Susan Verdi Webster. Art and Ritual in Golden-age Spain: Sevillian Confraternities and the Processional Sculpture of Holy Week. Princeton, N.J.: Princeton University Press, 1998. [Book Review]. PDF Download
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Author: Marjorie Trusted
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Languages : en
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![Susan Verdi Webster. Art and Ritual in Golden-age Spain: Sevillian Confraternities and the Processional Sculpture of Holy Week. Princeton, N.J.: Princeton University Press, 1998. [Book Review]. PDF](https://books.google.com/books/content/images/frontcover/pCCfswEACAAJ?fife=w80-h100)
Author: Marjorie Trusted
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Languages : en
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Author: Susan Verdi Webster
Publisher:
ISBN: 9780691048192
Category : Art
Languages : en
Pages : 298
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For nearly five centuries, lay religious groups throughout the Spanish-speaking world have staged elaborate public processions commemorating the events of Christ's passion during Holy Week. In the Golden Age, such processions featured extraordinarily lifelike sculpted images that were naturalistically painted, elaborately clothed and adorned, and surrounded by convincing stage properties and scenography--all of which combined to create a profound impression on spectators. Long dismissed as a minor form of popular art, these polychrome wood sculptures emerge from this book as a unique genre, one that can be best understood within its ritual context. Here, Susan Verdi Webster explores the Holy Week processions of penitential confraternities in Golden-Age Seville, for which many of Spain's greatest sculptors created some of the most illusionistic works ever. She demonstrates how the pivotal role of the sculptures in procession transformed them from carved wooden objects to catalysts for intense spiritual and emotional experiences shared by spectators in the streets. Drawing on extensive archival evidence and contemporary chronicles, Webster is among the first to examine in depth Spanish processional sculpture, its patrons, and its ritual function. Her inquiry wends through a kaleidoscopic variety of arenas--artistic, religious, social, cultural, and political--to provide a fascinating perspective on popular religious devotion in Golden-Age Spain and on a previously undervalued dimension of Spanish sculpture.
Author: Ilenia Colón Mendoza
Publisher: Taylor & Francis
ISBN: 1040043348
Category : Art
Languages : en
Pages : 271
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This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent. The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.
Author: Susan Verdi Webster
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Ilenia Col?n Mendoza
Publisher: Routledge
ISBN: 1351545299
Category : Art
Languages : en
Pages : 221
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Book Description
Analyzing seventeenth-century images of the dead Christ produced by Gregorio Fern?ez, author Ilenia Col?endoza investigates how and why the artist and his patrons manipulated these images in connection with the religious literature of the time to produce striking images that moved the faithful to devotion. In so doing, she contributes new findings to the topic of Spanish sacred sculpture. The author re-examines these sculptures not only in the context of a larger sculptural group but also as independent sculptures that were intended as powerful aids to contemplation and devotion as was prescribed by the writings of San Juan de la Cruz and Luis de Granada. Combining study of the sculptural works with that of liturgical sources, she reveals the connection between the written word and the sculpted work of art. Through this interdisciplinary approach, the author links Fern?ez's sculptural program with the strategic objectives of major patrons of the period, such as the Duke of Lerma and King Philip III of Spain, both fervent defenders of the Catholic faith.
Author: Keri Watson
Publisher: Routledge
ISBN: 1000553450
Category : Social Science
Languages : en
Pages : 574
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Book Description
The Routledge Companion to Art and Disability explores disability in visual culture to uncover the ways in which bodily and cognitive differences are articulated physically and theoretically, and to demonstrate the ways in which disability is culturally constructed. This companion is organized thematically and includes artists from across historical periods and cultures in order to demonstrate the ways in which disability is historically and culturally contingent. The book engages with questions such as: How are people with disabilities represented in art? How are notions of disability articulated in relation to ideas of normality, hybridity, and anomaly? How do artists use visual culture to affirm or subvert notions of the normative body? Contributors consider the changing role of disability in visual culture, the place of representations in society, and the ways in which disability studies engages with and critiques intersectional notions of gender, race, ethnicity, class, and sexuality. This book will be particularly useful for scholars in art history, disability studies, visual culture, and museum studies.
