Author: Pamela Noensie
Publisher: Tuttle Publishing
ISBN: 1462913660
Category : Juvenile Fiction
Languages : en
Pages : 61
Book Description
This colorfully illustrated multicultural children's book presents a touching story about a little girl and her love of Balinese dance. Tari lives on the beautiful island of Bali with her family and friends. She lives a wonderful life, marked by all the things that make Bali special--the lively temple celebrations which occur regularly in her village, the gorgeous surroundings, the warm feelings of her Balinese neighbors, and, most importantly, dance. Tari lives to dance. Just like her beloved grandmother, dance exists for both of them as a favorite art form. One day, Tari's grandmother gives her a special gift--but shortly after, she passes away. In a special ceremony, Tari and her family bid goodbye to her grandmother. Tari gives her grandmother the best gift she knows how to give--a perfect performance of a dance that her grandmother, too, performed when she was very young. Intended for young girls who love to dance, Tari: The Little Balinese Dancer is a moving tale set on the tropical island of Bali, and it provides an excellent introduction to key aspects of Balinese culture. No matter what her ethnicity, young girls will easily relate to the special themes in this story, including the importance of family and the strong bonds of community, traditions such as the famous Legong dance, death of a family member, and the grieving process. Full of traditional Balinese Hindu beliefs, this story offers the message that kids all over the world are unified in the ways they feel about the people and things they love.
Tari: The Little Balinese Dancer
Focus on Indonesia
Author:
Publisher:
ISBN:
Category : Indonesia
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : Indonesia
Languages : en
Pages : 354
Book Description
Balungan
Author:
Publisher:
ISBN:
Category : Gamelan
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Gamelan
Languages : en
Pages : 92
Book Description
The Five Continents of Theatre
Author: Eugenio Barba
Publisher: BRILL
ISBN: 9004392939
Category : Drama
Languages : en
Pages : 420
Book Description
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
Publisher: BRILL
ISBN: 9004392939
Category : Drama
Languages : en
Pages : 420
Book Description
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
The Oxford Handbook of Music and Queerness
Author: Fred Everett Maus
Publisher: Oxford University Press
ISBN: 0197607527
Category : Social Science
Languages : en
Pages : 691
Book Description
Music and queerness interact in many different ways. The Oxford Handbook of Music and Queerness brings together many topics and scholarly disciplines, reflecting the diversity of current research and methodology. Each of the book's six sections exemplifies a particular rhetoric of queer music studies. The section "Kinds of Music" explores queer interactions with specific musics such as EDM, hip hop, and country. "Versions" explores queer meanings that emerge in the creation of a version of a pre-existing text, for instance in musical settings of Biblical texts or practices of karaoke. "Voices and Sounds" turns in various ways to the materiality of music and sound. "Lives" focuses on interactions of people's lives with music and queerness. "Histories" addresses moments in the past, beginning with times when present conceptualizations of sexuality had not yet developed and moving to cases studies of more recent history, including the creation of pop songs in response to HIV/AIDS and the Eurovision song contest. The final section, "Cross-cultural Queerness," asks how to understand gender and sexuality in locations where recent Euro-American concepts may not be appropriate.
Publisher: Oxford University Press
ISBN: 0197607527
Category : Social Science
Languages : en
Pages : 691
Book Description
Music and queerness interact in many different ways. The Oxford Handbook of Music and Queerness brings together many topics and scholarly disciplines, reflecting the diversity of current research and methodology. Each of the book's six sections exemplifies a particular rhetoric of queer music studies. The section "Kinds of Music" explores queer interactions with specific musics such as EDM, hip hop, and country. "Versions" explores queer meanings that emerge in the creation of a version of a pre-existing text, for instance in musical settings of Biblical texts or practices of karaoke. "Voices and Sounds" turns in various ways to the materiality of music and sound. "Lives" focuses on interactions of people's lives with music and queerness. "Histories" addresses moments in the past, beginning with times when present conceptualizations of sexuality had not yet developed and moving to cases studies of more recent history, including the creation of pop songs in response to HIV/AIDS and the Eurovision song contest. The final section, "Cross-cultural Queerness," asks how to understand gender and sexuality in locations where recent Euro-American concepts may not be appropriate.
