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Author: Michael Benton
Publisher: Routledge
ISBN: 1351547534
Category : Education
Languages : en
Pages : 240
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Book Description
Michael Benton's book develops the concept of spectatorship as an answer to these questions. It explores the similarities and differences in our experiences of literature and the visual arts, and discusses their implications for pedagogy and their applications in cross-curricular work in the classroom. Teachers will find that, while many of the visual and verbal texts may be familiar, the approaches to them offer fresh insights and a rich agenda for the classroom. Shakespeare, Fielding, Hogarth, Blake, Wordsworth, Constable, Turner, the Pre-Raphaelites, Wilfred Owen, Paul Nash, Stanley Spencer, Ted Hughes and Seamus Heaney - the range of authors and artists discussed is both extensive and relevant to the National Curriculum and to post-16 and undergraduate courses.
Author: Michael Benton
Publisher: Routledge
ISBN: 1351547534
Category : Education
Languages : en
Pages : 240
Get Book Here
Book Description
Michael Benton's book develops the concept of spectatorship as an answer to these questions. It explores the similarities and differences in our experiences of literature and the visual arts, and discusses their implications for pedagogy and their applications in cross-curricular work in the classroom. Teachers will find that, while many of the visual and verbal texts may be familiar, the approaches to them offer fresh insights and a rich agenda for the classroom. Shakespeare, Fielding, Hogarth, Blake, Wordsworth, Constable, Turner, the Pre-Raphaelites, Wilfred Owen, Paul Nash, Stanley Spencer, Ted Hughes and Seamus Heaney - the range of authors and artists discussed is both extensive and relevant to the National Curriculum and to post-16 and undergraduate courses.
Author: Tatiana Korneeva
Publisher: University of Toronto Press
ISBN: 1487505353
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon.
Author: Judith Mayne
Publisher: Routledge
ISBN: 1134966881
Category : Social Science
Languages : en
Pages : 198
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Book Description
Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects" and "viewers" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues already discussed, concentrating on textual analysis, the `disrupting genre', `star-gazing' and finally the audience itself. Case studies incude the place of the spectator in the textual analysis of individual films such as The Picture of Dorian Gray; the construction of Bette Davis' star persona; fantasies of race and film viewing in Field of Dreams and Ghost; and gay and lesbian audiences as "critical" audiences. The book provides a very thorough and accessible overview of this complex, fragmented and often controversial area of film theory.
Author: Wendy Bellion
Publisher: UNC Press Books
ISBN: 080783890X
Category : Art
Languages : en
Pages : 384
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Book Description
In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, "Invisible Ladies," and other spectacles of deception. Bellion reconstructs the elite and vernacular sites where such art and objects appeared and argues that early national exhibitions doubled as spaces of citizen formation. Within a post-Revolutionary culture troubled by the social and political consequences of deception, keen perception signified able citizenship. Setting illusions into dialogue with Enlightenment cultures of science, print, politics, and the senses, Citizen Spectator demonstrates that pictorial and optical illusions functioned to cultivate but also to confound discernment. Bellion reveals the equivocal nature of illusion during the early republic, mapping its changing forms and functions, and uncovers surprising links between early American art, culture, and citizenship.
Author: P. A. Skantze
Publisher: Psychology Press
ISBN: 9780415286688
Category : Drama
Languages : en
Pages : 224
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Book Description
In the seventeenth century, emerging practices such as print, collecting and performance influenced early modern discussions of stillness and motion.
Author: Lilie Chouliaraki
Publisher: SAGE
ISBN: 9780761970408
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
Drawing on media and social theory, political philosophy and discourse analysis, this title offers an original theoretical perspective on the role of media in global civil society, and looks at how we might begin to analyse the ways in which distant suffering is portrayed, reproduced and consumed.
Author:
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Category :
Languages : en
Pages : 248
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Book Description
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Category : Education
Languages : en
Pages : 344
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Book Description
Author: Susan Hayward
Publisher: Routledge
ISBN: 1135120854
Category : Performing Arts
Languages : en
Pages : 578
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Book Description
Cinema Studies: The Key Concepts is an essential guide for anyone interested in film. Providing accessible coverage of a comprehensive range of genres, movements, theories and production terms, this is a must-have guide to a fascinating area of study and arguably the greatest art form of modern times. Now fully revised and updated for its fourth edition, the book includes new topical entries such as: CGI Convergence Cult cinema Digital cinema/Post-digital cinema Dogme 95• Movement-image/Time-image Quota quickies 3-D technology
Author: Donald J. Newman
Publisher: University of Delaware Press
ISBN: 0874139104
Category : History
Languages : en
Pages : 314
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Book Description
The Spectator: Emerging Discourses brings together a distinguished coterie of international scholars who take a fresh look at this influential eighteenth-century English periodical. Taking advantage of the insights provided by such critical perspectives as new historicism, postcolonialism, psychology, postmodernism and cultural studies, and by such theorists as Michel Foucault and Jurgen Habermas, the scholars represented herein offer new insights into The Spectator's relation to the changing society that influenced it-and that it in turn influenced.
