Sweet Mary Come to Me, for Voice and Pianoforte

Sweet Mary Come to Me, for Voice and Pianoforte PDF Author: William Shield
Publisher:
ISBN:
Category : Flute with piano, Arranged
Languages : en
Pages : 12

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Sweet Mary Come to Me, for Voice and Pianoforte

Sweet Mary Come to Me, for Voice and Pianoforte PDF Author: William Shield
Publisher:
ISBN:
Category : Flute with piano, Arranged
Languages : en
Pages : 12

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Sprigs of Laurel

Sprigs of Laurel PDF Author:
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 54

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Secular Music in America, 1801-1825

Secular Music in America, 1801-1825 PDF Author: Richard J. Wolfe
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 496

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Music in Early America

Music in Early America PDF Author: Donald L. Hixon
Publisher: Metuchen, N.J : Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 634

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The Catalogue of Printed Music in the British Library to 1980

The Catalogue of Printed Music in the British Library to 1980 PDF Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440

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Songs of the West

Songs of the West PDF Author: S. Baring-Gould
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 466

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DigiCat Publishing presents to you this special edition of "Songs of the West" (Folk Songs of Devon & Cornwall Collected from the Mouths of the People) by S. Baring-Gould, H. Fleetwood Sheppard, F. W. Bussell. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

British Music and the French Revolution

British Music and the French Revolution PDF Author: Paul F. Rice
Publisher: Cambridge Scholars Publishing
ISBN: 1443821802
Category : Performing Arts
Languages : en
Pages : 401

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British Music and the French Revolution investigates the nature of British musical responses to the cataclysmic political events unfolding in France during the period of 1789–1795, a time when republican and royalist agendas were in conflict in both nations. While the parallel demands for social and political change resulted from different stimuli, and were resolved very differently, the 1790s proved to be a defining period for each country. In Britain, the combination of a protracted period of Tory conservatism, and the strong spirit of patriotism which swept the nation, had a profound influence on the arts. There was an outpouring of concert and theatrical music dealing with the French Revolution and the subsequent war with France. While patriotic songs might be expected when a country is at war, the number of recreations on the London stages of events taking place on the Continent may surprise. Initially, such topical subjects were restricted to the summer or “minor” theatres; however, government restrictions were relaxed after 1793, giving Londoners the opportunity to see topical theatre in the royal or “patent” theatres, as well. The resulting repertoire of plays and recreations (often propagandist in nature) made considerable use of music, and those performed in the “minor” theatres were all-sung. Consequently, there exists a large repertoire of music which has been little studied. British Music and the French Revolution investigates this repertoire within a social and political context. Initial chapters examine the historical relationship between France and Britain from a musical perspective, the powerful symbols of national identity in both countries, and the complex laws that governed commercial theatres in London. Thereafter, the materials are presented in a chronological fashion, starting with the fall of the Bastille in 1789, and the Fête de la Fédération in 1790. The period of the Captivity was one of growing tension and fear in both France and Britain as war became an ever-increasing threat between the two nations. Two subsequent chapters examine the war years of 1793 until first half of 1795. The choice of a five-year period allows the reader to follow British musical reactions to the fall of the Bastille and subsequent events up to the rise of Napoléon.

Who'll serve the Queen? or, Military and Naval Ardour. An operatic drama [in two acts and in prose and verse] founded on O'Keeffe's comic opera of “Sprigs of Laurel” ... Altered ... by T. Williams

Who'll serve the Queen? or, Military and Naval Ardour. An operatic drama [in two acts and in prose and verse] founded on O'Keeffe's comic opera of “Sprigs of Laurel” ... Altered ... by T. Williams PDF Author: John O'Keeffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 56

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The British Union-catalogue of Early Music Before the Year 1801

The British Union-catalogue of Early Music Before the Year 1801 PDF Author: Edith Betty Schnapper
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 626

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Sprigs of Laurel: a Comic Opera, in Two Acts

Sprigs of Laurel: a Comic Opera, in Two Acts PDF Author: John O'Keeffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 66

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