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Author: Dimitrios Meletis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110757893
Category : Language Arts & Disciplines
Languages : en
Pages : 359
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Book Description
Grapholinguistics, the multifaceted study of writing systems, is growing increasingly popular, yet to date no coherent account covering and connecting its major branches exists. This book now gives an overview of the core theoretical and empirical questions of this field. A treatment of the structure of writing systems—their relation to speech and language, their material features, linguistic functions, and norms, as well as the different types in which they come—is complemented by perspectives centring on the use of writing, incorporating psycholinguistic and sociolinguistic issues such as reading processes or orthographic variation as social action. Examples stem from a variety of diverse systems such as Chinese, English, Japanese, Arabic, Thai, German, and Korean, which allows defining concepts in a broadly applicable way and thereby constructing a comparative grapholinguistic framework that provides readers with important tools for studying any writing system. The book emphasizes that grapholinguistics is a discipline in its own right, inviting discussion and further research in this up-and-coming field as well as an overdue integration of writing into general linguistic discussion.
Author: Dimitrios Meletis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110757893
Category : Language Arts & Disciplines
Languages : en
Pages : 359
Get Book Here
Book Description
Grapholinguistics, the multifaceted study of writing systems, is growing increasingly popular, yet to date no coherent account covering and connecting its major branches exists. This book now gives an overview of the core theoretical and empirical questions of this field. A treatment of the structure of writing systems—their relation to speech and language, their material features, linguistic functions, and norms, as well as the different types in which they come—is complemented by perspectives centring on the use of writing, incorporating psycholinguistic and sociolinguistic issues such as reading processes or orthographic variation as social action. Examples stem from a variety of diverse systems such as Chinese, English, Japanese, Arabic, Thai, German, and Korean, which allows defining concepts in a broadly applicable way and thereby constructing a comparative grapholinguistic framework that provides readers with important tools for studying any writing system. The book emphasizes that grapholinguistics is a discipline in its own right, inviting discussion and further research in this up-and-coming field as well as an overdue integration of writing into general linguistic discussion.
Author:
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 818
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ISBN:
Category : Medicine
Languages : en
Pages : 842
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Author: Robert S.D. Crellin
Publisher: Oxbow Books
ISBN: 178925678X
Category : Language Arts & Disciplines
Languages : en
Pages : 336
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Much focus in research on alphabetic writing systems has been on correspondences between graphemes and phonemes. The present study sets out to complement these by examining the linguistic denotation of markers of word division in several ancient Northwest Semitic (NWS) writing systems, namely, Ugaritic, Phoenician, Moabite, and Hebrew, as well as alphabetic Greek. While in Modern European languages words on the page are separated on the basis of morphosyntax, I argue that in most NWS writing systems words are divided on the basis of prosody: ‘words’ are units which must be pronounced together with a single primary accent or stress, or as a single phrase. After an introduction providing the necessary theoretical groundwork, Part I considers word division in Phoenician inscriptions. I show that word division at the levels of both the prosodic word and of the prosodic phrase may be found in Phoenician, and that the distributions match those of prosodic words and prosodic phrases in Tiberian Hebrew. The latter is a source where, unlike the rest of the material considered, the prosody is well represented. In Part II, word division in Ugaritic alphabetic cuneiform is analyzed. Here two-word division strategies are identified, corresponding broadly to two genres of text: viz, literary, and administrative documents. Word division in the orthography of literary and of some other texts separates prosodic words. By contrast, in many administrative (and some other) documents, words are separated on the basis of morphosyntax, anticipating later word division strategies in Europe by several centuries. Part III considers word division in the consonantal text of the Masoretic tradition of Biblical Hebrew. Here word division is found to mark out ‘minimal prosodic words’. I show that this word division orthography is also found in early Moabite and Hebrew inscriptions. Word division in alphabetic Greek inscriptions is the topic of Part IV. Whilst it is agreed that word division marks out prosodic words, the precise relationship of these units to the pitch accent and the rhythm of the language is not so clear, and consequently this issue is addressed in detail. Finally, the Epilogue considers the societal context of word division in each of the writing systems examined, to attempt to discern the rationales for the prosodic word division strategies adopted. Contexts of and Relations between Early Writing Systems (CREWS) is a project funded by the European Research Council under the European Union’s Horizon 2020 research and innovation program (grant agreement No. 677758), and based in the Faculty of Classics, University of Cambridge.
Author:
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ISBN:
Category : Medicine
Languages : en
Pages : 816
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Author: James Copland
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 560
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Publisher:
ISBN:
Category : Hydraulic engineering
Languages : en
Pages : 532
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Author: Miranda J. Banks
Publisher: Rutgers University Press
ISBN: 0813571405
Category : Performing Arts
Languages : en
Pages : 345
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Book Description
Screenwriters are storytellers and dream builders. They forge new worlds and beings, bringing them to life through storylines and idiosyncratic details. Yet up until now, no one has told the story of these creative and indispensable artists. The Writers is the only comprehensive qualitative analysis of the history of writers and writing in the film, television, and streaming media industries in America. Featuring in-depth interviews with over fifty writers—including Mel Brooks, Norman Lear, Carl Reiner, and Frank Pierson—The Writers delivers a compelling, behind-the-scenes look at the role and rights of writers in Hollywood and New York over the past century. Granted unprecedented access to the archives of the Writers Guild Foundation, Miranda J. Banks also mines over 100 never-before-published oral histories with legends such as Nora Ephron and Ring Lardner Jr., whose insight and humor provide a window onto the enduring priorities, policies, and practices of the Writers Guild. With an ear for the language of storytellers, Banks deftly analyzes watershed moments in the industry: the advent of sound, World War II, the blacklist, ascension of television, the American New Wave, the rise and fall of VHS and DVD, and the boom of streaming media. The Writers spans historical and contemporary moments, and draws upon American cultural history, film and television scholarship and the passionate politics of labor and management. Published on the sixtieth anniversary of the formation of the Writers Guild of America, this book tells the story of the triumphs and struggles of these vociferous and contentious hero-makers.
Author: Michelle Kelly
Publisher: Routledge
ISBN: 1000215733
Category : Literary Criticism
Languages : en
Pages : 266
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Prison Writing and the Literary World tackles international prison writing and writing about imprisonment in relation to questions of literary representation and formal aesthetics, the “value” or “values” of literature, textual censorship and circulation, institutional networks and literary-critical methodologies. It offers scholarly essays exploring prison writing in relation to wartime internment, political imprisonment, resistance and independence creation, regimes of terror, and personal narratives of development and awakening that grapple with race, class and gender. Cutting across geospatial divides while drawing on nation- and region-specific expertise, it asks readers to connect the questions, examples and challenges arising from prison writing and writing about imprisonment within the UK and the USA, but also across continental Europe, Stalinist Russia, the Americas, Africa and the Middle East. It also includes critical reflection pieces from authors, editors, educators and theatre practitioners with experience of the fraught, testing and potentially inspiring links between prison and the literary world.
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Category : Medicine
Languages : en
Pages : 1802
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