Author: Penny C. Morrill
Publisher: University of Texas Press
ISBN: 147732934X
Category : Art
Languages : en
Pages : 312
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Book Description
The Casa del Deán in Puebla, Mexico, is one of few surviving sixteenth-century residences in the Americas. Built in 1580 by Tomás de la Plaza, the Dean of the Cathedral, the house was decorated with at least three magnificent murals, two of which survive. Their rediscovery in the 1950s and restoration in 2010 revealed works of art that rival European masterpieces of the early Renaissance, while incorporating indigenous elements that identify them with Amerindian visual traditions. Extensively illustrated with new color photographs of the murals, The Casa del Deán presents a thorough iconographic analysis of the paintings and an enlightening discussion of the relationship between Tomás de la Plaza and the indigenous artists whom he commissioned. Penny Morrill skillfully traces how native painters, trained by the Franciscans, used images from Classical mythology found in Flemish and Italian prints and illustrated books from France—as well as animal images and glyphic traditions with pre-Columbian origins—to create murals that are reflective of Don Tomás’s erudition and his role in evangelizing among the Amerindians. She demonstrates how the importance given to rhetoric by both the Spaniards and the Nahuas became a bridge of communication between these two distinct and highly evolved cultures. This pioneering study of the Casa del Deán mural cycle adds an important new chapter to the study of colonial Latin American art, as it increases our understanding of the process by which imagery in the New World took on Christian meaning.
Author: H. B. Cavalcanti
Publisher: Bloomsbury Publishing USA
ISBN: 0313348138
Category : Religion
Languages : en
Pages : 189
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Book Description
Christian conservatism has changed drastically in the last 25 years. From the working-class faith of small, autonomous rural churches or storefront sanctuaries to the megachurches of the suburbs and the halls of power—Congress and the White House—the faith is no longer at the margins of American religion. Rather, it is a dominant force in the American public square. For the first time in its history, Christian conservatism boasts an expanded network of born-again clubs and services that closely follow secular trends in the American consumer market. A veritable Christian suburbia has been created that parallels its secular counterpart. This Christian conservative co-optation of suburbia is unprecedented in the history of the movement. Their embrace of modernity and middle-class lifestyle is a stark contrast to Christian conservatives who avoided engaging with modernity earlier in the 20th century. How did conservative Christianity change, and how is this change affecting its relationship with the larger society? Influenced by middle-class values, power, and education, Christian conservatism has opted to engage with modern political life, allying itself with the Republican Party, and developing an extensive political agenda of its own. This book documents the transformation of Christian conservatism into a middle-class faith and argues that the changes experienced by Christian conservatism are part of a larger religious realignment in American Christianity. Conservative Christianity, once home primarily to working- class religious communities, greatly benefited from the migration of conservative Christians from other denominations as a result of the 1960s Cultural Revolution. The final goal of the movement is, of course, the creation of a biblically-based society, one whose laws are defined by a conservative reading of the Scriptures and whose public mores are more akin to its newly gained middle class status. The push to restore a Christian America raises questions about the conservative Christian faith. Cavalcanti answers those questions as he traces the growth of the movement and its goals.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 920
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Author: Elizabeth King
Publisher: Getty Publications
ISBN: 1606068393
Category : Art
Languages : en
Pages : 258
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Book Description
An abundantly illustrated narrative that draws from the history of art, science, technology, artificial intelligence, psychology, religion, and conservation in telling the extraordinary story of a Renaissance robot that prays. This volume tells the singular story of an uncanny, rare object at the cusp of art and science: a 450-year-old automaton known as “the monk.” The walking, gesticulating figure of a friar, in the collection of the Smithsonian Institution’s National Museum of American History, is among the earliest extant ancestors of the self-propelled robot. According to legend connected to the court of Philip II of Spain, the monk represents a portrait of Diego de Alcalá, a humble Franciscan lay brother whose holy corpse was said to be agent to the miraculous cure of Spain’s crown prince as he lay dying in 1562. In tracking the origins of the monk and its legend, the authors visited archives, libraries, and museums across the United States and Europe, probing the paradox of a mechanical object performing an apparently spiritual act. They identified seven kindred automata from the same period, which, they argue, form a paradigmatic class of walking “prime movers,” unprecedented in their combination of visual and functional realism. While most of the literature on automata focuses on the Enlightenment, this enthralling narrative journeys back to the late Renaissance, when clockwork machinery was entirely new, foretelling the evolution of artificial life to come.
