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Author: Haruki Mori
Publisher: National Geographic Books
ISBN: 0500023069
Category : Design
Languages : en
Pages : 0
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Book Description
A complete retrospective of the work of Takenobu Igarashi, Japan’s ingenious master of hand-drawn, three-dimensional typography. In the mid-1970s, designer Takenobu Igarashi began a prolific, decade-long exploration into the possibilities of three-dimensional typography. His first experiments with lettering—heavily influenced by the avant-garde typography of the 1920s—appeared on magazine covers, posters, and record sleeves. Timeless and technically dazzling, Igarashi’s signature style demonstrates his mastery of three-dimensional forms and perspective, refined long before the introduction of computers into the design industry. Takenobu Igarashi A–Z offers a comprehensive guide to Igarashi’s experimental typography, featuring not only his most celebrated works, but also a first look at archival plans, drawings, and production drafts for his iconic designs. From his early print works and hand-drawn experiments to self-initiated sculptural pieces and high-profile 3-D identities for international clients and institutions, this book is a long-overdue survey of one of the most ingenious graphic designers of the twentieth century.
Author: Haruki Mori
Publisher: National Geographic Books
ISBN: 0500023069
Category : Design
Languages : en
Pages : 0
Get Book Here
Book Description
A complete retrospective of the work of Takenobu Igarashi, Japan’s ingenious master of hand-drawn, three-dimensional typography. In the mid-1970s, designer Takenobu Igarashi began a prolific, decade-long exploration into the possibilities of three-dimensional typography. His first experiments with lettering—heavily influenced by the avant-garde typography of the 1920s—appeared on magazine covers, posters, and record sleeves. Timeless and technically dazzling, Igarashi’s signature style demonstrates his mastery of three-dimensional forms and perspective, refined long before the introduction of computers into the design industry. Takenobu Igarashi A–Z offers a comprehensive guide to Igarashi’s experimental typography, featuring not only his most celebrated works, but also a first look at archival plans, drawings, and production drafts for his iconic designs. From his early print works and hand-drawn experiments to self-initiated sculptural pieces and high-profile 3-D identities for international clients and institutions, this book is a long-overdue survey of one of the most ingenious graphic designers of the twentieth century.
Author: John T. Hill
Publisher:
ISBN: 9781576879771
Category :
Languages : en
Pages : 312
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Book Description
This first comprehensive account of a mid-century master covers the multi-faceted career of a fine artist, graphic designer, teacher, and publisher. It reflects Norman Ives's timeless relevance in the visual arts. Constructions & Reconstructions is an overview of Norman Ives's multifaceted career. Ives was a gifted artist better known for his graphic design. His talents extended well beyond the field of design. Much of this seamless transi- tion came from Ives's mastery of form, common to both endeavors. Ives's paintings and collages are collected by major museums: The 1967 Whitney Annual exhibition of American painting, the Guggenheim Museum, Yale University Art Gallery and various others. Norman Ives holds a secure place in the history of American Mid-Century Modern canon as one of a band of artists using letterforms as art. Ives's design and art appeared to be outliers of the percolating type-as-art movement popularized by Robert Indiana's LOVE sculptures. Type-related art has since become ubiquitous in painting and sculpture, as well as other massive architectural "type works." Ives's work fits squarely into this genre having roots in the early 20th-century Modern movement. Ives's was part of a period representing a high point in the teachings of graphic design. This began with Josef Albers's restructuring of the Yale University Art School. Ives was both a student of Albers and his teaching colleague, then later, his publisher. Taking Albers's lead, this curriculum helped reformulate graphic design in its evolution from commercial art. Norman Ives was a member of AGI, along with fellow faculty members Herbert Matter, Armin Hofmann, Paul Rand, and Bradbury Thompson.) Ives's recognition in two major fields of the visual arts makes him worthy of being called master, in any period. In the history of art, there are many examples of works that rise to the level rightfully called timeless: Corinthian helmets, Heraldry, Greek sculpture, Kurt Schwitters's collages, and the work of Josef Albers. The book itself is a work of art, a comprehensive account of the spirit and genius of Norman Ives. It has been long in the making. After studying with Ives, the book's author John T. Hill then taught with Ives at Yale's School of Fine Arts. This book introduces unseen master works, showcasing the brilliant variety and vitality of the work. It fully delineates his stock in trade--letterforms--which became "his lyrical strokes, their construction and reconstruction defining his work."
Author:
Publisher: Page Two Books, Incorporated
ISBN: 9781989603246
Category :
Languages : en
Pages :
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Book Description
Author: Steven Heller
Publisher: National Geographic Books
ISBN: 0500241457
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
A celebration of the world of letters found or created in unexpected places: natural, artificial, and urban alike Even non-graphic designers know that type is everywhere: fonts and typefaces fill everything we consume or inhabit. They communicate, inform, sell, explain . . . and yet finding serendipitous letterforms in the least likely locations can also excite and inspire. Once experienced, it is impossible not to see letters in anything from forests to housing projects, from leaves to brickwork. The eye becomes accustomed to seeing a world built of letters. Unlike most books on typography that present the “best” and most refined examples, the object here is to reveal the "lost" or "unseen" typographies in nature and our cities. From machine-made and sculptural forms to flora and fauna, from the fading ghost types on buildings from a pre-digital age to the subterranean forms found beneath our urban centers, from crowd-sourced creations to the popular vernacular, there is a universe of letterforms all around us.