Lamak
Author: Francine Brinkgreve
Publisher:
ISBN: 9789088903915
Category :
Languages : en
Pages : 300
Book Description
This is the first study to examine in detail ritual objects known as 'Lamak', a fascinating and unique form of ephemeral material culture which is a prominent feature of Balinese creativity.
Publisher:
ISBN: 9789088903915
Category :
Languages : en
Pages : 300
Book Description
This is the first study to examine in detail ritual objects known as 'Lamak', a fascinating and unique form of ephemeral material culture which is a prominent feature of Balinese creativity.
Bibliographic Guide to Dance
Author: New York Public Library. Dance Collection
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 1066
Book Description
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 1066
Book Description
Change and Identity in the Music Cultures of Lombok, Indonesia
Author: David D. Harnish
Publisher: BRILL
ISBN: 9004498249
Category : Music
Languages : en
Pages : 357
Book Description
This is a longitudinal study of music that weaves the complex stories of many disparate musics into a coherent account of quests for identities that illuminates Lombok’s history, its complex religious and ethnic composition, and its current political circumstances.
Publisher: BRILL
ISBN: 9004498249
Category : Music
Languages : en
Pages : 357
Book Description
This is a longitudinal study of music that weaves the complex stories of many disparate musics into a coherent account of quests for identities that illuminates Lombok’s history, its complex religious and ethnic composition, and its current political circumstances.
Gamelan Gong Kebyar
Author: Michael Tenzer
Publisher: University of Chicago Press
ISBN: 9780226792811
Category : History
Languages : en
Pages : 524
Book Description
The Balinese gamelan, with its shimmering tones, breathless pace, and compelling musical language, has long captivated musicians, composers, artists, and travelers. Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent twentieth-century genre, gamelan gong kebyar. Combining the tools of the anthropologist, composer, music theorist, and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure. In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a non-Western orchestral genre is wholly original. Illustrated throughout, the book also includes nearly 100 pages of musical transcription (in Western notation) that correlate with 55 separate tracks compiled on two accompanying compact discs. The most ambitious work on gamelan since Colin McPhee's classic Music in Bali, this book will interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia, and Bali.
Publisher: University of Chicago Press
ISBN: 9780226792811
Category : History
Languages : en
Pages : 524
Book Description
The Balinese gamelan, with its shimmering tones, breathless pace, and compelling musical language, has long captivated musicians, composers, artists, and travelers. Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent twentieth-century genre, gamelan gong kebyar. Combining the tools of the anthropologist, composer, music theorist, and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure. In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a non-Western orchestral genre is wholly original. Illustrated throughout, the book also includes nearly 100 pages of musical transcription (in Western notation) that correlate with 55 separate tracks compiled on two accompanying compact discs. The most ambitious work on gamelan since Colin McPhee's classic Music in Bali, this book will interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia, and Bali.
Calling Back the Spirit
Author: R. Anderson Sutton
Publisher: Oxford University Press
ISBN: 0195354656
Category : Music
Languages : en
Pages : 302
Book Description
Calling Back the Spirit describes how, in the face of Indonesian and foreign cultural pressures, the Makassarese people of South Sulawesi are defending their local spirit through music and dance. The book examines the ways performers in this corner of Indonesia seek to empower local music and dance in a changing environment.
Publisher: Oxford University Press
ISBN: 0195354656
Category : Music
Languages : en
Pages : 302
Book Description
Calling Back the Spirit describes how, in the face of Indonesian and foreign cultural pressures, the Makassarese people of South Sulawesi are defending their local spirit through music and dance. The book examines the ways performers in this corner of Indonesia seek to empower local music and dance in a changing environment.