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Author: Edward Lucie-Smith
Publisher:
ISBN: 9780500181317
Category : Art, Modern
Languages : en
Pages : 216
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Book Description
Symbolic art - Romanticism and Symbolism - Symbolist movement in France - Gustave Moreau - Redon and Bresdin - Puvis de Chavannes and Carriere - Gauguin, Pont-Aven and the Nabis - Edvard Munch.
Author: Edward Lucie-Smith
Publisher:
ISBN: 9780500181317
Category : Art, Modern
Languages : en
Pages : 216
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Book Description
Symbolic art - Romanticism and Symbolism - Symbolist movement in France - Gustave Moreau - Redon and Bresdin - Puvis de Chavannes and Carriere - Gauguin, Pont-Aven and the Nabis - Edvard Munch.
Author: Michelle Facos
Publisher: Univ of California Press
ISBN: 0520255828
Category : Art
Languages : en
Pages : 296
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Book Description
The Symbolist art movement of the late 19th century forms an important bridge between Impressionism and Modernism. But because Symbolism emphasizes ideas over objects and events, it has suffered from conflicting definitions. In this book, Michelle Facos offers a comprehensive description of this challenging subject.
Author: Henri Dorra
Publisher: Univ of California Press
ISBN: 9780520077683
Category : Art
Languages : en
Pages : 420
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Book Description
Presents the development and the aesthetic theories of the symbolist movement in art and literature
Author: Professor Michelle Facos
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472419626
Category : Art
Languages : en
Pages : 265
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Book Description
The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
Author: Patricia Mathews
Publisher: University of Chicago Press
ISBN: 9780226510187
Category : Art
Languages : en
Pages : 348
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Book Description
"Art historian Patricia Mathews examines the artistic, social, and scientific discourses of fin-de-siecle France. Along the way, she illuminates the Symbolist construction of a feminized aesthetic that nonetheless excluded female artists from its realm. She analyzes contemporary cultural assumptions as well as theories such as social Darwinism, biological determinism, and degeneracy."--BOOK JACKET.
Author: Thomas Negovan
Publisher:
ISBN: 9781947528116
Category :
Languages : en
Pages : 59
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Book Description
Author: Nathalia Brodskaïa
Publisher: Parkstone International
ISBN: 1783103981
Category : Art
Languages : en
Pages : 276
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Book Description
Symbolism appeared in France and Europe between the 1880s and the beginning of the 20th century. The Symbolists, fascinated with ancient mythology, attempted to escape the reign of rational thought imposed by science. They wished to transcend the world of the visible and the rational in order to attain the world of pure thought, constantly flirting with the limits of the unconscious. The French Gustave Moreau, Odilon Redon, the Belgians Fernand Khnopff and Félicien Rops, the English Edward Burne-Jones and Dante Gabriel Rossetti, and the Dutch Jan Toorop are the most representative artists of the movement.
Author: Andrei Pop
Publisher: Zone Books
ISBN: 1935408364
Category : Art
Languages : en
Pages : 321
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Book Description
In this groundbreaking book, Andrei Pop presents a lucid reassessment of those writers and artists in the late nineteenth century whose work merits the adjective “symbolist.” For Pop, this term denotes an art that is self-conscious about its modes of making meaning and he argues that these symbolist practices, which sought to provide more direct access to the viewer by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but a revolution in sense and in how we conceptualize the world. At the same time, the concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, especially by mathematicians and logicians who were dissatisfied with the strict empiricism dominant in their disciplines, and which made shared knowledge seem unattainable. A crisis of sense made art and science look for conceptual foundations underlying the diverging subjective responses and perceptions of individuals. Unlike other studies of this period, Pop’s focus is not on how individual artists may have absorbed bits of scientific theories, but rather on the philosophical questions that were relevant to both domains. The problem of subjectivity in particular, of what in one’s experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop’s brilliant close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell add up to a startling but coherent picture of the symbolist heritage of modernity and its consequences.
Author: Denise Mimmocchi
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
Catalogue to accompany exhibition investigating two main streams of Symbolist art in Australia: works by artists who trained or lived overseas and drew directly from European Symbolist genres; and works by artists in Australia who referenced Symbolism to define a local experience.
Author: Dee Reynolds
Publisher: Cambridge University Press
ISBN: 9780521421027
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
This innovative analysis of the role of imagination as a central concept in both literary and art criticism studies works by Rimbaud, Mallarmé, Kandinsky, and Mondrian.
