. Using autoethnography, textual analysis, and spectator commentary as research, Inside Reality TV reflects on and critiques how identity is constructed on reality television, and the various ways in which people from historically oppressed groups are depicted in mass media.
Author: David Greven
Publisher: McFarland
ISBN: 078645458X
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Studying the Star Trek myth from the original 1960s series to the 2009 franchise-reboot film, this book challenges frequent accusations that the Star Trek saga refuses to represent queer sexuality. Arguing that Star Trek speaks to queer audiences through subtle yet provocative allegorical narratives, the analysis pays close attention to representations of gender, race, and sexuality to develop an understanding of the franchise's queer sensibility. Topics include the 1960s original's deconstruction of the male gaze and the traditional assumptions of male visual mastery; constructions of femininity in Star Trek: Voyager, particularly in the relationship between Captain Janeway and Seven of Nine; and the ways in which Star Trek: Enterprise's adoption of neoconservative politics may have led to its commercial and aesthetic failure.