Author: Douglas Kearney
Publisher: Wave Books
ISBN: 1950268624
Category : Poetry
Languages : en
Pages : 90
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Book Description
2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
Author: TwoPoints.Net
Publisher: Victionary
ISBN: 9789887850175
Category : Design
Languages : en
Pages : 0
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Book Description
"The world of typography is more exciting than ever. While the legacies of classical typographers will always be respected and revered, recent developments have paved the way for the new generation of digitally-savvy creatives to explore and experiment with an eye-opening range of variable possibilities. Curated, written, and designed by renowned design agency TwoPoints.Net, On the Road to Variable showcases an inspiring array of projects and interviews with those who fearlessly push the boundaries and embrace the new frontier in design: the flexible future of typography."--back cover.
Author: Denise Gonzales Crisp
Publisher: Graphic Design in Context
ISBN: 9780500290507
Category : Graphic arts
Languages : en
Pages : 0
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Book Description
This book frames typography as a system of interrelated concerns as much as it summarizes the traditional craft that is the usual content of books on typography. Rather than reiterate an already documented set of rules that yield formulaic appropriateness, it describes the constantly shifting terrain of typography and provides ways of thinking about typographic relationships that adapt to content, contexts, and audiences.
Author: Robert Finkel
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848224704
Category :
Languages : en
Pages : 144
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Book Description
In the late 1960s, IBM was one of the world's pre-eminent corporations, employing over 250,000 people in 100 countries and producing some of the most advanced products on earth. IBM President Thomas J. Watson Jnr. sought to elevate the company's image by hiring world-renowned design consultants, including Eliot Noyes and Paul Rand. As well as developing the iconic IBM logo and a corporate design guide, Rand also brought together a remarkable team of internal staff designers. One of the designers he hand-picked was Ken White, who, along with John Anderson and Tom Bluhm, headed up the design team at the IBM Design Center in Boulder, Colorado. Together, they initiated a poster program as a platform for elevating internal communications and initiatives within the company. These posters were displayed in hallways, conferences rooms, and cafeterias throughout IBM campuses, with subject matter including everything from encouraging equal opportunity policies, to reminders on best security practices, to promoting a family fun day. Designers often incorporated figurative typography, dry humor, visual puns, and photography to craft memorable and compelling messages.
Author:
Publisher:
ISBN: 9781864708936
Category : Design
Languages : en
Pages : 512
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Book Description
* A small selection of projects covered in the book include: One World Trade Center (SOM), Marina Bay Sands (Safdie), Hudson Yards (KPF), The Vessel (Heatherwick), Post 9/11 installations at the WTC site, New York's new Penn Station (SOM), Jewel Changi Airport (Safdie), Rockefeller Center, City Point (a hip new Brooklyn center), Cooper Hewitt National Design Museum (DSR), The Skyscraper Museum - NY, New York's iconic 42nd St Public Library, Mumbai's International Airport (SOM), Toronto's Pearson Airport (Safdie & SOM), GSK's North American Headquarters (Stern), Hotel Hankyu, Japan, Cornell Tech's Manhattan campus (Morphosis & SOM), Arizona Cardinals NFL football stadium (Eisenman)Michael Gericke is one of the most influential graphic designers in the world today. This much anticipated monograph covers four decades of work by the acclaimed graphic designer and Pentagram partner. Lavishly illustrated throughout at close to 500 pages, the book is driven by a celebration of places, telling stories, and making images and symbols - predominantly through Gericke's work with projects for buildings, civic moments, exhibitions and visual identities, including for posters, magazines, New York's AIA chapter (America's largest) and the Center for Architecture that, through graphics and images, continues to portray the spirit of architecture and design in New York City today. Prefaced by the prize-winning architect Moshe Safdie, with commentary by Pulitzer Prize-winning architectural critic and educator Paul Goldberger, this encyclopedic compilation is a must for all collectors and aficionados of contemporary design, branding, and visual identity. Michael Gericke's design work lies at the intersection of image making, communications, and the built environment, and
Author: Peter Dawson
Publisher:
ISBN: 9780500241547
Category : Type and type-founding
Languages : en
Pages : 672
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Book Description
The most comprehensive, practical, and beautiful directory of type, organized by type category - Serif, Sans Serif, Display, and Script - and covering all styles throughout history. Type Directory offers 1,800 examples of the best in type design, spanning almost 600 years of design history. From classics such as Garamond, Baskerville, Futura, and Helvetica, to more idiosyncratic recent creations such as Gotham and Filosofia, Type Directory features illuminating profiles of the most important and influential typefaces ever created. Organized by type category - Serif, Sans Serif, Display, and Script - each typeface is presented in uppercase and lowercase alphabetical letters, along with numbers, key punctuation marks, and symbols. This comprehensive guide also features profiles and interviews with leading designers and type foundries, as well as inspirational examples of graphic designs using specific typefaces.
